THESE NEXT FEW PICTURES ARE OF THE ORIGONAL OPERATING ROOM.
THIS IS WHERE THE DOCTORS WOULD DO THEIR MANY EXPERIMENTAL AND INEFFECTIVE TREATMENT PROCEDURES TRYING TO HEAL TUBERCULOSIS.
ONE OF THE ORIGONAL LAMPS IS STILL SOMEWHAT INTACT AS WELL AS THE AUTOCLAVE ROOM (which looks like an oven in the wall) WHERE THEY CLEANED THEIR OPERATING TOOLS
NOW HERE'S AN INTERESTING STORY ABOUT THIS DOOR BELOW.
NOTICE THE AXE CUT MARKS ON THE LEFT SIDE OF THE DOOR.
THE STORY GOES THAT A FEW YEARS AGO THERE WERE A COUPLE OF SECURITY GUARDS LOOKING FOR A COUPLE OF TEENAGERS THEY SAW ENTERING THE BUILDING.  NOT LONG AFTER THEY HEARD THEM YELLING "LET US OUT!  LET US OUT!!  THEY WON'T LET US OUT!!"  THIS PARTICULAR DOOR IS MADE OF STEEL AND IS ONE OF THE MORE FREELY MOVING DOORS IN THE BUILDING.  THE TEENAGERS TRIED EVERYTHING FROM PUSHING TO ATTEMPTING TO BREAK DOWN THE DOOR.  ONE OF THE TEENAGERS HAD AN AXE WITH HIM AND TRIED TO DESTROY THE DOOR THAT WAY.  WHEN THE  GUARDS ARRIVED TO WHERE THE TEENAGERS WERE, THE DOOR SWUNG FREELY OPEN AND THERE WAS NO INDICATION OF ANY WAY THAT IT COULD HAVE BEEN LODGED SHUT.  THE AXE MARKS ARE STILL VERY VISIBLE ON THE DOOR TODAY
NEXT UP ARE SOME RANDOM SHOTS OF SOME OF THE WARD HALLWAYS IN THE BUILDING
GO
HOME
PREVIOUS
PAGE
HERE'S THE ONLY POTENTIAL EVIDENCE THAT I GOT ON STILL PICTURES
THIS WAS TAKEN DOWN A WARD HALLWAY.  THERE IS ONE WARD DOOR LEFT ON THE RIGHT THAT DIVIDES THE WARD.  THE DOOR NO LONGER HAS ANY GLASS IN THE FRAMEWORK OF IT.  PAST THE DOOR, AS YOU CAN SEE A LITTLE ON THE LEFT SIDE, IS A CONTINUATION OF ANOTHER WARD HALLWAY, SIMILAR TO ONE YOU SEE ABOVE.  THERE ARE NO OBSTRUCTIONS AND THERE IS NO DEBRIS ON THE OTHER SIDE OF THE DOOR.
IT LOOKS LIKE EITHER THE TOP OF A NURSE'S UNIFORM OR A WOMAN'S BLOUSE.  YOU CAN ALMOST MAKE OUT A HEAD, AND POSSIBLY, ARMS ON THE SIDES.
I'LL LET YOU MAKE YOUR OWN OPINION ON THIS.
I REALLY HOPE I CAUGHT ONE OF THE PREVIOUS PATIENTS ON FILM!!
BELOW IS THE ORIGONAL PICTURE ZOOMED IN A LITTLE, BUT UN-EDITED.  THE OTHER 2 ARE ENHANCED WITH BRIGHTNESS, CONTRAST, SATURATION, AND COLOR EDITING TO BRING OUT THE SHAPE A LITTLE BETTER.