Published in the Asbury Park Press 3/01/02

By LISETTE CORDERO
Correspondent

There really is no way to prepare for a phone call from Julio Iglesias.

"Oye, Lisette, que tal, llama Julio."

Suddenly this reporter felt like the envy of all the women in the world. "Si, si," I stammered. "Buenas tardes, Senor Iglesias."

"Que va, guapa. Solamente es Julio."

I was put at ease by that casual introduction: "Just call me Julio."

Audiences can expect to be similarly seduced when the muy guapo international singer brings his "Noche de Cuatro Lunas" ("Night of Four Moons") tour to Red Bank today and Atlantic City tomorrow.

Iglesias poured on the charm during a telephone interview conducted in both English and Spanish from Punta Canta, Dominican Republic, where he was in the midst of recording a new album, one he promises will have his "fingerprints all over."

"Sometimes you might have to give up a certain amount of control on a project so you're not as happy with the result," the oh-so-suave Spaniard said. "That won't happen on this one."

Iglesias obviously likes to be in control: This interview quickly became more of a conversation, as the singer asked as many questions as he answered.

Iglesias said he detected a Puerto Rican accent on the other end of the line.

"Mi madre es puertorriquena,",/i> he said.

Iglesias also wanted to know about his interviewer's musical interests (piano; he plays guitar.) Before long he even requested a long-distance rendition of one of his songs, "Por el amor de una mujer" ("For the Love of a Woman.")

As for his own unmistakable voice, Iglesias immodestly admitted he's never sounded better. "This is the best time for me to perform, because my brains and my heart are in harmony," he said.

A good part of Iglesias' success has been his ability to translate the sentiment of songs through a variety of genres -- tango, salsa, rumba, bolero and American pop -- with his own unique vocal style. Always dressed elegantly, Iglesias oozes a classy demeanor onstage, inviting fans to enter his exotic world.

Originally a soccer goalie for the professional Real Madrid team, Iglesias' sports career was derailed when he was temporarily paralyzed as a result of a car accident. His alternate career as a romantic singer took off when he won an award at a prestigious song festival in Spain, the Benidorm, for his composition "La Vida Sigue Igual" ("Life Goes On").

Thus began Iglesias' love affair with music, which resulted in a succession of passionate love songs and a 34-year career.

"My ability to get feelings across vocally is very important," said Iglesias. "It is one thing to know how something is done, but if you do it and no one really understands your message then it is meaningless, and you must try another technique."

Iglesias' international career credits include 2,600 platinum and gold records. His 1983 first English release, "1100 Bel Air Place," immediately went multi-platinum, opening the door for the singer to work with popular American artists eager to sing with the international recording star.

Although only two of his recordings ever entered the Billboard Top 40 -- "To All the Girls I've Loved Before," recorded with Willie Nelson, and "All of You," recorded with Diana Ross -- Iglesias has been credited with selling more records in more languages than any other musical artist in history. (He has the only Diamond Record Award ever given to a performer by the publishers of the Guinness Book of World Records to prove it.)

In addition to Nelson and Ross, Iglesias has recorded duets with Dolly Parton, Stevie Wonder and Sting, to name a few. He received a star on the Hollywood Walk of Fame in 1985.

While he's performed duets with many artists, don't expect Iglesias to work with one particular young pop singer, his son, pop idol Enrique Iglesias -- at least not in the near future.

"He's not yet an experienced performer," said Iglesias before adding, in a more serious tone, "As a parent you give your child advice, and they always want to do things their way. So as a child, you hold their hand to help them walk, but when they want to run, they have to run. And they do that very well."

Iglesias knows all about the pains of inexperience. As a boy, he was cut from choir in high school. As a result, he said, he still makes it a point never to stop learning how to improve his singing abilities. He will record and re-record single phrases until he is satisfied.

Iglesias said he is looking forward to his break from recording this weekend.

"Performing keeps the blood pumping through my veins. It's invigorating and just plain fun," he said, before adding:

"Lo siento, Lisette, pero tengo que colgar la linea. Ciao!",

("Sorry, but I have to hang up, now.")

"Ciao Julio! Besitos!"

("Kiss, kiss!")