Subject: Book 3: Chapter 5 "Kuma, the curandera"
            Author: Robin N (157.198.3.51)
            Date:   10-21-1999 18:52

            Chapter 5 

            Renato, a ghost of himself, wanders thru the center of the worker’s 
            barracks. It’s unfamiliar territory to him—indeed, he’s a stranger 
            in his own land. Somehow, everything seems to call to him very 
            deeply, as if for the first time. Yanina, who’s accompanied him, 
            asks him if he’s enjoying the fiesta and if it’s the first time he’s 
            been there. He replies, yes, and supposes that she’s never been 
            there either. No, dona Sofia would never have allowed that, but 
            Aimee has come many times. She’s even danced there. Renato responds 
            to this statement angrily, wondering why she’s saying these 
            absurdities. “Eres una embustera (trickster) y una necia! Mi esposa 
            no pudo venir aqui… no lo comprendes?” Yanina doesn’t let up. She 
            tells him that nobody sees anyone here. They come to drink and 
            dance. The alcohol and music makes them move their feet (but 
            apparently not Renato’s). An old negro worker approaches him and 
            offers a drink that’s strong enough to make him forget his own name. 
            Yanina tells Renato that Aimee’s drunk it many time. She wants to 
            force his eyes open as to the truth about his wife. 

            Renato has had enough. He tells her that perhaps it’s better for her 
            if he doesn’t understand what she’s trying to tell him. It’s not the 
            first time he’s ordered her to leave him in peace and she won’t do 
            it. “Acercate, bebe hasta caerte y no vuelvas a vigilar mi esposa ni 
            a inventar calumnias contra ella!” he tells her he doesn’t want to 
            hear her gossip, but Yanina gets in the last words, “Tal vez manana 
            te hiera el dolor como a mi me hiere!” 

            Meanwhile, in a rough shack, Aimee and Ana are in the presence of 
            the curandera. She’s tall and strong and ebony skinned. She’s 
            dressed all in black (wow! that’s got to be hot in the tropics!) Her 
            name is Kuma and she wants to know what they want—she thinks they’ve 
            come to mock her. Aimee tells her that’s not true—she’s come because 
            she needs her help. She’s brought money enough for her to live a 
            year, but remember that she has powers too, so don’t betray her 
            confidence. This doesn’t start things off on a good foot. “Quien se 
            atreve a decir que tiene mas poder que Kuma? Quien?” 

            Aimee sends the snivelly Ana out to wait for her and turns to do 
            business with Kuma. The shack is filled with amulets and dried 
            herbs. Aimee shows her gold and Kuma asks her what she desires. 
            “Kuma va a complacerte. Te dara la forma de que tu rival se vuelva 
            fea, el polvo que domina a los hombres mas rebeldes, las gotas que 
            haran tu escavo de aquel a quien desees, solo con hacerselas tomar 
            en una taza de café…” Aimee tells her that she hopes her powers are 
            stronger than that. She goes on to tell her that she knows that Kuma 
            helps women at childbirth, however she only wants Kuma to testify on 
            her behalf. She wants Kuma to tell people in words that will make 
            them believe her that she assisted Aimee after an accident… If she 
            does as she’s told, all will go well and she’ll get her money: if 
            not and she betrays her she’ll drive her from the D’Autremont lands. 
            After all, “Soy la esposa del amo, soy la duena de Campo Real! 
            Mirame bien, y piensa lo que te conviene!” 

            Kuma tells her, after long deliberation (spent controlling her own 
            temper) that she’ll do as she’s ordered. Aimee tells her that it 
            will have to be soon, perhaps tomorrow. She has a few things to get 
            ready and this time they can’t make any mistakes. 

            --Aimee ha ido hacia la puerta. Kuma la sigue, bebiendo cada gesto, 
            cada movimiento, como si la estudiase, como si se esforzase en 
            adivinar su mente sagaz, agil en la mentira y el engano. Al fin, una 
            expresion astuta humaniza su negro rostro: “Tu eres la senora Aimee. 
            Yo te vi de lejos el dia de tu boda. No entre a la iglesia, pero te 
            vi de lejos, y tambien se de ti algunas cosas… Dicen que vas a darle 
            al amo Renato un heredero.” 

            Aimee responds, “Es lo que dicen… si tu sabiduria no llega mas 
            lejos… No te dicen mas que eso tus poderes secretos?” 

            Kuma’s silent a long time as she looks Aimee over head to toe. She 
            tells her that she’s seen in the fire a son who’s tall and strong, 
            one who’ll inherit. Aimee tells her that’s not so, nobody can see 
            that because that child doesn’t exist and never has. Because of that 
            an accident must happen that will prevent a birth. It will happen 
            close to her shack so that Kuma’s help will be necessary. Kuma tells 
            her that she’s asking her to risk a lot for her. She thinks perhaps 
            she’ll have to go far away and need much more money. Aimee promises 
            her first 20, then 100 gold pieces and Kuma agrees to the deal. She 
            calls to Ana who’s been enjoying the dancing. Ana tells her that 
            everyone’s there, even Renato, but he’s left. Aimee wonders if he’s 
            left to return to the house. She tells Ana that she should return 
            too because she (Aimee) needs to speak a little longer with Kuma. 
            She’s cooking up another diabolical twist to her plan. She explains 
            all to Kuma. 

            Sofia calls to Renato as he enters the house. He wonders at her 
            being up so late, but she tells him her fatigue has nothing to do 
            with the physical. She’s worried for him and looks at him with 
            anguished eyes. She wants to know where he’s been. He tells her that 
            he asked Yanina to tell her, but it’s clear that she’s forgotten her 
            task. Sofia comments that that’s strange in her, but Renato tells 
            her that everything about Yanina seems strange to him. He doesn’t 
            want to speak of this, but tells her that she’s someone “de quien 
            deberias deprenderte.” Sofia thinks that he’s picked up these 
            negative ideas from Aimee, who hates her, but Renato tells her that 
            it’s really Yanina who hates Aimee. For peace in the house he wishes 
            she’d send Yanina away. Sofia agrees to this. She wonders if it was 
            just something that happened this night but he tells her that it’s 
            always been like this. He begs her to accede to his wishes and she 
            again agrees. She’ll tell her, but she thinks her a victim. She 
            calls to her, but Renato tells her to leave it for now, besides 
            she’s not there, she’s at the fiesta. Sofia doesn’t believe this and 
            asks him to come with her to her room and she’ll have Yanina clear 
            this up. Renato tells her it’s true, he saw it with his own eyes. 
            Sofia’s shocked that he was there too. However, Renato has other 
            things to talk about on his mind, “la verdad de mi corazon.” 

            Sofia’s alarmed by this. “No la digas en este momento. La verdad de 
            tu corazon la se, no me la repitas… Espera, espera unos meses… Ven, 
            ven a mi alcoba. Te he vuelto a ver de pronto tan desorientado, tan 
            alucinado, como cuando eras nino. Quiero librarte de eso…” 

            Inside her room he sits with his back to the windows but it’s as if 
            he senses the mountains, the fires of the workers, the essence of 
            the world around him and it overwhelms him. Sofia tells him that she 
            feels that she must defend him against his worst enemy, his own 
            heart. First he’s friends with that canalla Juan, now he loves a 
            woman forbidden to him by laws both human and divine. He tells her, 
            “No ha ninguna ley que le prohiba al corazon los sentimientos. Lo 
            que la mente piensa, lo que el corazon siente…” She wonders if it 
            isn’t a mental sin then, perhaps, to continue thinking prohibited 
            thoughts. She reminds him of his position, power. 

            Renato tells her that her reproaches go too far. He’s done nothing 
            unworthy. She trusts in God that he never will. There’s still time 
            for him, and he shouldn’t return to Saint-Pierre. With a child on 
            the way, shouldn’t he put aside the shadows and look towards a new 
            life? 

            “Solo se vive una vez, madre. Quiero vivir mi propia vida… Yo 
            comprendo tu punto de vista, pero trata de comprender tu el mio. 
            Quiero mi vida, la mia, la que bulle en mis venas, no esa que, como 
            bien dijiste, hicieron los demas para mi… Debe bastarte con que en 
            lo material no haga nunca nada indigno, o trate de no hacerlo… Es 
            que crees que no es ya bastante mi martirio? Tarde halle la verdad 
            de mi corazon. Por que estuve tan ciego?” 

            Sofia asks him in return, “Why don’t you accept the consequences of 
            your error, now that you’ve made it?” He tells her that he can’t. He 
            can’t live that weak and mediocre life a slave to the land and duty. 
            She wonders why it’s his destiny to run into the abyss. He tells her 
            that it’s the course of all D’Autremonts: to live for their passions 
            and die by them. He leaves. 

            Bautista enters the room to tell her his plans for the next day. 
            He’s surprised that Yanina’s not there, but assures Sofia that she 
            should return soon. Sofia tells him that Yanina’s at the fiesta and 
            that she’s offended Renato enough that he wants to send her away. 
            Bautista tells her that if being at the fiesta is such an offense 
            then he’s going to have to fire everyone, starting with his wife. 
            Sofia asks him what he means by that and he tells her that there’s 
            no light on in that side of the house. She replies that Aimee could 
            already be asleep, besides, it’s not for him to judge her. She 
            demands respect for her son and his wife. Bautista eats crow and 
            offers to find Yanina. Sofia tells him to go do that. Bautista tells 
            her that Renato’s drinking, and a lot, but he’s different than his 
            father was. His father was always good company while drinking. 
            Sofia’s had enough; she sends him away. He leaves saying that he’s 
            sure there’s some mistake about Yanina. 

            At the fiesta, Bautista is told that Yanina’s not there. However, 
            while he’s there, he spots someone leaving Kuma’s hut. Suspicious, 
            he demands to know who it was. He’s pretty sure it’s Aimee. She 
            won’t tell him though. He leaves. In comes Yanina who’s also seen 
            someone leave. She tries to convince her to tell her who too but 
            Kuma won’t. She’s nobody’s friend, nor enemy. If he wants some kind 
            of remedy, then come see her. Yanina plunks down some money. It’s 
            the last that she owes and she’s not paying any more. Kuma’s amulets 
            and prayers didn’t work and she was afraid to put the potion into 
            the coffee (apparently a love potion for Renato). She asked that 
            he’d love her, smile at her, and nothing happened. Kuma asks her why 
            she looked so high for love and Yanina tells her, “If my mother won 
            the love of her master, for one hour, one day, why couldn’t she do 
            the same?” (Interesting detail here!) Kuma tells her that times have 
            changed. It used to be that the masters lived amongst them and drank 
            the same rum and white women were far away. She tells her that she 
            gave her the medicine she wanted. She can’t help it if Yanina didn’t 
            have the guts to use it. She’s got to use it drop by drop, more each 
            day. Perhaps then he’ll come to see her as whiter, more beautiful. 
            Yanina’s furious that Kuma’s mocking her. She tells her that 
            Renato’s wife is evil. Kuma tells her she’s seen the ama, on the day 
            of the wedding. Yanina tells her, no, it’s most likely been a lot 
            more recent! She’s sure of it. She’s paid her silver, now tell her! 

            Kuma, the sly fox, tells her that others have paid her gold. This 
            confirms it for Yanina. Kuma tells her that she’s not afraid of 
            Yanina as an enemy. “Kuma no teme al alacran, ni a la arana, ni la 
            hormiga. Tu eres como una viborilla que se arrastra.. Quieres llegar 
            hasta la rama mas alta del pimentero, pero no podras subir. Tendras 
            que esperar a que el rayo que baja de las nubes parta la rama, y la 
            rama baje hasta ti… Aunque no mereces, voy a darte un consejo de 
            amiga: No quieras llegar hasta el amo, aguarda a que el amo baje 
            hasta ti. Te di el remedio… usalo poco a poco… y ahora, vete…” 

            Yanina doesn’t leave right away. She asks Kuma what she sees in the 
            smoke. She tells her that she sees, “Sangre… fuego… ruina… Lagrimas 
            en la casa D’Autremont, sangre en las piedras del desfiladero, tanta 
            sangre como cuando se mato el amo don Francisco. Y despues, ruina… y 
            despues, fuego… Vi hundirse la casa D’Autremont, y hervir el mar…” 

            Yanina is shocked by this vision. She begs her to tell her it’s not 
            so but Kuma remains immobile. She leaves and runs into Bautista 
            who’s not happy to find her there. He wants to know why she’s there 
            and don’t bother lying, Renato told him. She begs, calling him tio, 
            but he doesn’t want her to call him that. He did enough for his 
            sister supporting her when her mother died, but now the master’s 
            displeased with her forget it. He wants her to go beg forgiveness 
            from dona Sofia and Aimee. She feels the flask given her by Kuma and 
            feels anger at Aimee that Renato should hate her. It strengthens her 
            resolve to do what Kuma told her! 


       

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