True or False:

1.    All's well that ends well.     
2.    God is a "gun owner."      
3.    I
(you) wouldn't mind studying taxidermy.    
4.    Fish feel pain.    
5.    I feel fish pain.     
6.    There is just about the right amount of shelving in the world.        
9.    All isn't well that doesn't end well.    
11.    I wouldn't mind learning ventriloquy.    
13.   There's more to leathercraft than we suspect.     
14.   A carp is a minnow.    
15.   Chopin got his rubato with his mother's milk.     
16.   One man's dogma is another man's dogfood.    
17.   All war is 'civil war.'     
18.   It is ill-advised to hope for a universal salvation.     
19.   War is sex.    
20.   Folks is folks.     
21.    It is possible to be totally free of racism.    
22.  
Retort is a funny word.     
23.   God hates communism.    
24.   I
(you) wouldn't mind owning a pair of num-chucks.
24.   All is not well.  
25.   Rice is not always a good value.    
27.   Poetry is not a victimless crime.    
28.   Backhoes are people too.    
29.   Questions are more productive than answers.      
30.   Theory is good.
31.    Good "honky tonk" is where you get it.
32.   There are hams within hams.
33.   There is no such thing as "true or false."
34.   I'm so lonesome I could cry.
35.   "Inside a potato there are mountains and rivers."
30.   All is well.    
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Short Answer:

What is the opposite of orange
?
What makes a stein a stein
?
What came first: signification or Grammar
?
What is Language
?
What isn't Language
?
What are your thoughts on venison
? leathercraft? stagecraft?
Do we still have a "China Card"? (if so, when should we play it).
Essay:
Discuss the relationship:  Grammar. Dance. Signification. Salvation.
Last:
What is a favorite question of your own?
Please respond:

"Very little is known in our day of the magic which resides in movement, and the potency of certain gestures. The number of physical movements that most people make through life is extremely limited. Having stifled and disciplined their movements in the first states of childhood, they resort to a set of habits seldom varied. So, too, their mental activities respond to set movements, they limit their expression until they become like actors who each night play the same role. With the few stereotyped gestures, their whole lives are passed without once suspecting the world of the dance which they are missing."
Isadora Duncan
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