The Tipping Point Series - Techniques - Works
 
The Tipping Point Series
The "Tipping Point" series strives to find the inflexion point where what is transparent becomes visible, where the third dimension appears and where fundamentally "non artistic" materials change their nature.
I use purely synthetic and banal materials (adhesive tape, cling film, bubble wrap). Transparent, they have no colour by definition. Too thin, they have no artistic "dimension". Totally artificial, they are too perfect.
However, when superimposed, manipulated, stretched, these materials lose their original perfection and become more human. Little by little, the point of equilibrium is reached and they "tip over" into another universe.
 
Techniques
As of now, the "Tipping Point" series relies on two different techniques:
"Taping" technique
"Wrapping" technique
The bas-reliefs born from these two techniques are then photographed and significantly enlarged.
This change of scale and of perspective brings the materials farther away from their original state and underlines their new status.
 
Works
The "Tipping Point" series is still in its experimentation and development stage. New techniques are continuously tested.
As of now, the series comprises a dozen of different pieces, a selection of which is displayed below.
Click on the work to enlarge the picture.
© 2004/2005/2006/2007 - Taz Ampersand
The "Taping" technique uses hundreds of pieces of transparent adhesive tape that are applied to different substrates. Thanks to this accumulation of layers, the material is transformed on several levels.
First, it loses its transparency and takes on a milky and translucent colour. Second, the multiplication of the layers gives it the relief it lacked. Finally, the manipulation of the adhesive material transfers DNA fragments and dust to it and therefore grants it a new "organicity".
The pieces created using this technique are done with transparent cling film. Several supports are wrapped with multiple layers of film. Here also, the layer accumulation makes the material lose its initial transparency. Depending on the works, objects can pull the film away from the base to give the whole a new profile.
Wrinkles and folds appear that give it real "tension" and transform the inert material into a living creation.