Professor         Orlanda Brugnola

Prof. Orlanda Brugnola has taught at John Jay College since 1982. In  the Dept, of Art, Music and Philosophy she has taught philosophy and  world religions and studio art. She has also done training through the  office of Special Programs. She continues to serve on the Faculty Senate   and the College Council, and other committees and is curator of the John Jay Gallery (322T) with Prof. Frank Gimpaya.

         Prof. Brugnola is an interdisciplinary scholar, poet and painter,  writing in the areas of art, philosophy and religion. She is a Fellow  and currently in her second term as President of the Society for the Arts, Religion and Contemporary Culture <
http://www.sarcc.org/>   and has served as President of the Institute for the Study of Genocide  for over a decade. She is committed to interfaith understanding and  religious freedom and serves as NGO representative at the United Nations  for the International Association for Religious Freedom,  the oldest  international interfaith organization in the world (org.1900.) http://www.iarf-religiousfreedom.net/ Prof. Brugnola has been an Artist-in-Residence at Henry Street  Settlement Abrons Art Center and recently participated in the  International Intercultural Collaboration with artists from Tibet,  co-sponsored by HSSAAC and the Trace Foundation.

         Prof. Brugnola received her B.A. in Psychology from the University of California, Berkeley; an M.Div. from Starr King in the Graduate  Theological Union, Berkeley; and an M.F.A. from City College (CUNY). She holds certificates in Mediation and Conflict Resolution, Expressive  Therapy, and Field Traumatology.
ARTWORKS

Solo         Shows

         2001 
Incantations, John Jay Gallery, NYC, curator: Thalia Vracoploulos
         1999
Curator's Summer Days, John Jay Gallery, NYC, curator: Frank  Gimpaya
         1998
Preludes... Polaroid Gestural Drawings, John Jay Gallery,  NYC, curator: Frank Gimpaya
         1995
Everybody's Fool /Nobody's Fool, John Jay Gallery, NYC,  curator: Frank Gimpaya
         1986
Woman & Mountain, Bentley College Gallery, Waltham, MA
         1986
Unknown, Remembered Gates, Plandome Gallery, Plandome, L.I.,NY
         1985
Solitudes, Unitarian Universalist Church of Flushing,   Flushing, NY
         1983
Moderate Poems, Brooklyn Society for Ethical Culture,  Brooklyn, NY

Two-Person Shows

         1997
M.F.A. Thesis Show, Compton-Goethals Hall Gallery, The City College, NYC,
         1994
Photofinish, Bentley College, Waltham, MA

Selected Group Shows

         2002 [February]
Transversing Cultures, Henry Street  Settlement, Abrons Art Center, NYC
         2000
Inside and Out Salon: Art Music, Words, General Theological Seminary, NYC
         2000
Sensibility and Surface, Henry Street Settlement, Abrons Art Center
         2000
Absence of Color, Sande Webster Gallery, Philadelphia
         2000
Artists-in Residence Open Studios, Henry Street Settlement, Abrons Art Center, NYC,
         curated by Molly Herman
         1997
Narrative Transformations: Graduate Drawings, curated by Colin Chase,
         Compton-Goethals Hall Gallery, The City College, NYC
         1996
Differing Views, curated by Leopoldo Fuentes, Compton-Goethals Gallery, The City College , NYC
         1993
The Shelter Rock Art Gallery Recalls the Plandome Gallery,  Shelter Rock Art Gallery, Manhasset, NY
         1992
Womanswork II, Bentley College, Waltham, MA
         1992
27th Open Juried Art Show, South Nassau Unitarian Church, Freeport, NY
         1987
Young Artists, Steinberger-Lesnick Gallery, NYC
         1986
Art of Art Therapists, New School for Social Research, NYC
         1986
11th Annual Invitational Exhibit, Henry Hicks Gallery
         1985
10th Annual Invitational Exhibit, Henry Hicks Gallery

Published graphic work

         1992
Doubting the Tide, cover design, poems by Carole Wood Hardy (New York: Mellen Press, 1992)
         1985/86 "Sweeping," inside cover photograph in
Outgrowth
         1982
Job, cover and drawings, poem by Richard Korn (Berkeley: Oyez, 1982)


Set Design

         1998
Adam & Eve, (Johnny Reinhard) American Festival of Microtonal Music, MicroMystery Tour '98 Part I,
         St. Paul's Chapel. Columbia University.
         1997
Odysseus Cello Concerto, (Johnny Reinhard) American Festival  of Microtonal Music, MicroMay '97 III: Ear Garden,
         St. Paul's Chapel. Columbia Universit
Music
        1989-1990 "Spring is like a perhaps hand," with Nancy Ives, work for cello and voice based on E.E. 
         Cummings's poem of that name, performed by the composers at St. Paul's Chapel, Columbia
         University in
A Spring Concert of Vocal and Chamber Music New & Old, April 23, 1989 and Strange  things
         and known  things, changing everything carefully: a concert for the last days of May
,  May 29, 1990.


GENERAL PUBLICATIONS


         2003 anticipated "Ida B. Wells,"
The Development of the Industrial United States (1870-1900), ed. Ari
          Hoogenboorm, v. 6 ,
Encyclopedia of American         History, Facts on File, Inc.
         2001
Moorings: Moments of Meditation and Prayer, 2nd edition, First Unitarian Congregational Society in Brooklyn,
          Brooklyn, NY
         2001
Moorings: Moments of Meditation and Prayer, First Unitarian         Congregational Society in Brooklyn
         2000 "Thoughts From...,"
Clinton Chronicle, March 2000
         2000 "Good Friday," in
Celebrating Easter and Spring, An Anthology of Unitarian Universalist Readings;
         compiled. Carl Seaburg and Mark Harris, The Anne Miniver Press,  Cambridge, MA, 2000.
         1994 "Women's Spirituality: A Unitarian Universalist  Perspective,
Visions of an Interfaith Future, Celia &
         David Storey, eds.,
Proceedings of Sarva-Dharma-Sammelana, Bangalore, India, August 1993
         1993 "A Bread and Honey Communion," Orlanda Brugnola and Doris  Hunter in
The Communion Book, ed.
         Carl Seaburg, Unitarian  Universalist Ministers Association, 1993
         1993 "Deeper Surprises,"
On Ministry, First Unitarian         Church, Brooklyn
         1991 "The Face of Cain: Mirror of the Artist,"
Proceedings,  of the 27th World Congress of the International
          Association for  Religious Freedom
         1986 "Gertrude Stein: Lectures in America," review,
U.U. World
         1986 "SHOAH," review of the film and book by Lanzmann,
U.U.World
         1983 "Camus," review of the biography by McCarthy,
U.U. World
         1983 "'Gandhi': A Review of the Film,"
U.U. World
         1983 "Maturity,"
Kairos, reflection
         1979 "Going Home,"
The Bear Flag
         1978 "Lest One Good Custom Should Corrupt the World...,"
Unitarian         Universalist World
         1977 "A Parable,"
Sun Door, Winter Solstice 1977, No.         1.
         1975 "Escaping the Therapeutic Sanctuary," EMC Audiotapes  (University of California Extension),
         dialogue between psychodramatist Richard Korn and gestalt therapist    George Lane
         1970 "Potential for Holocaust," EMC Audiotapes (University of  California Extension), dialogue between
         psychodramatist Richard Korn and  theologian Edward Setchko
         1965 "The Uses of Transcendence,"
Chutzpah, Berkeley,C
POETRY

         1996 Jonah's Prayer Answered; and  No One Thought About It, Voices Israel 1996.
         1992 Sometimes I want to burn up everything...; Publishers  greeting, Oyez, Berkeley, 1992.
         1983/84 Horses;
Manhattan Poetry Review 3.
         1982 Z Kalifornijskiej poetki Orlandy Brugnola  in Czeslaw Milosz, Poezje, (Instytut Literacki: Paris 1982), 
          translated into Polish by Nobel Laureate, Czeslaw Milosz.
         1977 A Parable;
Sun Door, Winter Solstice 1977, No. 1.
         1972
King of Thornbushes, (Berkeley: Oyez, 1972)
         1970  All the Fountains  and  The Devil;
The Solar Cavern, Summer 1978.
artist  works
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