coming: Symphony #9 (Beethoven) - March 3, 4, 5, 2006
Elgin
Symphony
coming soon: Symphony #1 "Titan" (Mahler) - Saturday, September
30 - October 2, 2005
plus Bruch: Violin Concerto #1
Elgin
Symphony
La Traviata (Verdi)
- Saturday, August 2005
L'Opera Piccola, Athenaeum
Theatre, Chicago, IL
Mahler's 4th - Wednesday, June 22 at 6:30
p.m.
Grant Park Orchestra; Carlos Kalmar, Conductor; Karina Gauvin,
Soprano
We met Nancy & Matt downtown for
this concert, which I really enjoyed!
Antique Phonograph Show - Saturday, June
11, 2005
Not a music performance, but I bought
a bunch of good opera discs at annual Union phonograph show -
also cello solo and Musetta's Waltz performed by a whistler w/
orchestra; both Blue Amberol cylinders w/ original lids! Visited
with Ernest Adams again at Jasper's MAPS meeting later that evening.
A great time as usual!
Northwestern University Symphony Orchestra
- Friday, June 3, 2005
Victor Yampolsky, conductor
Colin Mathews: Horn Concerto - Gail Williams, horn
Shostakovich: Symphony #4, op43
We went to the pre-concert discussion at 6:45 too! Yampolsky told
how he was present at the debut of Shostakovich' Symphony #4 in
Moscow (1961?).
The Magic Flute (Mozart) - Friday, May 20, 2005
Northwestern University School of
Music, Cahn Auditorium, Evanston, IL
XXX sang the Queen of the Night in the Friday performance.
Barrington Chapter of Lyric Opera - Sunday,
May 15, 2005
My first Lyric Opera chapter meeting,
at the Barrington home of Louise Sullivan. What a nice group of
people! She and Dr. Sam Semerad are/were president of the Elgin Symphony Board
of Directors. Our guest speaker was Maestro Robert Hanson.
He was very engaging and easy to talk to. I'll have to add Elgin
Symphony to my list!
Lake MI Chapter MBSI @ Jasper's - Saturday,
May 14, 2005
Not a concert, but a BIG inagural
chapter meeting (over 200 people!) where Robert Ridgeway gave
an unprecidented tour of the pipe organ. Several people even flew
in from California for this meeting! We had a very nice time,
and had a nice long visit with Bob & Gloria Taylor.
Bob Dyland & Merle Haggard - Friday,
April 2, 2005
Auditorium Theater, Chicago, IL
Merle was more personable than Bob (go figure!) but both were
excellent. Bob isn't playing guitar these days, and his voice
still sounds like a gravel truck. Went with Dave & Lindsay,
Sarah & Janet.
Gotterdammerung (Wagner) - Saturday, March 26, 2005
Lyric Opera, Chicago, IL
This was a stunning performance, and we got to sit 1/2-way back
on the main floor! The orchestra was to die for, horns and strings
were so rich and powerful. Nancy & Matt arranged for the tix,
and I was proud of Janet to have the courage to take on such a
long opera! This may have been the finest musical experience of
my life!
Northwestern University Symphony Orchestra
- Friday, March 4, 2005
Victor Yampolsky, conductor
Concerto Competition Winners
Charles Griffes: Poem for flute and orchestra - Melissa Ngan Snoza,
flute
Sibelius: Violin Concerto, op47, Dm - Alicia Koelz, vln (amazing!)
Shostakovich: Piano Concerto #1, op35 - Susan Chou, pno
Lutoslawski: Piano Concerto - Adam Swayne, pno
Suor Angelica and Gianni Schicchi (Puccini) - Friday, February 25, 2005
Northwestern University School of
Music, Cahn Auditorium, Evanston, IL
Suzanne Lurie sang Suor Angelica in the Friday performance.
Gianni Schicchi was fun as usual, but I really thought the UIUC
performance last year was better - less silly, more hearty laughs.
Or maybe I'm just becoming jaded?!
Northwestern University Chamber Orchestra
- Thursday, February 3, 2005
Robert G. Hasty, conductor
Beethoven: Ruins of Athens
Kodaly: Marosszek dances
Beethoven: Symphony #3, op55 in EbM (Eroica)
I led a Science Olympiad team on the Science of Music, and we
took the kids to NU for this concert as a field trip.
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Pierre Monteux, Maitre This looked like an academic book that might be difficult to read, but I couldn't have been more wrong. Monteux had a very interesting life, starting with his Stravinsky experiences in the early 1900's. This book was very engaging and I had a hard time putting it down. |
Beverly: An Autobiobraphy I read about H. Vose Greenough in a booklet with a BSO broadcast CD set, and wanted to learn more about Vose. I found that he was the older brother of Beverly Sills' husband Peter, so I decided to read her autobiography to see what else I could learn. What a great book! Fun to read, great stories, interesting insights to the opera world. Several good clues about Vose, too! After checking this out at the library, I was thrilled to find an autographed copy on Amazon.com - so that's what's on my shelf now. |
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All the Stops: The Glorious Pipe Organ and Its American
Masters Mom recommended this book after hearing about it on NPR. Interesting stories about organ builders such as Ernest Skinner, G. Donald Harrison, and Charles Fisk; plus bios on E. Power Biggs and Virgil Fox. |
Rudolph Ganz - A Musical Pioneer Biography & loving tribute by Ganz' 2nd wife's daughter. Good detail on his time leading the St. Louis Symphony in the 1920's and the Chicago Musical College. I wish there had been a better discography. Ganz does mention recording Welte rolls, which was interesting. Lots of good detailed references to Studs Terkel interviews, newspaper reviews, radio broadcasts & concerts, etc. BTW, I found a VERY cool old letter & photo of Ganz with Paderewski & Mme. Sembrich at http://www.fonoteca.ch The letter translates as follows: Clarens, July 7 (without year) Dear friend, Here is the quartet of my friend Wellesz. Student of Mahler and of Schönberg. The quartet will be played Paris two or 3 times. The Löwensohn played Berlin it and the will repeat the next winter, as well as in of other cities. Thousand friendships to you all and good-bye to soon. Your devoted one, Rudolphe Ganz |
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I Really Should Be Practicing I kept seeing references to this in other books, so I decided to see for myself. Extremely fun book to read, many funny stories and insights to famous concert pianists & the professional scene during the 1950's and on. I wish he would write another book to cover the last 20 years. Graffman is the President and Director of the Curtis Institute in Philadelphia. |
Aida (Verdi)
- Saturday, November 13, 2004
Lyric Opera, Chicago, IL
The Wise Woman (Orff) and
Riders to the Sea (R. Vaughan Williams) - Friday, November 12, 2004
Northwestern University School of
Music, Cahn Auditorium, Evanston, IL
Williams: Riders to the Sea - I had a hard time getting into this
one!
Orff: Wise Woman - what a great surprise! I'd never heard of anything
by Orff besides Carmina Burana, and I'm not crazy about that either
(yet, anyway). This was fantastic, very fun and very funny. Great
singing, acting. The leading lady & king were just perfect.
She was a doll, and seemed to be having a lot of fun!
Marriage of Figaro (Mozart) - Saturday, August 21, 2004
L'Opera Piccola, Athenaeum
Theatre, Chicago, IL
WFMT Studio Tour - Friday, August 13, 2004
Not a music performance, but this
was a very interesting tour with my London friend Julian Dyer.
Rich Warren conducted the tour. The music library was great, lots
of CDs and LPs and 78s and reel-to-reel tapes. I was in heaven.
Thank you, Audio Consultants!
Antique Phonograph Show - Saturday, June
12, 2004
Not a music performance, but I bought
a bunch of good opera records at annual Union phonograph show.
Met St. Louis-area Berliner collector at Jasper's MAPS meeting
later that evening. A great time as usual!
Northwestern University Symphony Orchestra
- Friday, June 4, 2004
Victor Yampolsky, conductor
Mahler: Symphony #9
Antique Phonograph Auction - Saturday, May
1, 2004
Not actually a music performance,
but I bought my Victor V phonograph & a box full of Victor
Red Seal records at this Stanton auction in MI with Jerry B. It
was a good day!
Pirates of Penzance (Gilbert &
Sullivan) - Saturday, February, 2004
Lyric Opera, Chicago, IL
Northwestern University Symphony Orchestra
- Saturday, January 31, 2004
Victor Yampolsky, conductor
Brahms: Piano Concerto #1, op15 in Dm - James Giles, pno
R. Strauss: Tod und Verklarung, op24 (Death & Transfiguration)
R. Strauss: Till Eulenspiegels lustig Streiche, op28
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The Maestro Myth: Great Conductors in Pursuit of Power
Nancy suggested I read this, and I really enjoyed it. Interesting history, pictures, and biographical info on the greatest conductors in history & how this function evolved. A bit gossipy, but still very much worth the time. Starting with Hans von Bulow and the Berlin Philharmonic, each chapter takes the reader through one milestone after another - ch. 2: Arthur Nikisch & Hans Richter / ch. 3: Mahler, Mengelberg, Zemlinsky, R. Strauss, Bruno Walter, Otto Klemperer (& Walter Legge) / ch. 4: dictators - Toscanini, Furtwangler, Mravinsky, Rostropivich, Kondrashin, Rozhdestvensky, Kurt Mazur / ch. 5: Karajan / ch. 6: Boston - Koussevitsky, Munch, Leinsdorf, Steinberg, Ozawa - & Phila. - Stokowski, Previn / ch. 7: UK - Beecham, Henry Wood, Adrian Boult, Malcolm Sargent, John Barbirolli, Solti, Colin Davis, Bernard Haitink / ch. 8: composers - Bernstein & Pierre Boulez / ch. 9: Vienna - Bernstein, Maazel, James Levine / ch. 10: Italians - Abbado, Sabata, Serafin, Gui, Giuliani, Muti, Sinopoli / ch. 11: mavericks: Hortenstein, Celibidache, Kleiber(s), Tennstedt / ch. 12: insiders - Barenboim, Mehta, Ashkenazy, Zuckerman, Chung / ch. 13: outsiders - Mitropoulos, Tate, Caldwell, Henry Lewis, Dean Dixon / ch. 14: early music - Marriner, Hogwood, Pinnock, Norrington ("Latest research has proved that this guy is a complete jackass"), Gardiner / ch. 15: next gen.: Salonen, Chung, Chailly, Rattle, Welser-Most / ch. 16: management - Arthur Judson, Ronald Wilford, CAMI (Columbia Artists Mgt. Inc.). |
Memoirs: Sir Georg Solti I picked up a copy of this at a library book sale a while back, and had to read it after reading the Fritz Reiner bio. Solti has a very interesting story, and tells it in a very engaging way. |
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Fritz Reiner: A Biography Checked out from Cook Library in Libertyville. Not the easiest read or nicest story, but this was a very well researched book and quite interesting. I need to see the Reiner shrine at the Northwestern music library! I wonder how difficult it will be to access? |
E. Power Biggs, Concert Organist Checked out from Cook Library in Libertyville. I really enjoyed this book, but I've always been predisposed to Biggs. The chapters on Biggs in "All The Stops" (above) help round out this bio. Very good discography in the back. Biggs' first 78s were recorded for H. Vose Greenough's Technichord label in 1938! |
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Luisa Tetrazzini - the Florentine Nightingale Tetrazzini was quite a character, and her Victor 78s are fun to collect. Besides telling her story, this book has a very good discography. |
The Fabulous Phonograph 1877 - 1977 This is a great book, and a must for understanding the history of the phonograph industry - especially in context of the classical music being recorded: when the first complete concertos and symphonies were recorded and by whom, and so forth all the way down to the present (as of 1977!). Gelatt tells the story of the introduction of the LP and of stereo. I was fortunate to find an autographed copy! |
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The Music Goes Round After reading Sound Revoltions (below), I wanted to read Gaisberg's own account of his life. I was able to locate a used copy of this book, which was published in the US during WWII then in London afterward when paper was more readily available for publishing (!) under a similar title. It's great to get this material directly from Gaisberg, but one can see that Moore did a fantastic job of fleshing out this tale with many additional insights which make the story much more fascinating. |
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Sound Revolutions - a biography of Fred Gaisberg, founding
father of commercial sound recording Another great book, and a must for understanding the early history of the phonograph industry. Gaisberg's story is fascinating, starting with his childhood work with John Phillip Sousa in Washington DC; Emile Berliner in the US and setting up a recording studio in London; and travelling around Europe recording such people as Paderewski, Melba, Patti, Caruso, Chaliapin, Bruno Walter, and Edward Elgar. Gaisberg was certainly at the right place(s) at the right time, he had the enviable role of capturing many great artists at the earliest stages of their recording careers. Moore's writing is fantastic, and he puts this material in a context that Gaisberg himself couldn't do - see the next book above. |