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Films

The Lord of the Rings

The Fellowship of the Ring

The Fellowship of the Ring Released- 2001

Director Peter Jackson's The Lord of the Rings: The Fellowship of the Rings is a worthy adaptation of the firs part of J.R.R. Tolkien's epic tale. The film remains true to the spirit of the novel, while making it accessible to non-Tolkien fans, which is essential to the film’s success with the general audience. The movie conveys a great deal of emotional depth and touches on many of the important themes in The Lord of the Rings, like courage coming from unexpected persons and the horrors of greed and unrestrained industry. Great attention to detail is evident in the movie's production quality; its creators went so far as to include dialogue in Elven tongues with subtitles! The cast adeptly portrays the essence of Tolkien's characters--especially Cate Blanchett, whose Galadriel is appropriately sinister, mysterious and sad. The performances, as well as the breath-taking visual representations of Middle-earth are greatly enhanced by Howard Shore's wonderful score. Adding to the otherworldly mood and noble sadness of the tale is the music of Enya, whose wondrous and melancholy voice perfectly captures the feeling of the Elves. There are only two points I would criticize about the movie. First, the pacing was a bit too fast. Of course there is lot of ground to cover, but the movie doesn't quite capture Tolkien's intimate and complex writing style. Secondly, the film sometimes fails to follow-through on some of the more mythic notions in the novels and doesn't provide the historical depth that could easily be conveyed by a single line.

FotR: The Extended Edition
This version of The Fellowship of the Ring contains thirty minutes of added footage and new scenes. Much of the material adds depth to the historical and cultural background of Middle-earth's inhabitants, and weaves the more subtle (but in some ways more emotionally significant) narratives into the film, particularly the passing of the Elves. The additions to the theatrical release are mainly aesthetic in nature--exactly what Tolkien's readers wanted. They will also enhance the film for those for whom the film is their first exposure to Middle-earth.

The Two Towers

The Two Towers Released- 2002

The second installment in Peter Jackson's epic film trio is very different from its predecessor. The Two Towers is much darker than FotR, in its visuals, the performance of its cast and in the nature of the story. And the ominous darkness that pervades the film is punctuated by stunning moments of light and beauty. The Two Towers focuses heavily on battles, both military and spiritual, that provide scenes of great heroism and excitement. Yet at times the war scenes bog the film down, and precious screen time that could have been used to further develop the characters and to bring to the surface more of the underlying changes taking place in Middle-earth is sometimes wasted on large-scale destruction and endless sword-fights. The story also takes a departure from the quest as written by Tolkien, an unnecessary step that did little to improve the film. Still, like FotR, this movie delivers great emotional power through the highly expressive, beautifully rendered CGI character Gollum and the dramatic score of Howard Shore, which is supplemnted by absolutely incredible performances by several talented musical artists (although sadly Enya wasn't among them this time).

The Return of the King

The Two Towers Released- 2003

The third and final installment in Peter Jackson’s film trilogy, The Return of the King succeeds in fulfilling the emotional potential of the story begun in FotR and continued in The Two Towers through powerful cinematography, hauntingly wondrous music and touching performances from the cast. As in the previous films, Jackson’s team creates a magnificent and realistic landscape in which the events of the film unfold. Minas Tirith and Mordor are superbly rendered; particularly memorable is the stark depiction of the plains of Mordor, with the Dark Tower and the Eye of Sauron providing an ominous and bleakly beautiful backdrop to the final journey of Frodo and Sam. Stunning sequences utilizing light and shadow, which have so characterized The Lord of the Rings as a whole, feature prominently throughout the film, invoking the sense dark beauty that pervades the novel. In RotK Jackson avoids the pitfall of altering the fundamentals of Tolkien’s epic into which he stumbled in the previous installment. Thus, the characters’ story and plot develop in the intended and more natural manner, culminating in scenes that capture the essence of true friendship. The film is interspersed with moments of tearful poignancy truly befitting Tolkien’s melancholic tale, reaching several climaxes that bring closure to first the adventure and then the emotional development of the characters. These moments are enhanced by Howard Shore’s rich score, and Annie Lennox’s performance of “Into the West” during the end credits is amazing. The only major flaws in the film are the treatment of the Dead Men of Dunharrow, who are presented in a far too clichéd fashion, and the omission of iconic moments such as Gandalf’s confrontation with the Witch-king at the gate of Minas Tirith. Yet these do not seriously detract from the overall triumph of Jackson’s film. The Return of the King is a worthy ending to a cinematic quest to bring J.R.R. Tolkien’s breathtaking book to the screen.

  • Official Film Site
  • TheOneRing.net - Forged by and for Fans of J. R. R. Tolkien

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    Contact

    Contact's Ellie Arroway Released- 1997

    Plot Synopsis- Eleanor Arroway (Jodie Foster) has been searching for something her entire life: evidence that humanity is not alone in the universe. When she discoveres an alien message coming from the star Vega through her radio telescope project, the news ignites a firestorm of controversy. As the world struggles to come to terms with the scientific and spiritual implications of the message, Ellie embarks on a quest to discover its meaning and finds herself questioning her own views on truth, both empirical and religious.

    Review- Contact is a beautiful and touching film that explores the differences and similarities between the scientific and religious quests for understanding and meaning. Jodie Foster gives a very convincing performance as a woman who suddenly finds herself in the midst of societal forces she does not quite fathom, trying to maintain her integrity in the face of doubt and uncertainty. This is the type of film that asks us to evaluate our own views and beliefs, yet doesn't provide easy answers or try to force a certain viewpoint. Ultimately, Contact celebrates those who seek knowledge and understanding in whatever form and by whatever means as long as they are genuine. The film is based on the equally compelling novel by the late Carl Sagan.

  • Contact Official Wensite
  • JODIE Foster : Contact

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    Dogma

    Loki and Bartleby Released- 1999

    Plot Synopsis- Two angels, Bartleby (Ben Affleck) and Loki (Matt Damon), have been banished from Heaven by God. However, they've discovered a loophole in the Lord's decree--Catholic dogma will allow them to contradict God and return to Paradise. Unfortunately, this will negate all existence. Meanwhile, God has disappeared, and the Angel of the Lord Metatron (Alan Rickman) gathers the Last Scion Bethany (Linda Fiorentino), the forgotten black Thirteenth Apostle Rufus (Chris Rock), the muse Serendipity (Salma Hayek) and two "prophets"--Jay (Jason Mewes) and Silent Bob (Kevin Smith)--in an attempt to prevent the catastrophe. However, the demon Azrael (Jason Lee) tries to thwart Metatron's plans by helping Bartleby and Loki out.

    Review- Director Kevin Smith wonderfully parodies religion and all its pomposity with this film. He points to the flaws in the logic behind churches' claims to absolute truth, while also commenting on various societal problems like racism and sexism. He does all of this in a sarcastic and satirical fashion through Dogma's offbeat humor and characters, which are really hilarious. This is one of those films that causes uncontrollable laughter and provokes serious thought, too.

  • Dogma Official Website

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    The Fearless Vampire Killers

    Sarah, Alfred & Prof Abronsious Released- 1967

    Plot Synosis- The eccentrically brilliant Professor Abronsious (Jack MacGowran) and his naive assistant Alfred (Roman Polanski, who also directed) travel to a snowy mountain village in search of vampires. Alfred becomes enamored with the beautiful Sarah (Sharon Tate), daughter of the devious innkeeper Shagal (Alfie Bass), who is kidnapped by the blood-sucking Count Von Krolock (Ferdy Mayne). Alfred and the professor enter the count's castle to rescue Sarah, facing an incoherent hunchback, Von Krolock's biting repartee (pun intended), a cemetery full of not-so-fresh vampires, and their own incompetence.

    Review The Fearless Vampires Killers (or Pardon Me, But Your Teeth Are in My Neck) is a masterpiece of slapstick, wordplay, and simple silliness. The cast gives great deadpan performances, allowing the audience to appreciate all the irony dripping from vampiric fangs! The film is also very atmospheric and visually interesting, with great sets and costumes.


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    The Fifth Element

    The Fifth Element's Korben Dallas and Leeloo Released- 1997

    Plot Synopsis- Korben Dallas (Bruce Willis), a cab driver in the Brooklyn of 2214, rescues Leeloo (Milla Jovovich), a beautiful, mysterious young woman who is the key to saving the universe from the ancient force of Evil that seeks to destroy all life. They must race Evil's henchman Jean-Baptiste Emmanuel Zorg (Gary Oldman) to retrieve four elemental stones that unlock an ancient weapon. Along the way Korben finds himself falling for Leeloo.

    Review- The Fifth Element is a difficult film to categorize. Like some of Willis's other films, this one ia part action movie and part comedy. The science fiction elements add to the film's visual appeal by allowing the creators to play with outlandish costumes, sets, and characters. Chris Tucker, just one of a talented cast, gives a hilarious performance as radio personality Ruby Rhod--you have to see it to believe it! Beneath the glitz and spectacular special effects is a story about the horrors of war, the natures of good & evil, and the power of love. The distinctive flavor of the film is enhanced by a unique score by Eric Serra, which conveys excitement, sentiment, and awe.

  • 5th Element

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    Independence Day

    Independence Day Released- 1996

    Plot Synopsis- Huge city-sized spacecraft arrive on Earth, hovering over the most important metropolises in the world. Officials in every country attempt to ascertain the visitors' intentions, which are soon revealed to be less than friendly. After the aliens' devastating attack, the remaining forces on Earth band together in a desparate bid to drive the aliens off.

    Review- Independence Day is the mother of all disaster movies! It has been acclaimed for its incredible special effects. I agree; I was on the edge of my seat the first tim I saw it. But that's not why I like Independence Day. Instead, I like the international flavor of the film, which ackowledges that the alien arrival is a global phenomenon. I also like the way it deals with war and conflict, allowing their horrors to really impact the characters. Finally, I think the film has a positive message about human courage, and the ability of our species to overcome its differences in times of trouble.

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    Interview with the Vampire

    Interview with the Vampire's Lestat & Louis Released- 1994

    Plot Synopsis- Louis (Brad Pitt), a 200-year-old vampire, tells his story to a young "collector of lives" (Christian Slater) in modern San Francisco. Given the "Dark Gift" by the vampire Lestat (Tom Cruise) Audio Experience: Clip of Lestat in colonial Louisiana, Louis believed being a vampire would allow him to escape the pain of life. Instead his existence becomes an endless torment as he wrestles with questions about evil, his place in the world and the ethics of murdering to survive. When Lestat creates for Louis a vampiric daughter named Claudia (Kirsten Dunst), he sets in motion his own doom and Louis' tragic quest to understand his nature and existence.

    Review- An engrossingly dark film, Interview with the Vampire delves into regions of pain, suffering, and isolation into which everyone must venture at some point in his or her life. Yet amid the shadows of the vampires' lives are moments of sublime, dark beauty. This film blurs the boundaries between good and evil, light and shadow, God and the Devil, man and woman through exquisite mise-en-scene and cinematography, as well as a melancholic and stunning score by Elliot Goldenthal. The entire cast is excellent, and Kirsten Dunst is absolutely chilling. Interview is based on the novel of the same name by Anne Rice, who reminds the audience that this film is not about vampires: "it's really about us."

    NOTE: I don't recommend Queen of the Damned, the pseudo-sequel to this film.

  • Interview with the Vampire Script by Anneke

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    Jurassic Park

    Jurassic Park Released- 1993

    Plot Synopsis- John Hammond (Sir Richard Attenborough) has created the most incredible theme park in the world: an island populated by dinosaurs cloned from ancient DNA. When Hammond invites a team to Jurassic Park to ease the concerns of his investors about the park's safety, human failings and the unstoppable power of nature combine to unleash the dinosaurs, endangering everyone's life.

    Review- This film could have degenerated into mindless killing and dinosaur mayhem, but director Steven Spielberg managed to tell an intelligent story as his amazing CGI dinosaurs ran amok. Jurassic Park is a warning against scientific hubris and a reminder that human beings should respect nature. The film melds science fact with science fiction to create a believable scenario and educate the audience at the same time. Spielberg also makes the audience care about the characters involved in the story, including the short-sighted Hammond, the beleagured paleontologist played by Sam Neil, and the fun-loving paleobotanist played by Laura Dern. Not only is Jurassic Park exciting and thoughtful, it is also filled with stunning images and superb music by John Williams that convey the dangerous side of the dinosaurs, as well as their beauty and majesty. This film is based on the novel of the same name by Michael Chrichton.

    NOTE: I do not recommend either of Jurassic Park's sequels.

  • Jurassic Park Official Website

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    Monty Python and the Holy Grail

    Monty Python and the Holy Grail Released- 1975

    Plot Synopsis- King Arthus and his Knights of the Round Table are sent by God to search for the Holy Grail. Along the way funny things happen. That's it!

    Review- Side-splittingly funny, Monty Python and the Holy Grail is a comedy classic. The film is peppered with great gags, spoofs, and one-liners, mocking everything from the monarchy to God. The brilliance of this movie is that it really doesn't make a whole lot of sense plot-wise, but makes a whole lot of sense parody-wise. At times appropriately vulgar and offendingly blunt, Holy Grail is a tour de force of spirited idiocy. Nothing and no one is safe from the wicked jibes of the masterful British comedy troop Monty Python. If you sons and daughters of silly persons haven't seen this movie, beware the rude Frenchman who "shall taunt you a second time!!!"

  • PythOnline
  • The Unofficial Monty Python Homepage

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    The Prophecy

    The archangel Gabriel Released- 1995

    Plot Synopsis- The archangel Gabriel (Christopher Walken), hurt by God's favoring of humankind over the angels, has come to Earth in search of an evil soul to aid him in a second war in Heaven. But forces loyal to God attempt to retrieve the soul first in order to stop Gabriel's assault. Both sides are led to a young Havajo girl and face a final confrontation that will determine the fate of humanity.

    Review- This film presents angels in a new light, speculating about their natures and exploring their perspective on Christian beliefs. It also blends Christian theology, Navajo life-ways and a postmodern outlook in order to raise important questions that resonate with a world unsure of its spiritual direction, like what is faith and how can it be sustained when the divine appears silent (or reveals too much). The Prophecy has an ethereal, darkly alluring ambiance and moments of terrible awe. This movie contributed to my interest in angelology.

    NOTE: I don't recommend any of The Prophecy's sequels.

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    Stand by Me

    Stand By Me's Chris & Gordie Released- 1986

    Plot Synopsis- Four boys set off one summer in search of a dead teenager's body. They think it will be "cool" to go out and have this one last adventure before they enter junior high. Sensitive Gordie (Wil Wheaton) is haunted by the death of his brother. His best friend Chris (River Phoenix) tries to fill in the gap Gordie's brother leaves, becoming the only person who really understands him and his passion for writing. Chris is a tough kid, who is really searching for his place in the world. He thinks that because of his family's reputation he will never accomplish anything in his life. Teddy (Corey Feldman) is a wise-ass who always tries to live on the edge. He is the victim of his father's unstable personality, resulting in Teddy's obsession with his father's war exploits, the only thing of which he has to be proud. And finally, there is Vern (Jerry O'Connell), the eternal follower. What they find on their journey is the true meaning of friendship.

    Review- This film is very touching and has a lot to say about friendship, personal discovery, and socialization. All the actors give convincing, insightful performances that really convey something of the spirit of childhood comraderie and how meaningful it can be. Stand by Me is based on the short story "The Body" by Stephen King.

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    Films by M. Night Shyamalan

    M. Night Shyamalan burst into the writing and directing spotlight in 1999 with his hit film The Sixth Sense. This unusual piece of filmmaking surprised audiences not only with its twisted ending, but also with the emotional depth of its narrative. Shyamalan’s talent for utilizing standard genre material to explore the mystical and mysterious questions of existence in poignant and humane ways carried into his subsequent films. Whatever Shyamalan does next, moviegoers can certainly expect the unexpected and should be prepared to think long and hard about its implications—something too few filmmakers ask of the audience these days.

    The Sixth Sense

    Cole Seer

    Released- 1999

    Plot Synopsis- Dr. Malcolm Crowe (Bruce Willis), a child psychologist, attempts to help young Cole Seer (Haley Joel Osment), a melancholy boy whose apparent ability to communicate with the dead is slowing destroying his relationship with his loving but frustrated mother (Toni Collette). Meanwhile, Crowe faces the break=up of his own marriage. Together, he and Cole embark upon a moving journey to discover how Cole can face his fear of the ghostly visitors and accept his gift.

    Review- A beautifully sad, yet uplifting film, The Sixth Sense features a stunning performance by star Haley Joel Osment. His portrayal of the tormented Cole is genuine and heartrending. Bruce Willis is also at his best playing someone other than his typical action-hero type. The outstanding performances are augmented by wonderful mise-en-scene, including a complex set of clues and symbols that support the film’s underlying cosmology and shocking ending. Shyamalan’s story validates the lives of those in touch with mystery who seek to follow a unique path.

    Unbreakable

    David Dunn

    Released- 2000

    Plot Synopsis- Philadelphia security guard David Dunn (Bruce Willis) is the only survivor of a horrific train wreck. He is approached by an art dealer specializing in comic books (Samuel L. Jackson), who tries to convince him that his survival indicates him to be the truth behind the modern mythology of the superhero—a man who cannot be physically hurt. Amid the tensions of a failing marriage and his son’s hero worship, the would-be hero must find the courage to fulfill his potential.

    Review- Strong performances by Willis and Jackson and an affecting subplot of family drama help make this potentially juvenile plot seem completely plausible. The film reflects the growing acknowledgement of comic books and other forms of popular entertainment as modern transmitters of mythology. The film’s soundtrack is also worth noting, suffusing the brooding piece with moments of terror and beauty. Like its predecessor, Unbreakable features a shock ending, one that sums up the major theme of the film: fulfilling one’s destiny.

    Signs

    Graham Hess

    Released- 2002

    Plot Synopsis- Widowed ex-clergyman Graham Hess (Mel Gibson), raising two young children in rural Pennsylvania, begins to suspect that strange visitors have been stalking his cornfields. When these visitors threaten his family, he and his younger brother (Joaquin Phoenix) must decide whether they have faith in a higher purpose or believe that everything in life is coincidence in order to save them.

    Review- This film is reminiscent of a quirky Alfred Hitchcock movie, mixing the mundane with the unexpected (on several levels). Signs is quieter than Shyamalan’s earlier films, depending more heavily on suspense and eeriness to set the mood for the unanticipated plot development that really pushes the story into high gear. This film also features a more overt spiritual message, but one that isn’t forced upon the audience.

    The Village

    The Village

    Released- 2004

    Plot Synopsis- Tragedy strikes a 19th century utopian community when a love triangle leads to a savage attack and a desperate search for medical treatment takes a young woman (Bryce Dallas Howard) into the surrounding wood, inhabited by menacing creatures referred to only as Those We Don't Speak Of. The village Elders' faith in their enterprise is tested by the shadow of past pain and the possibility of exposing their people to the feared "towns" outside.

    Review- An exquisite visual tapestry and a study in stillness, The Village draws the viewer into the sheltered world of its inhabitants and explores the moral and ethical dilemmas faced by a community trying to overcome society's woes through love and camaraderie. The quiet, understated performances of the cast members highlight the issues that Shyamalan explores in this film, from the question of whether any community can maintain its cohesion and integrity when faced with adversity to the moral ambiguity of love. Like all of Shyamalan's films, this one begs for repeated viewings and close examination of its subtleties.

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  • © 1998-2007 Brandon Weatherby