The Shawm
The Shawm: A Library of Church Music; embracing about one thousand pieces, consisting of psalm and hymn tunes adapted to every meter in use, anthems, chants, and set pieces; to which is added an original cantata, entitled Daniel; or, The Captivity and Restoration. Including, also, The Singing Class; an entirely new and practical arrangement of the elements of music, interspersed with social part-songs for practice. By William B. Bradbury and George F. Root, assisted by Thomas Hastings and T[imothy] B. Mason. New York: Published by Mason Brothers, 108 and 110 Duane Street, 1853.
As evidenced by its title page, the Shawm is genuinely encyclopedic, containing a vast hoard of new
tunes by its editors and their friends--including several tunes with dates indicating that Lowell Mason probably composed them for inclusion in it--and vast numbers of older tunes from a variety of sources, including a smattering of New England Psalm tunes by Read, Billings, Kimball and others. In fact, the book is so compendious that it appears the publishers chose to issue it on very thin paper and very small type to cut down on size and weight (even with so many tunes and set pieces, it's only 352 pages long.)  I particularly recommend Thomas Hastings' tune
Honolulu, Jacob Kimball's Woburn, Daniel Read's fuguing setting of "Sweet is the day of sacred rest," Devotion. If you encounter a copy on Ebay or in the shops, pick it up, if you can. It's well worth exploring, even if you have to transcribe the tunes to sing with others.
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