WITH BETTER LIGHT

by Rae Lynn
(rae_lynn05ATyahoo.com)

RATING: G

CLASSIFICATION: V

SPOILERS: "The Field Where I Died"

KEYWORDS: Post-episode.  Mulder/Scully UST.

ARCHIVE: Please inquire within.

SUMMARY: Mulder and Scully talk after "The Field Where 
I Died."

DISCLAIMER: All characters contained within are the 
property of Chris Carter and Ten Thirteen Productions.  
No profit will result from this story and no copyright 
infringement is intended. 

_________________________________________

It is past dark by the time Scully is ready to leave.  
But before she can follow her instincts and flee the 
town of Apison, Tennessee without so much as a 
backwards glance, she thinks ruefully, she must find 
Mulder.  Scully's suspicion is that if she does not 
make the trek out to the field at the Seven Stars 
compound to retrieve her partner from his reverie, he 
may in fact stand out there forever -- or at least 
long enough to let himself be invaded by another past 
life.

Mulder, who stands immobile, may be playing his own 
private game of Statues, or he may have actually, 
physically turned to stone.  Scully is perversely 
relieved to see goosebumps on Mulder's arms.  It is 
her own game, one that she plays only after 
particularly harrowing cases, and the rules are 
simple: Points for any signs that Mulder is still 
alive.  Bonuses for indications that his cognitive 
functions are intact.  Conclusive proof that no 
further damage has been done to his psyche?  That, the 
jackpot, is beyond Scully's reach of hope.

Instinctively she touches his arm.  "Mulder, you're 
cold," she says by way of greeting -- Mulder will 
expect this from her.  Mulder shakes his head 
mechanically; sometimes it seems to her as though his 
penchant for disagreeing with her is an automated 
response in him, as natural as blinking or breathing.

"I'm fine," he says.

Mulder has been lying to her like this for years.

Scully chooses, as always, to take it in stride.  
"Mulder," she begins, "it's natural to feel affected 
by what happened..."

It is, she thinks as she trails off, possibly her most 
useless attempt at a consolation speech since her 
words at his mother's bedside months before.  
Truthfully, Scully has never felt entirely comfortable 
comforting others after a tragedy; it is why she 
became a pathologist, why Mulder seems to appreciate 
it when the two of them pretend their mutual 
catastrophes have never happened.  It is Mulder who 
has always been the empathetic one; just weeks from 
now Scully will accuse him of wearing his heart on his 
sleeve, of exposing his private vulnerabilities for 
the world to see.  Maybe, Scully thinks, it is 
Mulder's vulnerabilities, and his willingness to 
reveal them, that give him the strength at which she 
has always marveled.

"Come on," Scully says quietly.  "Let's go home."  

"To what home, Scully?" Mulder says idly.  On the 
Mulder mood meter, Scully thinks, he is trying hard 
for "casual" but has already been badly betrayed by 
the croak in his voice.
  
"To Hamilton County?  To Warsaw?"

Scully sighs, knowing even as her breath escapes her 
that it will be audible enough against the wind for 
Mulder to hear.  

"Mulder..."

"I know you don't believe in it, Scully," Mulder says, 
turning his face into the breeze.

"I was raised Catholic, Mulder," she responds 
patiently.  "But even if I hadn't been..."

Mulder turns back to her, looking vaguely interested.  
Clearly, Scully thinks, he has expected some kind of 
pseduo-scientific diatribe about the unlikelihood of 
the reincarnating cycle of souls, and her comment 
about religion has managed, for once, to surprise him.  

"Even if you hadn't been, what?" he says.

"I believe that one lifetime is enough," Scully says 
with finality.  

Mulder forces a small smile.  "Guess you were never 
big on do-overs as a kid then, huh?"  

Scully manages to smile back.  "No," she agrees.  "No, 
my siblings got no second chances."

The words seem to knock Mulder right back into 
melancholy.  "Is that what you think reincarnation is 
about, Scully?  Second chances?"

Scully considers her partner carefully.  Difficult to 
read at even the simplest of times, on this case he 
has lapsed into complete inscrutability.  Scully 
prides herself on her ability to stand toe to toe with 
Mulder even when she knows she will be telling him 
exactly what he doesn't want to hear.  But in 
Tennessee, Scully finds herself unable to figure out 
what it is that Mulder does want.  Every answer, she 
realizes, may be the wrong one.

"It's my understanding," she says neutrally, "that 
those who do believe in reincarnation often view it as 
a way to atone for past mistakes in a new life."

"In that case," Mulder replies, tilting his head back 
to look up at the few stars that are beginning to 
appear in the sky, "I have enough to atone for in this 
one."  

"Mulder," Scully says, wondering when the sound of his 
name became a private shorthand for a thousand other 
things, "you can't blame yourself for what happened to 
Melissa Riedel."  

He spreads his arms as if expecting Scully to 
recognize a target on his chest.  "Can't I?" he says.  
"I played her the tapes.  She told me she wanted to 
believe them."

Scully feels herself trying and failing not to react 
to Mulder's words.  Maybe she and Mulder really have 
been friends together in other lifetimes, always; 
Scully is certainly exhausted enough to feel as though 
she has been partnered with Mulder for several 
millennia.  Scully has a sudden image of the poster in 
Mulder's basement office replicated on a cave wall 
while a female Neanderthal with red hair laboriously 
scratches in the word DON'T between the I and the 
WANT.  

"She told me she'd want to start over," Mulder 
continues in a low voice.  "To end this pointless 
life."  

"Mulder, if it were true," Scully says slowly, trying 
to shake her head of the cave image, "if you were 
destined to spend your life with certain people, 
certain...moments...then no life would be pointless."

For a moment, Mulder looks at her strangely, with the 
scrutinizing gaze Scully has always found unnerving, 
and she senses there is more to Mulder's conversation 
with Melissa than he has revealed to her.  

"If it is true," he finally muses, "it means our souls 
can never be at rest.  That we're destined to keep 
searching, suffering near misses in all these various 
lifetimes until some cosmic coincidence finally makes 
things right."

Scully has no idea whether Mulder is referring to 
himself and her or to himself and Melissa, and she 
thinks it wiser not to ask.  Instead she reaches for 
his arm again, relieved when he doesn't flinch or pull 
away.

"Is that all you think your lifetime will amount to, 
Mulder?" she says softly.  "A near miss, an attempt at 
some cosmic coincidence?"

"I think it's the other way around, Scully," Mulder 
answers.  "I think it's about the idea that there's 
more to our lives than we know, that there's a deeper 
fate beyond what we're aware of."  He glances down at 
her.  "And that whether you believe in it or not, your 
soul has ties that bind it to others, to the people 
who are most essential to you, in more than one 
lifetime."

The poetry in Mulder's words is so earnest that Scully 
can't help but smile.  Mulder looks at her.

"You think I'm full of shit," he says mildly.  

Scully reaches over and takes his hand.

"If you're full of anything, Mulder," she says, "it's 
hope."  

"And that's a place to start?" he asks, startling her.  
When she had said those words to Mulder in his 
mother's hospital room, he had been in shock, barely 
coherent -- certainly not listening, Scully had 
thought, to her empty platitudes.  Sometimes, Scully 
thinks, she is surprised at the depth to which her 
partner is actually soaking in her words.  She nods at 
him, this time with conviction.

"That's a place to start," she repeats.  

He moves in closer to her, his legs buckling slightly 
as he shifts position.  Unthinkingly Scully reaches 
out as if to catch him, and she stiffens as their eyes 
meet.  Mulder's are full with the imploring look he 
has been giving her ever since they reached Tennessee.

"You never had some guy claim to be your soulmate, 
Scully?" he says softly, his lips moving close to her 
ear.  

"You're the first, Mulder," Scully answers without 
thinking.  Mulder's only response is the sound of his 
breath in what may be a sigh or, just as easily, a 
short laugh.

"What if you did believe in it?" he says hesitantly.  
"Destined to hunt Flukemen through an endless 
procession of lifetimes."

Scully attempts to consider this for a moment -- a 
ceaseless parade of man-eating monsters -- but what 
flashes before her eyes instead is a conveyer belt of 
reincarnated Mulders, some of them wearing futuristic 
space suits and riding in flying cars.  

"I could think of worse ways to spend my next life," 
she replies honestly.  "After all, I could come back 
as the Stupendous Yappi's bodyguard."

This time Mulder's smile is genuine.  Then abruptly he 
pulls away from her, his eyes scanning the field for 
something Scully felt certain she would never be able 
to see.  

"Thank you," he says in a low voice, not looking at 
her.  "Scully, I...I know that we...disagree on 
certain issues.  But I need you to know that I have 
always been appreciative of our partnership."

Momentarily silenced by the deep formality of Mulder's 
statement, Scully finds herself wondering from what 
past lifetime Mulder's method of apologizing after a 
harrowing case is inherited.  She has no way of 
knowing whether Mulder expects an answer, or even 
whether his mind is still present on this earthly 
plain, but she realizes that, under the circumstances, 
"You're welcome" would sound trite.

"I feel the same way," she says instead, trying to 
match her tone to his rich ones.  After a long pause, 
she adds, "Mulder, it's getting late."

Mulder nods without turning around.  

"Go ahead," he says, his voice muffled as it bounces 
back against the breeze.  "I'll be in in a minute."  

She hesitates.  "Mulder..."

Even in the dark, Scully can read the lines in 
Mulder's shoulders as he straightens up, can picture 
the face he is putting on as he turns toward her.  

"You're right," he says.  "Let's go home."  To his 
credit, Mulder resists even a parting glance behind 
him as they stride toward the car, but Scully cannot 
help what she vowed she would not do: one final 
glimpse of the skyline across the tall grass, the 
field where her partner had died.  

______________
END.

AUTHOR'S NOTES: When "The Field Where I Died" first 
aired in 1996, I wrote a post-episode fic for it.  I 
have no idea what happened to it or even what it was 
about, but hey, nine years later, I'm back at it.  
This story is in a different style for me, perhaps 
because I'm still not sure how I feel about "TFWID" as 
an episode and I think it shows.  

Nevertheless, I am still grateful for feedback at 
rae_lynn05ATyahoo.com.

    Source: geocities.com/rae_lynn05