JOEL TOLEDO
There Are No Happy Endings
THE AUTHOR HOLDS THE COPYRIGHT TO THIS POEM. THIS IS POSTED WITH PERMISSION FROM THE AUTHOR.
THIS IS PART OF THE LITERATURA READING SERIES |  CLICK HERE TO GO BACK TO LITERATURA
"Unicorns,"  she  says  readily,  "the waves hide unicorns." The prince considers this for a
moment  then  falls silent. They  are  sitting  on the sand. It is dusk: the sun is sinking into
the  horizon,  sprinkling  fantastic  dust  on the ocean's cheeks like the important objective
correlative established  early. Or an attempt at figure of speech: "Their sorrow gives voice
to the sea," she adds. The prince smiles at this, oblivious to the waves sobbing by his bare
feet  before  retreating  back  to  the  sea,  leaving  the  sand  damp and shimmering. Fore!
shadows of  the  night  now  assembling,  he  could  barely  make out her face. "The sea’s
waiting  for  me,"  her voice, crumbling like sand, that overused metaphor you always find
on  the  beach. Now the prince could see the sea brimming in her eyes, but he still doesn’t
get  it. “So  will  you  stay?"  I offer,  the  point  of view shifting somewhere in the middle.
The  prince  holds  out  his  hand  to  touch  her  silvery hair. She shudders at his touch, a
muffled  sound  escaping  her  lips before she steps away, just in time to avoid the deus ex
machina:  a  giant  wave  dumping  tons  of  seawater  all  over  the  prince.  He   staggers
backwards,  fumbling  and  stumbling  and  tumbling  and  just  too  much  of  the present
progressive  now  for  comforting his tense feet, jutting into the air like similes for cramps,
or  two  phallic  synecdoches.  The  woman,  who  is  actually a unicorn herself (because
telling  might  help) finds the scene funny. She snickers, then neighs the horse-like but oxy
moronic,  high-pitched  neigh  that  all  unicorns make. She gallops away from her person
ification  (into  her  unicorn  self),  leaving  the  defamiliarized  prince  looking more like a
court  jester  than  the  stereotyped  knight  in shining armor. And you don’t get it because
you’ve  never  read 
The  Last  Unicorn. You haven’t even seen the movie adaptation. You
say  Tolkien  probably  wrote  it.  Heck,  you  don’t  even  know  what  the  initials  J.R.R.
actually  stand  for. You  still think fantasy began once upon a time, and ended happily ever
after.


This poem is part of the collection that won First Prize for Poetry in the 2005 Palanca Awards


1