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House of LUMMOX

DUFUS 6

A Poetry Journal

© 2001-2002-2003 RD Armstrong (World-wide Rights Reserved)

This section of DUFUS deals with PLACE as MORALITY or a MORAL POSITION. Hopefully, by the time you read this, we will have stepped back from the brink of war and will all be breathing easier. My "little voice" tells me otherwise, but one can always hope... PLACE: it's not just for breakfast anymore.

If you've enjoyed this (or a previous) issue and are curious about the Lummox Journal, You can purchase a cuurent copy by sending TWO DOLLARS, USD, (US & Canada) or FOUR DOLLARS, USD, (WORLD) to: Lummox, POB 5301 San Pedro, CA 90733-5301.



Drawing by Sue Coe. Used with permission from Blue Collar Review which is a fine little digest of poetry with the working person in mind.

WOMEN IN BLACK: September 11, 2002
Alone on the north steps of the Capitol in Sacramento a woman stands—a dark pool of quiet in the sea of speeches and songs. People gather on wide stairs, in scattered dots on the broad green, by a microphone installed for politicians clearing their throats, eager to speak. People light candles. The woman stands in silence, dressed in black, veil covering her face. Another woman, also in black, mounts the steps, sets down her purse. She, too, drapes black over her head, assumes a comfortable stance, folds her hands. Their only greeting a small sad smile one to the other. Within minutes a dozen more Women in Black cluster near the first one, each covered head like the rest. For some the silence comes easily, they meditate in full public view. Some twitch and wriggle, think of lists, worry about who will take the kids to soccer. One, giggly with nerves, whispers to the large woman beside her, is gently hushed by a head turned aside. A small boy in a red 49ers shirt stops, fetches his brother, stares at faces hidden behind silk. A street musician strums a few chords, ambles back to the sidewalk, singing. Eyes wide and stricken, a man in a worn suit halts. His companion stumbles on her platform heels, mutters a curse, grabs his arm and yanks. Policemen glance at the women, see no threat, look away. For an hour in the noontime sun, in their black clothes and silence, the women witness for all mothers their sorrow at the death of even one innocent out in the rain of bullets and blood. Published in Poets Against The War, 2003 Patricia Wellingham-Jones Tehama, CA
POUR L'INSTANT Pour l'instant il n'en veut qu'au pétrole. Mais si chez vous il y a du soleil, si chez vous il y a du vent, ne le criez pas sur tous les toits! Ses petits-enfants pourraient bien un jour débarquer. translation: AT THE MOMENT At the moment, he just wants OIL. But if you feel the sun where you live, if you feel the wind where you live, don't mention it! EVER! His grandchildren shall come later later later... and steal sun and wind. Éric Dejaeger Pont-à-Celles, Belgium
Call me I wish you had called me today. I would have asked you if the gas was turned off and the windows all shut. I wanted to tell you that I made it to work despite the headache and the long files of cars. But this was not important. What I wanted to know was not about the day. It was about the news that we had on TV, the people who do things that aren’t right, the lives that mean less than a source of income, and the star high above that watches, sorry for us. Farida Mahoub Paris, France
& The Fucking Problem Is
...there are far more bullets than there are writers worth reading, more restless, unavenged bones buried deep in the earth than there are calla lilies. Hosho McCreesh ABQ, NM
from the window... i see two children across the road at the refugee centre darting in and out of guillotined cars i see them playing good solider/bad soldier a broken twig cocked and loaded in the hands of their scrawny arms— they are fair-haired europeans bootless men lifting themselves by their own bootstraps Alex Migliore London, England
Renting Storage Space We are renting storage space outside Racine near the lighthouse at Wind-Point. The storage space is where we hide the things we're not suppose to have, things they might take away if they knew where we kept them. (The cerebellum allows us to go through motions we've known since childhood) In summer we drive out to Wind-Point, sit by the lighthouse, feel the breeze off Lake Michigan and no one questions our location. We sit in the car, all the windows wide, and come to terms with the heat and with the contents of our storage space. If the Virgin Mary sits still long enough on our dashboard, we can come to terms with the cage we've built and with the night moths that come and go at will and that, sometimes, compel us to slap our own face. Tonight planets line up in the western sky. The moon, only a toenail above the horizon, Venus, Jupiter and Mars stacked like atlas points of fractured extremities. The District Attorney has a hard on for me because I live "like a prince", working part time, ponying contraband through rural crossings, remote and anonymous, Emo, Rainy River, Fort Frances, International Falls. Because while he burns midnight oil, I am face down in the sweet patch. These planets will not line up like this again until 2040 and yet we lay low, rent storage space, sign false documents, cover tracks, look over our shoulder and, finally, fix on the wide and trusting eyes of our sons who, by the minute, get better and better at putting two and two together. Our sons and daughters know whether we've come to terms or gone through motions. Next week we'll plant liquid amber and flowering plum trees that can survive on our desert. Ederica pine is messy but it, too, can make it at the other end of this country. Rick Smith Alta Loma, CA
THE CHILD IN THE BURNT HOUSE A child runs through a burnt house. He finds his father charred, dead, incinerated under some stairs. He kisses the face. His father's hand falls off. With the hand the child climbs to the burnt roof. The stars come close. They tell the child to sing. But he can't do anything. Robert Peters Huntington Beach, CA
PICTURES FROM CHILDHOOD
LIFE magazine man inspects Row of bodies kowtowed to heads Righted beside them. Blind Donald Pleasance rushes Out of his great escape into Nazi fire. Body winces as life escapes Invisible smoke rings From O, O, O of assassin's mouth. Cameras pop. Slim-suited Havoc of hotel kitchen. Saigon monk bleeds robe Crimson with fuel. White instant. Lotus unfolds. Jamie O’Halloran Highland Park, CA
IRAQ The clouds this morning coming over Topanga Canyon were a white cotton tablecloth against big Jesus' pepper-blue work shirt and as I left the coast driving into the hills the fog lifted and I gulped my coffee a - for a change - clicked off my radio (seems Dubya has decided enough- is-enough and these heathen towel-heads will soon be a unilateral grease stain) and always proud to be an American I said to myself hey I'm breathing in and out - right here I'm free white and twenty-one and my precious national security is being guarded by a soft-spoken gent who's about to flame-out a few hundred thousand babies for the small price of a 58% approval rating Well, hey - no pain gain, right? So thanks mister Bush for your most singular vision of unbuffered unimaginable stupidity And by the way - when you have a second from your busy schedule - BLOW ME! Dan Fante Los Angeles, CA
I Pledge Allegiance
A hundred times to L. A. over fifteen years And always the feeling of foreign Like I've jet lagged through a throng of latitudes Into a land of encyclopedic disparity Located somewhere between National Geographic exotic and National Enquirer grotesque
Homegrown tossed into the Hollywood Bowl of big time travel Spun beside silicone breasts bleached blondes and BMWs in other-worldly wealth on the West side Garnished with conspicuous consumption and grams of high grade cocaine Ingested in houses that host guided group tours Where my bottled water won't blend with movie industry's oiled opulence Congealed in its counterfeit attempts at real existence
Found authentic on the East end Where I can't mix with multi-lingual incoherence of a melting pot stew Fear steaming from the sight of street hustlers serving dirty- needled dope to teenagers And semi-automatics to Hell's Angel types Alongside houses the shape of shopping carts with addresses in alleys Adjacent to an occasional artist co-existing behind caged windows and 2:00 a. m. clubs Feral in a savage jungle Where I'm a safari spectator Subject to jeopardy in traffic jams freeway shootings and Rodney King scenes An alien in my own country Unconnected to anything outside resident daughters and Disneyland
Until an American flag peeks its post September 11 tribute from under an oak tree hovering over a crack house Tiny stars and stripes on a six-inch stem transplanted beside empty beer cans and cigarette butts Other flags flapping frequent freeway fraternity between the BMWs and dent fendered heaps Horns blaring at Honk if you love America bumper stickers Slogans similar on flagged T shirts slipcasing the fake breasts Compatriot cats and dogs dressed in red white and blue collars I buy a flag-contoured cookie from a street peddler Without food poisoning worry And I'm suddenly at home Tierra natal, bayan ko, la patrie
(previously published in the San Gabriel Valley Poetry Quarterly) Ellaraine Lockie Sunnyvale, CA
Pouring Love on the Wound
Would you listen, my love, would you listen. -- Khalid al-Khazragi
I ask my country, has a shadow Passed over your soil? What other Darkness contains so much light? Do trees dream of bread and water When women hang laundry from limbs, And children dream of blood washed from the sky? Do your kisses become wounds, the earth a scab? My country, what is it you fear With your fallen trees counted coup And the rush of anger in your wind? I hear hatred come from every corner, Every direction, except from those who listen Closely to rock and other sentient things. Do you kiss the soil to make it bleed? I ask, what do you want, my country? The oceans to boil, craters to burst, For the moon to diminish, a total darkness? Our cities are dying of thirst, The rivers are drained. Our mountains Are spoiled with slash and debris, The desert is covered with trash. My country, my mother— is this what you wished From the beginning? For our roots to shrink And founder, for our freedoms to fail? My sweet land, could you listen to children? To their father’s screams, their mother’s terrors? I beg you to listen, to be quiet and listen To birds that leave nests, shadows that darken Leonard J. Cirino Springfield, OR
We All Want to Be Heroes
At Rockaway Beach, I am four, pedaling my little red fire engine as fast as my imagination
rescuing residents, faces petrified framed in open windows…
At Rockaway Beach, I parade down the boardwalk, breathe salt air the city gives me its keys
—and today the sun is so distinct I can see each ray— I am 54 and still smell ocean air.
Lawrence Jaffe Los Angeles, CA
The Last Days of Peace
It is too complex for a poem - the last days of peace and the wars to follow. It is not the puff of cloud alone in the blue sky like a lost lamb. It is not the eyes of the beautiful woman watching me as I read poems at the library. It is not dinner with friends or a walk on the beach dogs running through the surf. It is not even my fragile body fighting for its life with the dragon within. It is not the taste of a crisp sweet apple or a memory of childhood popping into the mind with a smile. Its not watching River being born his head appearing in this world cutting the cord and burying the placenta beneath an apple tree. It is not sitting in the Café Reggio with Elmer for the first time in 35 years and throwing snowballs in the narrow streets of Greenwich Village. It is not the sounds of a jazz band with xylophone, sax and rhythm section playing outside the Catalyst in Santa Cruz on a spring day while having breakfast with fellow poets. It is not the first time making love with Ann looking at her blue eyes and cascading blond silver hair and feeling that I must have died and gone to heaven It is too complex for a poem - the last days of peace and the wars to follow Allen Cohen Oakland, CA
SANITIZED FOR YOUR PROTECTION
“War is hell.” - Bill Sherman
The government representative In a rumpled suit Angrily explains to us the nature of Surgical bombing… How the Tomahawk missile can hit Its target with pinpoint accuracy. And I wonder, if this is true, why Not use Cruise missiles to perform Appendectomies? Then, of course I realize that It is the aim of all ordinance To perform a bloody surgery In the field, severing limbs, Decapitating heads and puncturing Bodies with pin point accuracy. The law of war says that Non-combatants must be spared These indiscretions but Flying pieces of Shrapnel know no flag. They have no allegiance. Shrapnel is an equal opportunity destroyer. Indifferent to its surroundings, it Will imbed itself in a truck, Just as easily as it takes off the top of A young boy’s head. I don’t mean to sound glib. Today I saw a picture of that boy. Just a few photographs from different angles With no quotation about who did this, Or where or why. No finger of blame pointing in any direction. Just a child, at peace, perhaps, After suffering through some bad times. A child sleeping, maybe, Nothing out of the ordinary… Except for the missing part of his skull Just above his eyebrows. Who speaks for this child? Who speaks for all those lacerated by Mr. Shrapnel? Who will bring this to the attention of The angry man in the rumpled suit The general in his snappy uniform or The mustachioed dictator smug in his bunker? Will the reporter imbedded with the Marine unit plead his case? Will it be the angry protester? The TV anchor? Who will it be? You? Me? The man in the rumpled suit knows That there are no guarantees Of accuracy once the missile is launched Or the bombs are dropped or The weapon is fired He knows that accidents happen all The time on the battlefield. Why can’t he just admit this And go on to the next question.
RD Armstrong Long Beach, CA

PLACE as locale

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ABOUT THE GUY WHO MAKES THIS HAPPEN

Editor and poet,RD Armstrong writes poetry and fiction when he can find the time. Mostly, he's either working on his many Lummox projects (the Lummox Journal, a monthly magazine; the Little Red Book series which is published by the Lummox Press; the LSW Newsletter, a specialized "poets market" type of newsletter) or he's repairing / painting somebody's home. His most recent books are The San Pedro Poems; Paper Heart #4 and ROADKILL.

Special thanks to the Lummox Patrons: Georgia Cox, Greg Shield & Colleen Cunningham, Anonymous, Bonnie Bechtol, John Forsha, Back In The Saddle, Leslie Yeseta and Larry Jaffe. You can become a patron too. Contact RD at the email address below.

For more information please check the links listed below.



SUBMISSION GUIDELINES


To submit to DUFUS read on. Themes: there are no themes (or are there?). I'm looking for poetry that is well-written. Deadlines: There are no deadlines. Isn't that convenient? Just email three poems, of 40 lines or less to lumoxraindog@earthlink.net and please no attachments. Also include a brief bio.


The Little Red Book

poetry series is published by Lummox Press in the handy, pocket-sized format (48 - 56 pages) for reading on the go! Just $6 ppd (USA) or $8 ppd (Foreign) from LUMMOX (PO Box 5301, San Pedro, CA 90733-5301, USA).

On The Record

is an expanding library of Poets on CDs - buy a CD and get their book for FREE! CDs are $10 USD + $1.50 postage (US & Canada) or $10 USD + $2.50 postage (world). So far: Leonard J. Cirino reading Poems of The Royal Courtesan Li Xi; RD Armstrong reading from The San Pedro Poems and ROADKILL; Mark Weber's Bombed In New Mexico; Alan Catlin reading from Death and Transfiguration Cocktail and Rick Smith reading from Lost Highway and playing some kickass harmonica, too.



Links To Some Of The Poets Published In Present And Past Issues Of DUFUS.

Eskimo Pie Girl
Larry Jaffe
Gerry Locklin
Christopher Mulrooney
Scott Wannberg
other Lummox poets
Cesar Chavez Tribute
The San Pedro Poems
DUFUS #3
DUFUS #4
DUFUS #5

Comments welcome

This site updated March 27, 2003

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