Waiting In Motion (2/10)
by mountainphile
MSR, NC-17
mountainphile@yahoo.com
Header and Disclaimer info in Part 1

********************


At dusk, the wind relents and the rain becomes a misty,
pattering curtain of purple darkness.  It seems to Scully
that the forces of nature are sympathetic.  The waxing and
waning of the elements outside her window are a barometer,
keeping pace with the passion and drama unfolding in the
little rented room she shares with Mulder.

The journey is intoxicating and magical in the sense that
this man, unlike others from her past, is already her
partner and best friend.  Up until now she's known him in
every way except the sexually intimate.  To finally allow
his entrance into her body, to explore and be explored, is
overwhelming.  Exquisite sensations erupt as he fills and
stretches her narrow depths, testing the limits of what her
physiology -- and her emotions -- can accept.  He's marked
her with his body, leaving tangible physical proof that they
are undeniably lovers.

By early evening the weather has grown gentle and
contemplative.  They untangle from one another, clammy and
uncertain of the next step, when she suggests they attempt
the narrow shower.  She rummages through her suitcase for a
tiny bar of sweeter-smelling soap than the bathroom can
provide.  Earlier assumptions are correct; the stall is too
narrow to accommodate them both without Mulder's elbows
knocking against the painted metallic sides. Afterward, when
they stand dripping in front of the small sink, she wants to
dry him herself.

Cool air puckers her nipples as she slides the towel over
him -- chest and arms, the lean lines of his back, his hips,
the hard muscles of his thighs.  Accepting another slow,
open-mouthed kiss, she blots the tender flesh that droops
between his legs until she feels it stir to life.  She
fingers with reverent care the fuzzy weight of his balls,
firm from the cool air, yet pliant within the curve of her
hands. When his cock begins to swell and nod its
encouragement, Mulder suppresses a groan.  He reaches
between their bodies to cover and still her caresses.

"Now you," he says, his voice low and husky, taking the
towel from her grasp.

He's thorough and methodical, working without pause from top
to bottom.  The rough massage of the towel lulls her.
Closing her eyes, she's unaware that he's slowly dropped to
his knees before her, that he has an agenda that takes
precedence over drying her hips and legs and what's hidden
in between...

Startled by his touch, she looks down to see him leaning
forward to breathe deeply of her essence and kiss the
reddish triangle of pubic hair.  "Mulder... what -- " she
begins, groping for an appropriate objection, but the brush
of his nose dispels any need for it.  She stifles a moan
when the warm length of his tongue begins to fondle her,
nudging and curling within her soft, clean folds.  His
strong hands act as a brace to grip the backs of her thighs,
parting them.

"You wanted action," he pants, working his way deeper, and
taken aback, she colors at the memory of her words.  Her
eyes close again as she embraces his rhythm.  Forehead
pushing against her belly, the long, rough strokes of his
tongue roll over her clitoris and slide inward, driving her
towards another tingling, frenzied explosion.

It erupts quickly.  Scully gasps, leaning back against the
chipped white porcelain of the sink as her hips jerk in
uncontrollable spasms against his face.  Not a noisy woman
when it comes to orgasm, she hears herself cry aloud at the
onslaught of his mouth devouring her.  It's aching and hot
and wantonly sweet.  She becomes aware that the fingers of
one hand are tangled in his hair, the other gripping the
edge of the sink to keep herself from toppling, her spread
legs turning to rubber even as they squeeze his head between
them -- when the door rattles suddenly on its hinges from a
series of staccato knocks.

For the first millisecond, they freeze.  Then Mulder,
cursing under his breath, regains his footing in one quick
movement.  Snapping up the towel and motioning Scully back,
he crosses the room.  His weapon is within reach, but he
ignores it where it rests next to hers on the nightstand.
In post-orgasmic haze, she peers from behind the bathroom
door, fascinated by his instinctive reaction to the
interruption of their lovemaking.  He drapes himself,
holding the loose ends of the towel together with one hand,
and then pulls the door open with the other.

The manager's little son stands in the gush of light from
their doorway.  His small, brown face is expressionless and
he scratches a nubby head, looking back up at Mulder with
eyes that are large and inscrutable.

"This better be good, Skeeter... " Mulder growls at the
child.

The whites of the boy's eyes widen and he chews his lip.
"Mama says for y'all to come eat now."

Darting like a flushed rabbit, he bolts back toward the
office building, the thud of his bare feet echoing on the
wet clay.  The night swallows him, and the distant glow of
the office windows shimmer behind branches that sway and
rustle in the breeze.

"Mulder!"

The stunned surprise in her voice is arresting.  He pushes
the door shut, clutching the ends of the towel in a fist,
holding together what appears to be the last shreds of his
pride and tattered desire.  "What?"  He bristles, defensive.
Shadowed in the low light, his expression remains guarded.

She steps from the bathroom, sighing against the doorframe.
Nightfall has cooled the room and she covers her breasts,
wrapping arms around her body like the marble limbs of a
statue.  She glances down at herself, noting how white, how
pale and exposed her skin appears against the dark paint of
the door.  Heading off shyness and further argument she
looks around for a covering.

The intrusion of the outside world into their lovemaking is
to be a new and inevitable reality.  There will be phone
calls and knocks on the door, beepers and emergencies, risk
and danger.  How she and Mulder and love and sex and the X-
Files will find a roomy enough raft in the perpetual motion
of their lives is a big question.  Suddenly everything about
this place seems precarious, as if their new intimacy is
mere forbidden fantasy and will disappear, like Cinderella's
carriage, if they take it from these mountain woods.

After standing in silence he wheels away from the door and
looks over at Scully, who's pulled his shirt over the narrow
planes of her shoulders to warm herself.  She calibrates his
fading simmer, knows his aggravation is now with himself for
reacting in such haste.  He moves closer and she allows
herself to be drawn into his arms.  The towel falls,
puddling over their feet.

"Admit it... the kid's got shitty timing."

His skin is cool and clammy against her breasts.  She feels
the chill of his thighs, his drooping penis loose and cold
against her stomach.  "Yes, he does. I'm not disagreeing
with you there.  But that's not his fault, Mulder."

"I suppose I could've handled that better."

"To say the least," she concurs.  "He's just a good little
boy, doing as he was told."  With a grudging smile, she
reaches up to brush her fingers through the short locks of
hair that stick up, wet and childish, over his forehead.  So
many times in the past she's wanted to do this very thing,
making no excuses or false pretense as apology.

"Think I can make it up to him?"

"You were a boy once, Mulder.  You tell me."

He sighs and bends to hide his face against her hair for a
moment.  The gentleness, the sheer intimacy of the gesture
touches her heart and forces her to blink.

"If I can talk you out of my shirt, I guess it's time to
dress for dinner," he murmurs.  His lips, still fragrant
with her scent, browse over her eyelids, then the smooth
curve of her nose.  "The appetizer, though, was... primo."

********************

Food is carried from the kitchen and placed before them on a
card table just outside the check-in office.  The manager,
perspiring from her efforts and already finished with her
own meal, beckons them to sit and relax while she attends to
serving.

Vegetable beef stew, in plastic bowls, and a few large
slices of sourdough bread with butter crowd the table, as
well as tall glasses of sweetened tea.  An old lamp, its
shade tattered, sits on a ledge. It lends a warm amber cast
to the room, in stark contrast to the deep blackness outside
the window.

Scully takes small meditative bites of the food.  It's
delicious and hot, but she's not as hungry as she thought
she'd be.  Mulder, on the other hand, rips his bread in two,
dipping into the bowl, then scooping with the large
tablespoon.  She watches him eat, the sight somehow
comforting to her, and she takes a few more tastes of her
own bowl before looking over at the manager.

"This is very kind of you and quite unexpected," she says,
her voice edged with emotion.

The woman shrugs.  "No markets close by an' no McDonald's
down *this* road," she explains.  "I was supposin' y'all
would be hungry... "  She smiles down at Mulder's near-empty
bowl and moving hand and Scully notices a shadow pass over
the woman's face, clouding her clear eyes.  Almost as if she
remembers something both poignant and bittersweet from the
past.

"It *has* been a long day," agrees Scully.

"An' sure dressed up for a weekend drive.  Y'all belong to
some big company?  Come out here on business?"

"We work for the FBI," says Mulder, attentive to his meal
and taking another slice of bread.

"Ain't nothin' goin' on around here needin' the FBI."  The
manager frowns, squinting at Mulder.  "What're you lookin'
for?"

He hesitates just long enough for Scully to grow
apprehensive and pick up the required response.  "Nothing
now," she offers, thinking to herself that the question is
one she herself would like answered.  "We're finished and on
our way back to Washington."

"Taking the scenic route," supplies Mulder smoothly.  He
brushes her hand with his when he reaches for the butter,
and she hitches her breath, nearly choking on the food she's
just put into her mouth.

"May I borrow your phone book?" he asks, and the manager
jerks her head toward the office.  He nods his thanks and
disappears.  During his short absence Scully feels the
familiar twinge of suspicion about his motivation, wondering
whether he has another agenda -- and she becomes aware of
the woman's solid form at her shoulder.

Pursing her full lips and throwing a mild glare in Mulder's
direction, she leans over Scully and whispers.  "You all
right, honey?"

"Yes... why do you ask?"  Out of the corner of her eye, she
sees a small dark head bob at the doorway.

"Skeeter says he heard a lady cry, maybe hurt.  Just doin'
my duty and checkin' it out."

She's aware of a warm blush creeping over her cheeks and
shakes her head firmly before replying.  "No, really... it's
nothing like that at all.  Everything's fine."

"Well... that's good.  You need anythin' at all, you let me
know."  She straightens, her rich, earthy chuckle gathering
volume as she gives Scully a furtive wink.  "I get it.  Oh,
that's *real* good... "

There's a flash of lightning, followed by the deafening
crack of thunder overhead, the pattering of new rain as
Mulder re-enters the room.  He seeks out Scully and she
nods, getting to her feet and reaching out a thankful hand
to the manager.  "We appreciate this so much.  Please, add
it to our bill."

"Naw, it's on the house.  This is the off-season.  We like
the company, don't we, Skeeter?"

"Sure hit the spot," agrees Mulder, following Scully's lead
and offering a smile and a warm handshake.  "But the storm's
back and we'd better call it a night.  Unless..."  He pauses
and avoids his partner's questioning look.  "Unless you've
got any interesting stories you could tell us.  Any local
tales that might help to pass the time?"

"What're you talkin' about?  Tales...?"

Mulder shrugs, the gesture ambivalent, non-committal, though
Scully knows better.  She recognizes his ingratiating smile,
the sparkle of interest in his eye, right down to the way he
grips the back of the chair, angling his tall body forward
with undisguised anticipation.  "You know, campfire stories.
Urban legends.  Every area has its own unique history.
Unexplained happenings... strange lights in the sky... "

Suppressing a hum of disapproval, Scully moves closer and
places a warning hand on his arm.  It's warm and sinewy, and
she feels the muscle tense against her palm, as if resenting
the intervention.  She surprises herself with this sudden
desire to protect the child, but the small pair of bright
eyes at the doorway near the kitchen pricks her conscience.
He's such a winsome, curious little boy.  Children are like
sponges, taking in so much, the good with the bad.

"Mulder, this can wait, you know.  I doubt she wants...
Skeeter... to hear something like this before his bedtime.
And in the middle of a thunderstorm," she reminds him in a
whisper.

He looks from her hand on his arm toward the shadowed curves
of her face.  She can sense the internal battle as he
appraises her motivation, weighing his own craving for
information against her apparent common sense.  Their eyes
lock, the fragile stalemate holding for an instant before it
breaks at the manager's next words.

"You mean like Bigfoot or somethin'?

Mulder's head snaps back towards the woman and he nods.
"Exactly."

"I heard tell of a monster somewhere down in Braxton
County."

"Country cousin to the Jersey Devil, no doubt," Scully
mutters to herself, just loud enough for Mulder's ears.

"Have you seen it?" he asks eagerly.

"Shit no.  Braxton County's over in West Virginia.  This is
the wrong road and the wrong state for that."

Her hands are deft as she gathers bowls and silverware
toward the food-smudged apron she wears, scooping up the
dishes into a pile with possessive hands.  Her full, dark
lips press together in a smug seal, effectively ending the
conversation.

Pondering the finesse, Mulder watches her back recede as she
strong-arms the load of dishes into the kitchen and shakes
his head in admiration.  "By the way, Scully," he adds,
keeping his voice low, "I *know* where Braxton County is."

"No need to impress *me*," she hisses.  "An explanation,
though, would be most appreciated... "

"Don't I at least get an 'A' for effort?"  He reaches out to
give her hand a quick squeeze, but she draws it away too
quickly from underneath his fingers and turns toward the
door.

"We have to get going -- all hell is breaking loose out
there.  We have no umbrella.  And if you haven't noticed,
our room isn't just a hop and skip away."

In the face of gusting wind and rain, the crash of thunder,
he gains his feet, still mired in thought.  They don coats
and Scully calls out another thank-you to the manager.

At the threshold, however, Mulder stops to look back.

"Just a second," he says to Scully, and she watches him
cross over to where the little dark head still bobs in the
kitchen doorway.  He goes to a crouch before the child.
She's surprised as she listens to her partner's voice, low-
pitched and calming in the small room.  She observes his
hand touch the boy's chin, sees the shy pucker and grin it
elicits.  Swallowing, her breath catches when Mulder raises
his hand in a high-five, and the little boy flashes pearly
teeth, smacking his brown pint-sized hand up against her
partner's large gentle one.

********************
END (2/10)
Waiting In Motion
by mountainphile

    Source: geocities.com/mountainphile