RawBin Graphics

Dick Emrich (Robin Richard Emrich)

Distinctive Contemporary Prints

Fine Art


NARRATIVE

SALES

SHOWS

NEW WORK

Hancock Towers

 

El ConQuistador

 

Hancock Towers

 

El Conquistador


Contents of this page Copyright © Robin Richard Emrich 1995-2008

Welcome to RawBin Graphics. This is the Home Page for the artwork of Robin Richard (Dick) Emrich. Learn about the etching process, review available works with detailed descriptions of the limited edition prints.



Email the artist at etchingsbyemrich@aol.com Include the reference "ART WORK" in your subject line! (To pass through the SPAM Filter)
Studio in North Reading, MA 01864
Last updated: 12/25/2006

Artist's Biography

Resume

Listing of Available Works: Above title is a thumbnail picture. Click on links for more pictures. Monochrome prints are available directly from the artist (click here for more information).

  1. Etchings
  1. Engravings
    1. Engraving #1

Engraving Number 1

    1. Southern Pacific #4501

Southern Pacific #4501, Engraving



The Etching Process - defined

E T C H I N G Etching is a form of Intaglio (Latin, to cut). The etchings offered here are done using nitric acid on a metal plate. In this process a zinc plate is prepared by cleansing and removing any impurities on the surface of the plate. A ground (a waxy substance that acts as a resist) is applied to the plate in liquid form and dries to a hard surface. A drawing is then made on the plate by scratching away the ground using an etching needle, nail or other sharp object. Once the line drawing is completed the plate is immersed in nitric acid (5% nitric acid diluted with 5 parts water to 1 part acid) where the line drawing is "etched" by the acid onto the surface of the plate. After a suitable time (30 seconds to hours) the plate is withdrawn from the acid and the ground is removed using a solvent. Once the plate has been "burnt", printers ink is applied to it and worked into all the recessed areas. The surface of the plate is then carefully wiped using an open woven cloth called tarleton or other suitable membrane that can remove the ink, but only from the surface (the palm of the hand works well, also). Wiping techniques can be varied from print to print by adjusting the amount of ink removed or retained on the plate's surface. An atmospheric wipe is one in which ink is left on the surface to enhance the image or mood of the print. After the plate has been wiped it is then printed using a french press at high pressure. Paper that has been soaked in water to loosen the fiber is used and when run through the press is impressed into the inked areas of the plate and pulls the ink from the subsurface. Each print requires another application of ink followed by the wiping. As can be seen by the artist's work, great variety of moods can be culled from the same plate by varying the wiping technique and paper utilized. Plates can be reworked by starting the entire process over again and burning the plate a second or more times. Tonal variation can be applied by using an aquatint process and more diluted acid bathes. Unwanted lines can be removed by "working" the plate using a burnishing tool in which the raised unetched surface of the plate is scraped down to the level of the etched line, effectively erasing it.

PRESENTED WORKS The works presented by myself are mostly Artist's Proofs. These are prints drawn early in the printing process or at specified points during a "run" (a series of prints run and numbered in some appreciable quantity) and are used to prove the effectiveness of the etch, the integrity of the line drawing or quality/adherence to the desired outcome or standard in a run. At the present time my work has not had any runs (but I am endeavoring to number the A/P's) since the work is still experimental as I learn and develop the process of etching and the wiping techniques involved. Some of my prints are subsequently hand water colored by myself. All of the plates are prepared, etched and printed or "pulled" by myself. As of the August 2000 I have created approximately 30 different plates mostly of scenes from Boston and areas on the North Shore. Quantities of each print are limited to fewer than 20 in most cases, at present. (I have one image, "Esplanade", in which there are about 40 prints pulled). I will never print more than 250 of any one image inclusive of proofs. An exact inventory of works will be included at a later date and subsequently updated quarterly.


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List of interesting sites that sponsor events where these works may be seen

Montserrat College of Art www.montserrat.edu

Absolute Arts Old South Meeting HousePark Street Church--> www.absolutearts.com
Robin's Work at Absolute Arts



Galleries and Permanent Displays

Charles River Community Sailing School, Storrow Drive, Boston
Edward Jones Investments, Lowell Road, North Reading, MA
Mingo Gallery, Cabot Street, Beverly, MA
Brooksby Farm, Felton Street, Peabody, MA