p.2
dwarf yellow star:
If there is such a thing as a yellow dwarf star, the Sun is it; stars much
less massive than the Sun are orange or red; stars more massive than it
are white or blue, not to mention less dwarfish.
p.3
chitin: Chitin is
a hard protein material which makes up ants' shells and other surfaces.
p.4
sunset: At the present
time Venus has some unusual orbital characteristics. Its period of rotation
(243 days) is greater than its year, the period of its orbit around the
Sun (224.7 days). The author alludes to this by giving the Venus of three
billion years ago a more Earthlike but increasing period of rotation.
On p.50 it is stated that the day is getting longer by 1/116 of its length
every 33 years. Such a fractional rate of increase is okay for describing
changes at about a certain time only; that same fraction is worth a great
deal more time now than it was three billion years ago. The other quirk
of Venus' orbit is that it rotates from east to west, in retrograde from
most other rotating bodies in the solar system. Several planetary moons
have retrograde orbits, but we can find none with retrograde periods of
rotation. The most likely reason for Venus' retrograde rotation is a collision
with a planet-sized body during the formation of the solar system. A collision
between two bodies with different rotations could produce a Venus with
a permanently slow backwards rotation, or destabilise the Venus-body's
rotation to flip it 180 degrees to rotate the other way. A decreasing
period of rotation would be due to Venus' loss of angular momentum through
tidal forces from Mercury and Earth. If it had a moon to store angular
momentum, Venus' period of rotation would be stable.
p.10
Susan: Susan left
the TARDIS crew at the end of 'The Dalek Invasion of Earth', the previous
story. Although she is an alien, possibly a Time Lady, possibly sterile,
possibly the Doctor's granddaughter, she left him to marry David Campbell
after defeating the Daleks in 2167 London.
p.11
food machine: Invented
by David Whitaker as a set piece used in 'The Daleks' (aka 'The Mutants',
'The Dead Planet', 'The Survivors'), the TARDIS food machine produced little
white food bars flavoured from an EM-like spectrum of flavours. The dials
on the machine were spun to read the code to the desired flavour. KD/NB
is spaghetti bolognese. In the novelisation of 'The Daleks', or whatever
it is, XL4 285 J is bacon and eggs, despite the apparently different syntax.
spaghetti bolognese:
Spaghetti of a style named after the northern Italian city of Bologna.
What's it like? (Text
submitted by Paul Andinach) The spaghetti itself is unremarkable, it's
the fact that it's served with bolognese sauce that makes the difference.
Exactly what bolognese sauce is like varies depending on which restaurant
you're at, but minced meat is usually a major ingredient.
Brighton rock: Brighton
is a seaside town on the English Channel, west of Beachy Head and the
Strait of Dover. The cliffs of the South English seashore are white because
they're chalk. Obviously the food bars are white and look chalky.
(Text submitted
by Conrad Feinson) Brighton Rock (or indeed Blackpool Rock) is a hard,
slightly chewy white or pink candy sold in long round sticks. It usually
has 'Brighton' (or indeed 'Blackpool' ) written all the way through it.
(Sorry, couldn't let that pass, I live there (Hove, actually :) )
(Text
submitted by Allen Robinson) It's also a reference to the film version
of "Brighton Rock" (based on the novel by Graham Greene), in which William
Hartnell played an associate of the leading character, who was played by
Richard Attenborough. (Text also supplied
by Daniel F)
Vincenzo's:
Fablon: Synthetic
material used domestically in cheap tablecloths, curtains and wallpaper;
industrially in loading belts, and so forth.
Coal Hill School tie:
As a tradition, Ian wears the tie associated with the school he teaches
at. Usually the Old School Tie is a relic of one's own school days, and
not of one's students. The tie becomes useful in 'The Web Planet', when
it is dipped in acid and disintegrates.
Chianti: Wine produced
in the Siena region of Tuscany, in northern Italy.
p.14
everlasting matches:
First used by the Doctor in David Whitaker's 'The Daleks' novelisation.
Whether or not their reappearence here validates the alternative continuity
of the novelisation is unclear, because the Doctor may be explaining the
matches to Ian and Barbara for the first time.
p.16
the Serpentine: Engineered
pond in London's Hyde Park. It's long, thin and curved, and is thus serpentine.
p.17
neutronium counter:
This is unclear. The Doctor could be referring to the radiation meter
last seen in 'The Daleks'. A 'neutronium counter' is probably just a bit
of technobabble, as neutronium is a kind of strange matter found in neutron
stars. In a supernova explosion at the end of a massive star's life, the
stellar core is compressed so intensely that atoms become so crowded that
electrons collide with their atomic nuclei. The electrons' negative charges
cancel the positive charges of the protons in the nuclei, and the resulting
incredibly dense matter has no charge and is made of neutrons. In episodes
of Star Trek this matter is known as neutronium or, in alloy, carbon-neutronium.
It is impossible to scan through neutronium. The doomsday machine in the
classic Trek episode 'The Doomsday Machine' and the surface of the
Dyson Sphere in the Next Generation episode 'Relics' are both made
out of forms of neutronium.
p.18
three billion years:
In England in the mid-Sixties this number was more likely to be expressed
as 'three thousand million'.
p.22
that probe they sent
last year: The first Earth space probe to visit Venus was Mariner 2,
which passed 34,758 km (21,598 mi) from Venus on December 14, 1962, transmitting
about 65 million bits of data about the planet back to Earth. This data
indicated not only that the surface temperature of Venus is about 400 degrees
Celsius, but also that atmospheric temperatures show little difference
between the Sun-lit and dark sides of the planet. Mariner 2's data also
indicated that the planet's magnetic field is either nonexistent or extremely
weak.
p.23
fifth sphere of harmony:
antiunometric
force:
p.39
Morphoton: City on
the planet Marinus in 'The Keys of Marinus'. It was here that the TARDIS
crew met their first real bug-eyed monsters.
Sense-Sphere: Setting
of the serial 'The Sensorites'.
p.40
as high as Shetland ponies:
66 cm at the shoulder.
p.43
monstrous shaghorn (sic):
A Venusian Shanghorn was an object of derision for the 3rd Doctor. He
once warned Jo that on no account should one keep a perigosto stick close
to it. A Shaghorn is, apparently, even funnier.
two-headed klak-kluk:
This one barely got in. Invented by Barry Letts in the script for 'The
Paradise of Death', a barely-canonical 1993 radio serial. The adaptation
was done to put a radical alien spin on a boring old proverb: '..You'll
swallow a klak-kluk and choke on a menian dust-fly.' With the klak-kluk's
two heads, according to the Doctor, '..it never knew whether it was coming
or going.' It needed the two heads to look out for packs of pattifangs,
or so the Doctor claims. If he really believed that, the 3rd Doctor was
a Lamarckian and was wrong. Evolution is a lottery, even on Venus; a klak-kluk
can't just grow another head to keep an eye out for the pattifangs. Somehow,
mutations have to be often enough and the single-headed klak-kluks successful
enough for two animals with two-headed genes to mate and produce a viable
offspring which is better suited to running away from pattifangs than the
one-heads are; if it doesn't know whether it's coming or going, being able
to see predators is countered by the disadvantage of not knowing which
way to run. Hence the theory: klak-kluk herds are mostly made up of single-headed
animals, but they breed a few especially with two heads to keep an eye
out for pattifangs. At the first sign of predators all the klak-kluks
with one head each run away, leaving the two-heads to bang their heads
together and lie dazed on the sand, waiting to be devoured. When the Doctor
arrived on Venus to see the klak-kluks, the only ones that couldn't run
away from him had two heads.
pattifangs: Venusian
pack-hunters, also invented for 'The Paradise of Death'.
p.57
tower overlooking the
whole of London: The GPO Tower seen in 'The War Machines' wasn't completed
in November 1963 when Barbara left Earth, so that's out unless she's having
a premonition. There are very few high outlooks on London in general.
Which tower is being spoken of is unclear.
p.63
kid cousin John:
This could be Johnny Chess, the rock star whose godfather is the Doctor
from 'Timewyrm: Revelation', if it wasn't for Keith Topping making damn
clear that Chess is Ian and Barbara's own son.
petrified forests:
Skaro has petrified forests as a result of the neutronic war.
deserts of brown rock:
In 'Marco Polo' Ian crossed the Gobi Desert in China.
mountains of blue glass:
Arbitan's island, the setting for the first and last episodes of 'The Keys
of Marinus', is surrounded by a sea of acid; the surface is covered with
glass hills and points.
chimerins: A chimera
is an unreal creature of the imagination; a mere wild fancy, like the tissue
of lies Ian's getting away with.
poisonous free metals:
All metals are poisonous to the Venusians except gold, platinum and titanium.
minerals are essential to Earth-based life on the cellular level in nerve
impulse transmission and cellular transportation. Venusian life would
seem to be highly oxygen-based; metal in the body would corrode and clog
up the pathways in which they're necessary on Earth. So how does the Venusian
nervous system work?
p.65
the Tribe of Gum in 100,000
BC: The first destination of the TARDIS after 1963 London in 'An Unearthly
Child', the serial also known by the names of the two phrases in boldface
in the previous line.
p.67
gunpowder: 10% sulfur,
15% charcoal, and 75% saltpeter (potassium nitrate). The chemical element
potassium is a soft, light, silver white alkali metal, indicating either
faulty writing or extreme caution on the part of the Venusians in preparing
their explosives.
p.91
Hammer-flies: presumably
distinct from menian dust-flies.
p.96
petrol forests: Apparently
Venus has forests which replenish enough gasoline every night to burst
into flames every day at high noon. This is getting a bit ridiculous.
Er - I don't think there is one [explanation for the petrol forests]. Like the Universe itself, they just are. I don't think I even explained how Ian got out alive... I think he fell down a coal-hole.
p.104
Alabaster-Age: Period
of Venusian history patterned after the human iron-, bronze-, copper- and
stone-ages. Alabaster is a kind of gypsum, hydrated calcium sulphate.
It's used in architecture. What with gunpowder and alabaster, and armed
with the knowledge of the role of sulphur in Venus' current lack-of ecosystem
as sulfur dioxide in the atmosphere and sulfuric acid rain, we can speculate
that Venusian life was dependent on sulfur. Calcium, however, is another
alkali metal and presumably also deadly to the Venusians.
p.108
Close your north eye,
my little ones..: Variation on the translation of the Venusian lullaby
the 3rd Doctor furnished in Episode 3 of 'The Dæmons'.
Covent Garden: The
Royal Opera House in Covent Garden at the intersection of Bow Street and
Floral Street, north of the Strand in London.
p.123
monopsiopsychosemiotic:
I beg your damn pardon! It's bad enough we can't understand the venusian
words in this book, but the least you could do is leave us the english!
To be briefly conjectural, the Doctor has suspicions about the Sou(ou)shi;
whether he thinks they're vampires yet or not isn't made especially clear
by this word; matter of fact, neither is precious little else. Psio indicates
psychic power, which both the Venusians and the Vampires are adept in.
Psycho - speaks for itself, vampires don't always have the same grip on
reality as the rest of us. Semiotics is the study of signs and meanings.
So the Sou(ou)shi have psi-powers, they're criminally insane and they can
fiddle with signs. Don't forget the quantum explanation of vampirism and
psi-powers the 5th Doctor furnished in 'Goth Opera'; that could explain
the semiotics bit if the Sou(ou)shi's metamorphosis is more imagined on
the quantum level than solid.
p.136
seventy degrees north:
p.149
the Great Vampires:
A race of giant bat-like space vampires which terrorized the early universe
during the time of Rassilon. The Great Vampires seeded the universe and
all of our vampires are descended from them. The Time Lords built a fleet
of bowships and drove them through the hearts of all but one of the vampires,
which escaped into E-Space as the setting for 'State of Decay'.
p.159
not cross-fertile:
Susan's imagined statement implies that, as a Gallifreyan, although she
cannot interbreed with humans (possibly contradicting Matthew Jacobs' screenplay
for the 1996 Doctor Who TV Movie) she is fertile and can bear children
(possibly contradicting the Cartmel Masterplan as described in Marc Platt's
'Cat's Cradle: Time's Crucible' and 'Lungbarrow').
I won't grow old:
This seems to confirm that Susan is a Time Lady. It doesn't confirm/deny
that she has a regenerative process.
p.160
Twenty-five years:
No disrespect intended to the late Jacqueline Hill, but Barbara Wright
must be older than 25. Ms Hill was at least 30 when she took the role.
And since when has the Doctor, however old he is at the time, been a good
judge of a woman's age?
p.163
Close your eyes - or
three of them at least: The 3rd Doctor's translation of the Venusian
lullaby 'Klokleda partha mennin klatch' from 'The Dæmons' Episode
3. He got a laugh.
p.167
unknown sonic device:
Reference to the sonic screwdriver. Its first onscreen use was in 'Fury
from the Deep' towards the end of season 5, whereas this story is set near
the beginning of season 2. Although the 1st Doctor was never seen to use
the sonic screwdriver, nobody's going to say conclusively that he didn't
have one.
p.176
hyperdimensional crystals:
These crystals bear resemblance to the futurite crystals in 'Ghost Devices',
which I coincidentally am reading at the moment. The hyperdimensional
crystal concept dates back, at least, to the Star Trek novel 'How
Much for Just the Planet?'. 'How Much?' is better than most Trek
books, and the explanation of dilithium crystals describes them as having
hyperspatial or temporal structure as an extension of their molecular structure,
making them an ideal medium for the matter-antimatter reaction. In this
instance the Doctor uses the Aveletian crystals to dissipate the energy
of re-entering the Venusian energy through time.
Aveletians:
p.177
hot rain: The rain
is probably acidic rather than just warm. Venus currently has a serious
acid rain problem; the rain is pure acid; extending the problem into the
past with reduced seriousness provides a link with the present.
p.181
moment in the mines:
Confused by his assumed Venusian identity, Ian is probably remembering
the amoebic Slyther, the Daleks' alien guard-dog, from the Bedfordshire
mines in 'The Dalek Invasion of Earth'.
p.201
Piccadilly Line.. Leicester
Square: The Piccadilly Underground Line starts at Heathrow Airport
to London's west, runs through the downtown and runs off to the north-east
to Cockfosters. Leicester Square is an intersection with the Northern
Line. Although in the novelisation of 'The Daleks' Ian lived in Paddington
in West London, owned a car and didn't teach at the Coal Hill School, there
has never been any evidence of his living on the Piccadilly or Northern
Lines. In 'An Unearthly Child' he and Barbara used his car to follow Susan
home to Totters Lane. If he didn't live near Coal Hill (and wouldn't have
if he brought his car to work) he didn't use the Tube to get there, although
Shoreditch is on the Northern Line at Old Street.
p.205
a train whose last stop
was hell:
p.207
The last time I saw something
like this:In Episode 6 of 'The Dalek Invasion of Earth' Ian tried to
defuse the bomb the Daleks intended to use to remove the Earth's core.
He later diverted it so it detonated in a side-shaft rather than falling
through the Earth's crust.
p.210
the size of St Paul's
Cathedral:Saint Paul's is 169 m long, 55 m wide across the west facade,
and 34 m high on the outer walls.
p.235
marketing manager:
The Doctor's talking about cigarettes. He had recently given up smoking
after being beaten senseless by a Cro-Magnon man while indulging in a pipe.
Yes, smoking is hazardous to your health.
p.240
pentaclaviphonium:
Hybrid musical instrument. A pentagon is presumably the Venusian version
of a triangle, a bent metal, erm, rod which produces a tone when struck.
A clavichord is an early piano-like instrument. A euphonium is a tuba-like
..brass.. instrument. Combining elements of percussion, the piano and
the brass section, a pentaclaviphonium is probably a right mess and it's
no wonder Podsighil's afraid of it.
p.255
stuck in the TARDIS door:
In 'Eternity Weeps', Chris Cwej flew a military helicopter through the
TARDIS doors while being menaced by a deadly plague and tossed about by
a nuclear explosion trying to destroy same. Evidently the Doctor had been
working on the TARDIS doors since a Venusian got jammed between them.
ASIDE: In what way was 'Venusian Lullaby' an inspiration for Jim Mortimore's 'Eternity Weeps'? I get the feeling that the early drafts of Mortimore's book may have had more to do with Venus than the Cthalctose.
I've been accused of ripping Jim off (Genocide for Blood Heat, Dreamstone Moon for Lucifer Rising), but this is the first time it's happened the other way round -- all I can say is, there was no conscious borrowing. But we work closely together, read each other's work, etc, so it's likely that ideas will cross over from time to time.
p.295
the Set: This may
be a reference to the Suo(ou)shi hive mind, but it may also suggest that
the vampires are influenced by the Osirian Sutekh, who is big on death
himself.
p.301
in orbit: Volcanic
ejecta and the remains of the Sou(ou)shi ship should never go into orbit;
they should sift out of the atmosphere witin six months to two Earth years.
p.308
January 1965: The
first episode of 'The Rescue', which follows directly from this book, was
first broadcast on January 2, 1965.
Susan's wedding:
As far as we know the Doctor never goes; John Peel's 'Legacy of the Daleks'
might decide it one way or another.
Aristea of Alexandria:
(Text from DWM #221,
Craig Hinton interviews Paul Leonard)
"My real name is Paul Hinder, and I have written a number of short stories
as PJL Hinder. But I've never liked the name - it has echoes of 'hindrance'
and 'hindsight' - so when Virgin asked whether I wanted the name Paul Hinder
or PJL Hinder, I threw them completely by saying I wanted Paul Leonard,
from one of my middle names.
...
"When I heard about the advent of the Missing Adventures, I decided
to try that format. I had a brilliant idea about Venusians, put together
a proposal in two weeks, and sent it off. That was odd because my
first proposal took five months, and during that period it became too long
and too complicated - everything and its mother crept in! By only
taking two weeks, the proposal for Venusian Lullaby was more coherent
and much tighter.
I don't really consider myself a Doctor WhoFan. I watched
it when I was twelve or thirteen - Jon Pertwee and early Tom Baker - but
after that I stopped. It was my fellow inhabitant of Bristol, Jim
Mortimore, who suggested I wrote a Doctor Who book, and I thought
he was mad! But he talked me into it, lent me books and videos..."
...
For someone who wasn't a fan, he luckily managed to hit upon a title buried
in the traditions of Doctor Who. "I remembered that Jon Pertwee
was always making comments about the Venusians, about lullabies and the
like. I tied that in with an idea I had about a really alien culture
- something I had always wanted to write about - and anchored it
at the same time as Book of Shadows, Jim's short story in the first
Decalog. And the result was Venusian Lullaby.
Paul is a member of the same writers' group as Jim in Bristol: what benefits
did he get from the group during the writing of the book? "Great
support from fellow writers. As well as Jim, the group also contains
members of the Bristol science-fiction group, and the book gained a lot
from the input of non-Doctor Who , mainstream science-fiction people,
as they pointed out things that were more interesting than the first thing
that had come to mind."
So, what is the easiest thing about writing a book? "The final edit,"
he stated. "It is definitely much more fun than writing. ...
And the hardest thing? Definitely the middle. I start thinking
'Oh my God - I've got to make the rest of the book fit in with what I've
just written!' By this point, the first half has drifted away from
the original outline and you realise that you've got to get to the end
of the book and tie up the differences. I had a total panic
over Venusian Lullaby - it lasted a month - and yet the second half
ended up just like the outline anyway.
"I'm reasonably proud of Venusian Lullaby. It has got its
flaws, but nothing fundamental - a few scenes could do with being rearranged,
and the Venusians' names are too long...