************
Chapter 5
************

Tillman residence
November 4, 2000
10:53 a.m.

Boys thrive on secrecy and Benjie Tillman, Mulder believes,
is no exception to that basic tenet of childhood.

Private, hidden places or forbidden things to which no one
else is privy.  The location of forts and hideouts, secret
knowledge about where to find the coolest agates and fool's
gold and bird's nests.  The best climbing trees and berry
bushes.  Which deep culvert can sustain the farthest
exploration and still seem safe.  Neighborhood windows that
remain open and illuminated, food for a small boy's nascent
fantasies after dark.

Secrets mature with age and intensify by degree, being
shaped by the child's environment, his character, his unique
socialization and genetic inheritance.  At what point in
time and from what type of instigation or trauma, Mulder
wonders, would a truly "bad seed" first manifest itself?

In spite of his probable innocence, this sullen little boy
exhibits too many red flag indicators for Mulder to
comfortably ignore.

Snips and snails and puppy dogs' tails.  It always struck
him as unfair that Mother Goose gave such a bad rep to
little boys, as opposed to a little girl's sugar and spice.
He thinks of his partner, raised Catholic in the home of a
respected naval officer, sandwiched between two rough-and-
tumble brothers, and isn't surprised she's become such a
valuable and scrappy player.

Right now he sees that she's positioned herself to the far
side of the couch by the wall, where she can observe
proceedings and lend a hand if needed.  Dedicated and
resilient -- that's his Scully.  Usurped by cruelly
unforeseen rejection, her expression is rigid and unreadable
to all others; only her eyes, softly hooded and very blue,
betray any sense of injury, which she internalizes as a
matter of course.

That, he'll tend to later.

He focuses again on Benjie Tillman, the subject of their
interview.  What kind of day-to-day home life does this
child lead, considering his unsavory lineage, his
appearance, and his furtive habits?  Pint-sized keeper of
secrets or budding psychopath?  Child of woe or one of wary
self-defense?

The child stands with head still ducked, unaware of his
father's frustrated gnashing and reddened face.  Mulder
motions up to Tillman and requests a chair of any kind, and
quickly.  With something to occupy him, the man will be less
of a hindrance as the interrogation of his son resumes.

His father helping, the boy scoots his small behind up and
into a kitchen chair positioned before the agent.

"Lieutenant," prompts Scully with smooth, but pointed
insinuation before Tillman can reoccupy his station behind
the boy, "I think it's better if you join me over here."

Mulder feels a swell of gratitude for her watchful eye and
the awareness that Tillman's towering presence may
intimidate the child to silence and therefore frustrate the
questioning.  Unsure whether she's asking or ordering, the
Lieutenant pats his son on the arm, then concedes with
reluctance and takes his place next to Scully near the wall.

Meanwhile, Mulder tries a new approach at breaking the ice.
With the slow, mesmerizing movements of a snake charmer he
removes his suit jacket, unbuttons his cuffs, and rolls each
sleeve up a forearm.  He knows, in an instant, that he's
seized the little boy's attention, so continues on with his
unhurried, deliberate clothing adjustments by loosening his
tie, running a finger under his watchband, and then leaning
forward on his thighs, hands held in a loose clasp between
his knees.

"Much better," he chuckles softly, "but I'll do everybody a
favor and keep my shoes on.  Think that's a good idea?"

The joke is lost on the boy, though Tillman makes a small
derisive grunt.

"It's just you and me now, Benjie," Mulder begins.  "I'd
like to talk to you for a little bit."

No response.

"You can call me by my first name, if you want.  It's Fox."
He makes a face.  "Fox is a pretty weird name for a grown
man, huh?"

The boy blinks and gives a half-shrug.  One side of his
mouth moves into a faint curl.

"What I'll do is ask you some questions, okay?  You answer
them as truthfully as you can.  I just want you to know
that, if the questions are too hard or make you
uncomfortable, you can answer by nodding or shaking your
head.  How's that sound?"

The boy pauses and then nods.

"Let's start with some easy stuff.  Like, what's your name?"

Do his ears deceive him?  Startled, he peers at the boy's
tilted face and sees his lips move.  A low, hoarse voice,
one that is common or appropriate to few children, whispers
the name "Benjie Tillman."

"O-kay," encourages Mulder with quiet enthusiasm.  "What
grade are you in this year?"

Another pause and he hears the raspy word, "Kindergarten."

"Tell me what you like best about kindergarten, Benjie."

The boy begins to thaw, his head bobbing higher.  Dangling
sneakers swing and bump gently together as he thinks, while
his hands still nestle deep in his sweatshirt pockets,
burrowing beneath the fabric like two small animals.  "I
draw pictures."  His diction is sharp, despite the unusual
huskiness.  "Mrs. Vanderbeck has Legos.  Sometimes I build
things."

"That's great.  D'you have any pictures here at home that I
could see?"

Benjie shakes his head and his body tightens perceptibly.

"Well, that's too bad," muses Mulder.  "Maybe you can draw
one for me now... how about it?"

Another shake, so Mulder moves on, posing other
straightforward questions intended to disarm the boy and
gain his trust.  He chances a fleeting look toward Scully
and catches the glitter of emotion in her eyes, which she
tries to conceal by angling her head against the curved
swaths of her hair.  Tillman, standing at attention close
beside her, seems pacified enough under the circumstances.

Too bad I'm about to blow it all to hell in a hand basket,
Mulder thinks ruefully.

He has the sensation of being bubbled up together with this
little boy, just the two of them alone on a separate and
intangible plane of existence.  The room and its other
occupants are of no consequence right now.  Looking across
at the chapped reddened face he senses a perplexing depth of
fear, power, and confusion emanating from within the child
and decides to risk a gentle, figurative poke.

"Tell me, Benjie," he says.  "Do you like riding the bus?"

He hears a restive huff from Tillman, but waits patiently
for the child's hesitant reply.  "No."

"Why not?"  When Benjie holds back, Mulder leans toward him
and touches his small knee with a forefinger.  "Don't think
about anybody else right now.  Remember, it's just you and
me.  We're loose and comfortable here, right?"

He pats the jacket next to him and twirls a few fingers
through the gap between his tie's knot and his collar.  As
predicted, the boy's cautious eyes track his movements; the
small hands in the sweatshirt pockets cease their incessant
burrowing.

"So... what don't you like about the bus ride?"

"The kids are mean."

"All?  Or just some?"

Benjie shrugs.

"How does that make you feel?"

"Bad."

"D'you ever feel mad, too?"

"Yeah."

"*Real* mad?"

"Agent Mulder!"  Tillman's warning snaps through the room
like a whiplash and the boy jerks, more a startle reflex
than one that's been honed over time or born of fear.  As
though irked by the interference, he turns his head toward
his father, allowing Mulder to glimpse his secret smoldering
glare.  He seems somehow older than his five years; his eyes
are moist, yet burn with a curious heat that softens and
cools as he turns his countenance back to Mulder.

The agent and the boy weigh one another in the ensuing
silence.

"My guess is you don't really need to ride the bus anyway,
do you?  I bet you get around just fine without it."

"What the hell does that mean?"  Tillman takes a step
forward but is prevented from any real progress by Scully's
shoulder and body, placed quickly and conveniently in his
path.

"I have a feeling you know your way all over this town.  Am
I right?"

The boy considers, blinks, and gives a nod.

"Did you walk to the birthday party, too?"

"Yes."

"*What* party is that?"  Tillman fumes and Scully smothers
his perturbation with a sudden, furious whisper of her own.

Tuning out the sideline scuffle, Mulder continues his
careful questioning of the boy.  "Who invited you?"

"Shawna.  The kids laughed, but she said I could come."

"Did you bring her a present?"

"Yeah."

The previous tension has dissipated and Mulder smiles,
picturing the meticulous preparations of this lonely and
ingenious child.  "Way to go, Benjie!  Whadja bring her?"

"Legos."  His voice lowers to a whisper only Mulder can
hear.  "The new ones Daddy bought for me.  I wrapped them
up."

"You must be a pretty smart kid to know how to wrap a
present.  Even I have trouble with that sometimes.  Bow and
tape and everything?"

The boy manages a shy smirk and nods.

"Where'd you get the wrapping paper?"

"In Jan --" He stops, shooting a look at his father before
amending his answer.  "In Mommy's sewing room."

"So," Mulder says, noting the slip, "you wrapped the
present.  You went to the party.  Then, when it was over,
you walked home.  All alone in the dark?"

"Yes."

"You're not afraid of the dark, are you, Benjie?"

A head shake.

"It's dark early in the morning, too.  Did you get up early
the next morning?  Maybe go outside?"

A shrug.

"Did you walk to the school in the dark?"

"That's enough, Agent Mulder!"  Tillman barks, this time
grabbing Scully by both shoulders and steering her out of
his path.  "You're *way* out of line, here --"

"Did you see anything at the school, Benjie?  In the dark?
By the buses?"

The boy's eyes re-ignite with the same subtle, fiery blaze
as he returns Mulder's stare.

"What did you say at the party to make people so scared?
What was it, Benjie?"

He feels like a babbling idiot, like a loose cannon shooting
off his mouth before his supply of ammo is severed.  A
desperate man, grasping at empty seconds, like handfuls of
dirt that crumble under his fingers and slip away forever.
The interview may halt at any moment with no conceivable
chance to pick up the thread later and this young boy's
future could either bend or break under the weight of
evidence gathered here today.

That reality incites him further.  "When they asked what
special thing you wanted, what did you say?  What did you
want?"

"That's *enough*, I said, Goddamn it!"

"Tillman, let the boy answer!"

To his right, Scully covers her forehead with a pale hand.

"Tell your father, Benjie," says Mulder, half-rising from
the couch in his urgency.  "Tell your father what you told
everybody at the party..."

Striding quickly, Tillman scoops his son from the chair and
carries him to the middle of the room, distancing himself
from the two agents.  Visibly shaken, he stands the boy on
the rug and then kneels before him, grasping the small
shoulders with his two large hands, his face stark and
pleading.  "Champ, you don't have to say anything to him.
You don't have to answer for anything."

Benjie Tillman snuffles, dabs at his eye with chapped
fingers, but remains otherwise solemn and composed.

"Lieutenant, are you at all interested in knowing what he
said and why people are talking?"

"Shut up, Agent!"

"Daddy..."

Both men halt the aggressive posturing, cease their loud
intonations, and stare at the boy as one.  He shrugs and
sticks out his lower lip, wiping again at his eyes.  "I said
'sister'.  'Little sister'."

"What?"  Tillman fastens Benjie with a look of incredulity,
which metamorphoses into horror as his mind struggles to
process the awful inference.  He shakes his head, refusing
to accept the evidence and implication that Mulder's
questions have uncovered.  "Why, son?"

Benjie shrugs and wipes.

"Are you that lonely?  Do you really want a little sister or
brother?"

The boy shakes his head.

"Come on, Benj... help me out here."

Hearing the anguished panic in this man's voice, Mulder
feels a wave of overwhelming pity for him.  So out-of-touch,
clueless about his own child's physical needs and
psychological proclivities.  So torn by his past sins and
present trespasses that he fails to see what fruit has been
ripening under his nose for five long years, what
extraordinary mysteries lie flourishing like poppies under
his own roof.

"I said it," the boy rasps, his voice eerie and raw in the
quiet of the room.  Strangely matter-of-fact, almost
prideful as he confronts his father's bleak bewilderment.
"I scared them, Daddy."

"For the love of God, son -- why?  Why say something like
that?"

The child's large eyes fill and he shakes his head,
reverting just as quickly into a small, confused five-year
old, who has no clue, no comprehension about how anything
this complicated and fearsome could have set up camp around
him.

Mulder grabs for his jacket and slings it with distaste over
his shoulder as he stands and looks at his partner.

"Maybe he's sick of taking the blame for something that's
ultimately not his fault," he mutters for no one's benefit
except his own -- yet loud enough for every adult present to
grasp the abysmal intimation.

************

Memorial Hospital
November 4, 2000
11:39 a.m.

Gwen DiAngelo slumps against the wall in the visitor's
waiting area.  Her lunch break isn't due for another forty
minutes, but she feels driven to stop and connect with
Natalie lest news of the chance encounter this morning with
the FBI agent precedes her.

Nat's assessment is right on target, of course -- the man
*is* handsome in an unusual way, tall and intense with his
hazel eyes and brown hair.  She can see why her neighbor
makes such a drooling fuss over him, but feels a nagging
sense of guilt that she's actually helped to encourage those
thoughts of lust and infidelity.

But that's the way it is when she's with Natalie Warner.
Nat's such a hoot to be around, with her colorful,
outrageous mouth, her designer home and clothes, her gossip,
and the manipulative, off-hand way in which she makes Gwen
feel privileged to be her friend.

It was flattering when she and Tony first moved to Aubrey
last summer, because she'd anticipated a period of lonely
solitude before she made real friends.  Happily, she hadn't
long to wait.  Within days she'd been courted by
grandmotherly Alice Marshall, head of the volunteer program
at Memorial Hospital, who'd introduced Gwen to several other
nice ladies through that organization.

And when the neighbors came to call, first at her door was
Natalie Warner with a luscious tiramisu and compliments
galore on Gwen's make-up and hairstyle.  It wasn't a couples
thing this time, the way it was in so many other places she
and Tony had lived.  Nat seemed genuinely happy for her
friendship alone and welcomed Gwen's presence into her
pampered, oddball existence.

It all boils down to compromise and how far she'll go.
Already she regrets the randy suggestions she made this
morning in order to stay in Natalie's good graces.

Each time she leaves that unsettled house next door, Gwen
finds herself abandoning much of the inappropriate baggage
it requires to remain close friends with Natalie.  It's not
who Gwendolyn DiAngelo really is.  The lewd talk, the
flagrant, irreverent digs at spousal virility or lack of
interest, impatience and discontent over raising a spoiled
brat like Shawna.  These things drop away like scales
whenever she walks back into her own unpretentious yard and
house, when she greets her hardworking husband whom she
loves beyond measure and would never for a moment betray.

She feels shame, as well, about the way the little Tillman
boy was belittled at the birthday party, and wonders how a
grown, adult woman could bring herself to be so outspoken
and critical about an innocent child's heritage.

I've still got the dregs of a conscience, she thinks
ruefully, tapping the phone against her chin.  Thank God and
Tony for that.

As for the FBI agent... after that chance meeting with him
and his partner in Viola's room and then in the hall
afterward, Gwen knows that Natalie's vacuous hopes are
doomed to failure.  He's an attractive man, but professional
and as poised as any gentleman.  She's seen his wink and
parting comment to Viola, has experienced his firm handshake
and charming demeanor.

And walking undetected down the hall a few minutes after,
she noticed him standing with his female partner near the
nurses' station.  She watched how his palm hovered, grazed,
and then rested against the curve of her lower back while
they spoke together in whispers.  When he leaned over her
shoulder to look at something she held, his tender glance
and the secret, possessive smile he gave the pretty red-
haired woman was a dead giveaway.  At least it seemed so to
Gwen.

Rings notwithstanding, if she's ever seen a *couple* from
afar, they are definitely one.

Sucking in air, she dials Natalie's number and steels
herself for the pick-up.

************

Tillman residence
November 4, 2000
11:45 a.m.

After the Corolla peels away from the curb in front of his
house, after he hastily zips up his son's winter jacket and
sends him out to play in the yard, Brian Tillman takes the
steps to the second floor in leaps of two at a time.

He's livid from betrayal and shame, had felt like a raging
fool in front of the two agents.  Brian Tillman, a laughing-
stock, caught with his pants down and his household in
disarray.  The indignity of the last hour and the secrets
revealed during Mulder's interview with Benjie would be moot
and incidental if Janine had only held up her end of the
parenting deal.  If she'd felt up to the challenge this
morning and not left him holding the bag alone.

Benjie's skin.  His wandering.  The birthday party.  God, a
fucking party at the Warner's, of all places...

He feels scorching anger flare into blame, and like a hot
potato, needs to toss it away quickly, at someone.  At
Janine.

She's no longer lumped under the covers of their bed the way
she was when he slipped downstairs to prepare Saturday
breakfast earlier.  Instead, her perfume hangs thick as
bacon grease in the air of their bedroom.  Framed within the
doorway, he stands with chest heaving and mouth agape, his
eyes darting from made-up bed to packed suitcase to the open
door of the master bath where his wife finishes a quiet,
modified toilette.

"I'm going to my sister's for a few days, in case you're at
all interested," she says, fastening an earring in front of
the mirror.

Only her puffy, reddened eyes hint at any degree of former
distress or residual signs of substance abuse.  Her
movements are quick and precise, her tone almost lilting as
she snaps shut the lid of a cosmetic case and sets it next
to the other piece of luggage on the floor.

She's made up her face and dressed smartly, as though for
work, in slacks and an embroidered wool sweater.  Watching
her fasten a gold chain behind her neck, he feels a certain
panicked outrage at the audacious selfishness of her timing.

"What the hell --" His hands grip the jamb like twin vises.
"I need you *here*!  I have responsibilities to this town.
I've got a murder investigation underway, Janine, and an
important job I just can't abandon --"

"Well, don't we all," she throws back, her voice taunting.
"Brian, my mornings are busy.  I *won't* be pinned to this
house because you feel your son can't handle kindergarten
right now."

*Our* son, *our* son, he wants to emphasize, but can't bring
himself to say the words aloud.  "Goddamn it, it's to
protect him!  Don't forget that!"

"Then, it looks like you'll have to find someone else to
watch him while you're at the station investigating, won't
you?"

"And you'd better be prepared to speak with the FBI, too,"
he snarls back.  "They'll want answers to some important
questions."

"Such as?"

"Such as, where you were when Benjie was walking himself to
and from a birthday party in the dark a few nights ago.  Did
you even *know* about that?"

"Will wonders never cease?  So that's why my wrapping
supplies were stuffed back into a heap.  I thought maybe
something celebratory was going on down at the station and
you were in too much of a hurry -- "

"Janine!"

Her eyes connect with his in the shiny reflective surface of
the mirror.  "No, I was unaware that Benjamin actually had a
scheduled affair to attend.  He told me nothing.  What
else?"

"The fact that he doesn't get adequate supervision at home."

She shrugs and dabs at the lipstick near a corner of her
mouth.  "He's antsy and very much Daddy's little boy.  And
sometimes he makes me uncomfortable, to tell you the truth.
I can't keep my eyes on him every minute."

"I see you manage to find your way to the liquor cabinet
just fine."

Her movements freeze for a moment before she gives herself a
final once-over in the glass and straightens up.

He almost gnashes his teeth at her cool indifference.

"His skin, Janine -- you haven't been taking care of it.  My
God, I got my first really good look at it today and
couldn't believe how bad --" Breaking off, his throat
constricts and he knows his eyes glisten with tears of
empathy and disillusionment.  "The boy's in pain.  They
could call that parental neglect and child abuse -- and do a
whole separate investigation on that alone."

"If it comes to that, then you'll know where to find me."
The look in her eyes, deep and chilling, paired with her
light-hearted tone catches him off-guard.  "Remember... we
didn't get to where we are now on *my* one tank of gas.
Remember that, Brian."

Stunned, he backs into the hall when she lifts the two cases
with ease and heads for the bedroom door.  "Garbage goes out
on Tuesday morning," she tosses over her shoulder at the
head of the stairs.  "Don't forget."

"You're making a big mistake by walking out that door!"

Her step slows momentarily.  "Oh, I'll be back," she assures
him, and a second later continues on her way down to the
first floor and a separate agenda.

************

Aubrey, MO
November 4, 2000
12:00 noon

"Just *what* were you doing back there, Mulder?  If you were
going after Tillman's goat, then you did a bang-up job of
alienating him and putting our investigation in jeopardy.
And if you were trying to help Benjie get in touch with his
feelings and 'inner child' in a very public, very
compromising session, then I'd have to say you were right on
the mark."

"Mad at me?"  His words and their tone hover at opposite
ends of the spectrum; he speaks in a colorless monotone.

He's at the wheel, splitting sunflower seeds with a
vengeance, venting.  The car screeches to a halt at each
stop sign, then revs forward with a lurch that makes
Scully's head wobble and her hair feather over her cheeks.
Soon, she prays, they'll be clear of residential areas with
stops or lights at every corner and jet onto an unencumbered
highway that skirts town.

"That's irrelevant.  What matters is that you betrayed that
little boy's confidence with impunity and without
permission."

"It was necessary.  You could label it a betrayal, but I
don't.  Somehow, in some way, I touched that kid, Scully.
He responded."

"As did his father --"

"-- who needs to get his shit together where his son is
concerned."

"That's putting it compassionately," she murmurs, the
sarcasm in her voice thickened from the emotional swelling
in her throat and another snap of her head as he jams on the
brake yet again.

"That's the only fucking way I know *how* to put it when I
see crap like that."  He whacks the dashboard with his fist
and guns the engine.  "Goddamn it --"

Yes, she understands, having been witness to the same sad
tragedy.  Her initial and crushing disappointment at the
beginning of the interview has taken a back seat to what
unfolded before her during Mulder's questioning.  Eyes
stony, she turns her head toward the passenger window,
knowing that for the present he's too tightly wound, too
violated and outraged in spirit to accept even a small pat
or squeeze of concurrence from her.

"Where are we going now?"

"We should make a visit to Linda Thibodeaux's home in
Edmond, see what her connection is to Viola Rains.  Then
maybe take a run back down to the Aubrey police station.  It
might be awkward for Tillman, if he's there, but I'm willing
to bet that Joe Darnell and others can bring us up to speed
and maybe shed some new light on this case.  Then, we should
--"

"Edmond's over the Missouri state line, in Nebraska," she
observes.  "That's a lot of dashing around for one
afternoon, though I suppose you'll undoubtedly feel better
after running us both ragged and giving me whiplash."
Sighing, she looks over to where his hands strangle the
wheel.  "You know, Mulder, I once read that a dragonfly's
entire lifespan is only twenty-four hours long."

He chuffs.  "Talk about one-night stands..."

"It's a documented fact.  You, by way of contrast, have
unlimited time and resources at your disposal, without the
driving necessity to cram everything into one twelve-hour
day in order to expend your pent-up feelings of anger and
frustration.  Especially since you may be up for part of the
night as well."

She feels his inquiring glance graze her face and
reciprocates with an arch in her brow.

"So, getting back to the subject of today's itinerary, where
to after the station?"

"Back to the motel.  I want to talk this case through, to
get some perspective.  We're on a roll here, Scully, and I
need you to brainstorm with me."

"All right.  But, since breakfast was just a caffeine
afterthought, is lunch to be a consideration anytime soon?"

"Do buffalo shit on the prairie?"

His spirits are obviously lifting.  She tilts her head
toward him, noticing his still-loosened tie knot lobbing
against the front of his shirt, and without thinking reaches
out to fondle it in reminder.  "No, Mulder... not for close
to one hundred years.  Not unless you know of a small,
protected private herd in these parts."

"Details..." His thigh pressing the steering wheel, he uses
both hands to yank his tie back into alignment, then
captures her left hand with his groping right.  The warm
contact of his skin, his stroking fingers, is patently
reassuring; her heart feels comforted after the awful
tension that immersed them at the Tillman home.

"You know," he muses, "in retrospect... maybe I could've
gained a few extra minutes with Benjie if I'd gone the whole
hog and taken off the shoes, too.  You think?"

She presses her lips into a coy smile.  "The shoes come off
later.  For me."

************
End of Chapter 5

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