In Ayn
Rand’s novelette, Anthem, the citizens of a retrogressing
totalitarian future state are plagued from beginning to end of
their fleeting lives by regulation and indoctrination which serve
to stunt their independence, aspirations, and analytical
faculties. Every facet of their lives is riddled with collectivist
dogma, yet one of them manages to retain a dignified,
self-respecting sense of life under the veneer of succumbing to
the overt convictions of his society. His name is Prometheus, and
his subconscious disapproval of his condition develops into a
conscious yearning for knowledge and escape from his oppressors.
The hurdles his spirit leaps over are enormous, yet his
unflinching devotion to the pursuit of eternal material and moral
truths permits him to break out of the conformist prison.
The leaders
of Anthem’s collectivist society constantly emphasize the
doctrine that man’s efforts are worthless unless his “brothers,”
the gray masses of the state, demand them. Young schoolchildren
are forced to recite a daily creed: “We are nothing. Mankind is
all. By the grace of our brothers are we allowed out lives. We
exist through, by and for our brothers who are the State. Amen”
(21). The Council of Vocations prohibits men from recording
information without its permission. The schools consider the
Transgression of Preference, an attraction to one career prospect
or branch of knowledge over another, to be a grievous sin. As
states the philosophy of the regime, who are individuals to decide
where they shall exert their efforts when their “brothers” need
them elsewhere? This precept is expanded to even the most
fundamental of choices, that of life or death. Prometheus comments
on this: “For we matter not and it must not matter to us whether
we live or die, which is to be as our brothers will it” (47). A
sufficient pride in the physical prowess of one’s body and the
intellectual strength of one’s mind is treated with suspicion and
reprimand. Excessive questions are forbidden as early as the
schools, for it is not man’s function to decide how his “brothers”
wish his cognitive faculties to be applied. Because men are not
permitted to act for self-amelioration, they perish from mindless
self-sacrifice before the age of forty five. “At forty they are
sent to the Home of the Useless, where the Old Ones live” (28).
Inevitably, every person succumbing to this society becomes a
state dependent who lives out his final years utterly unable to
fend for himself, his capacity to fulfill his desires ruined
entirely.
To maintain
the power of the advocates of these depraved principles, every
action must be approved by the socially ordained “authorities,”
the Councils of a particular field, and, in the words of
Prometheus’s friend, International 4-8188, “Everything which is
not permitted by law is forbidden” (31). Unlike a free country
such as the United States, where any sphere not specifically
relegated to the government is left to the decisions of the
individual, here one’s initiative cannot be exhibited unless
validated by “the voice of all the people,” the government. For
example, Prometheus, in underground isolation from his “brothers,”
accomplishes a monumental feat. He re-invents the light bulb. He
hopes that his transgression of solitary labor will be overlooked
by the World Council of Scholars due to the immense services he
anticipates the light bulb to bring his society. Yet his glowing
“box” is treated with scorn, fear, and outrage by “the brightest
minds of the world”. They deny the functionality of a
self-evidently beneficial device by stating that “what is not
thought by all men cannot be true” and “what is not done
collectively cannot be good” (73). They seek to destroy the fruit
of Prometheus’s labors because they fear the obsolescence it will
inflict upon the dominant candle and the inconvenience it will
pose to the bureaucrats required to furnish new plans for its
distribution. Moreover, the leaders of this society desire to
suppress the tendency of technological progress to enhance the
comfort of men and reduce the necessity for their constant
exertion, stating, “if this should lighten the toil of men, then
it is a great evil, for men have no cause to exist save in toiling
for other men” (74). However, the most draconian penalties are
imposed upon persons discarding the shackles of collectivism and
discovering a consistent philosophical defense of self-interest
and self-amelioration symbolized by the word, “I”. Prometheus
reveals that “there is no crime punished by death in this world,
save this one crime of speaking the Unspeakable Word” (49). This
is due to the fact that while one does not intend to disobey the
dogma of selflessness and merely exhibits chance deviations, he
can be brought back under the fold of oppression. Once, however,
he becomes fully aware of the objective immorality of the regime
and the material and ideological wonders of the Unmentionable
Times, the individualistic and technological past, it is no longer
possible for his parasitic “brothers” to thrive off his toil.
In the end,
the hero of the story breaks free due to his relentless pursuit of
truth in both a metaphysical and ethical context. While others
languish under the ever-vigilant regulation of Prometheus’s former
society, Prometheus overcomes his persecutors and salvages his
glass box, fleeing with the woman he loves to the Uncharted Forest
to begin life anew and create his own prosperity by his own labor.
From the beginning of his childhood he loves “the Science of
Things” and wishes “to know about all the things which make the
earth around us” (23). He eagerly devours all the information
given him (to the displeasure of his instructors) and always
yearns for more. It is thus that he becomes intrigued by the
secrets of the Unmentionable Times and constructs his light bulb,
realizing that the world holds a far more substantive amount of
potential for development and comprehension than the Council of
Scholars claims. The Councils feign omniscience, while Prometheus
realizes that the natural world is replete with mysteries which
only individual reason can uncover. This approach implies the
primacy of individual thought over submission to the limited
knowledge of “the collective”. It necessitates that man depart
from the herd and rely on his own cognition for his discoveries,
thus gradually erecting an ethical framework validating one’s own
significance. Therefore, despite his repeated attempts to
assimilate into his society, the latter always brings about
repulsion and resentment within him while independent
explorations, although he dubs them “sinful” and “evil” during the
first half of the book, bestow upon him “the first peace [he has]
known for twenty years” (37). Prometheus is a healthy man both
physically and mentally, and he aims both body and mind toward his
individual survival in reality, not submission and
self-abnegation. Therefore, it is only a matter of time before his
brilliant mind discovers a healthy ideology just as it had devised
functional inventions.
Society
represses, but the individual triumphs. Society punishes, but the
individual remains unbroken. Society seeks to deny the
individual’s significance, but the individual discovers it
unaided. Anthem is a masterfully written statement of the
objectivity of morality, to be discovered by any man for whom the
longing for the one truth overpowers the whim of the many.
G.
Stolyarov II is a science fiction novelist, independent
philosophical essayist, poet, amateur mathematician and composer,
contributor to Enter Stage Right and SoloHQ, writer for Objective
Medicine, and Editor-in-Chief of The Rational Argumentator. He can
be contacted at
gennadystolyarovii@yahoo.com.
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