This position is almost identical to the Sula position, except once she has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning the Master with her body, encouraging her sexual use by him.
She lay on her back, her knees drawn up, before me. She arched her back. Her breasts were lifted beautifully. I observed the lovely rise and fall, correlated with the respiratory cycle of her small lungs. She then lays back, her shoulders in the dirt, and pressing against the earth with her small feet, piteously lifted before me, for my examination, and seizure, if I pleased, the deep belly of her, the sweet cradle of her slave heat.
---Explorers of Gor, pg. 329
Table
This command is used when the Master is in need of a table to rest his drink or to just rest his feet. She goes to all fours, locking her elbows, making her back smooth and level, holding her head level as well.
(not found in the books but the Master's likes it)
Tile Position
A slave, when past by a Free Person in a hallway, room, or otherwise, to show their status as a slave will stop whatever they are doing, go down to their knees into the position of nadu, if they were standing, and then quickly lower their forehead to the floor, their arms outstretched and remain in this still position until the Free Person has completely passed by, or they decide to command the slave otherwise.
(see Kajira of Gor, pgs. 145-146)
Tower
Another variation of the Nadu position in which the slave kneels in the same way, but with her palms down crossed at the wrists and her kneels are together. Is typically reserved for underage or Work Slave.
The position of the Tower Slave, in which Vika knelt, differs from that of a free woman only in the position of the wrists which are held before her and, when not occupied, crossed as though for binding...The position of the Pleasure Slave, incidentally, differs from the position of both the free woman and the Tower slave. The hands of a Pleasure Slave normally rest on her thighs but, in some cities, for example, Thentis, I believe, they are crossed behind her. More significantly, for the free woman's hands may also rest on her thighs, there is a difference in the placement of the knees. In all these kneeling positions, incidently, even that of the Pleasure Slave, the Gorean woman carries herself well; her back is straight and her chin is high. She tends to be vital and beautiful to look upon.
---Priests of Gor, pg. 46-47
Usage
The slave is on her hands and knees, legs parted widely, her head is straight, hair falling across her back, she remains motionless awaiting for a command.
Walk
When this command is given, the slave turns in a graceful pirouette, her hair swinging. She then walks, gliding across the room, her feet hardly seeming to leave the floor, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chin thrust forward, her belly in. She turns her hips out a bit, her hands at her sides, and points one foot. Her head is up and her eyes are lowered.
Whip (Kneeling)
A slave quickly drops to her knees, raising her hips, and places her head to the floor while crossing her arms about her belly, awaiting her punishment
Whip Caress (Slaver's Caress)
A way of touching a slave girl intimately withoutwarning. This exhibits her heat for potential buyers. This is ussually done with a coiled whip.
Whipping Position
A slave first assumes the nadu position, though her arms are crossed infront of her, She then leans forward placing her head on the floor, first sweeping her hair forward over her shoulders in order that her back might be utterly exposed to the whip.