Der Rosenkavalier
San Francisco Opera 2006-2007
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Richard Strauss
Dramatic soprano part.

The Princess von Werdenberg, she is in love with Octavian.
Year
Artist
1940
Lotte Lehmann
1941
1945
1946
1951
1952
1955
1957
1960
1962
1964
1967
1971
Sena Jurinac
1985
1993 sum
Felicity Lott
2000-2001
Yvonne Kenny
Stella Roman
Elisabeth Schwarzkopf
Régine Crespin
Brenda Lewis
Kiri Te Kanawa
San Francisco Opera Marschallin History
Marschallin, The
Lotte Lehmann
1978
Leonie Rysanek
1940 * Lotte Lehmann was on hand to sing her classic Marschallin. Her highly inflected and near-youthful interpretation of the Marschallin was, if not agreeable to all, on a very high plane of distinction.
* Bloomfield-50 Years of SFO/ 1922-1978    The San Francisco Opera.
1946 * Lehmann returned in great form for the Marschallin, this was her last Marschallin and her last role in her career.
1955 * The Marschallin was sung by Elisabeth Schwarzkopf, who made her American operatic debut on the Opera House stage.
1971 * Sena Jurinac provided a gracious, good-humored, warmly-sung Marschallin. It was probably the most natural account of the role in SF modern times.
Act One: Da geht er hin, der aufgeblasene schlechte Kerl
Aria Data Base for Marschallin
Act One: Die Zeit, die ist ein sonderbar Ding
Act One: Heut Oder Morgen Oder Den Ubernachsten Tag
2006-2007
Soile Isokoski
2006-2007
Martina Serafin
Lotte Lehmann
Lotte Lehmann
Elisabeth Schwarzkopf
Elisabeth Schwarzkopf
Elisabeth Schwarzkopf
Elisabeth Schwarzkopf
Soile Isokoski, Angelica Kirchschlager and Genia Kühmeier sing the final scene of Richard Strauss' Der Rosenkavalier. The conductor is Christian Thielemann.YouTube
Soile Isokoski, making her S.F. Opera debut, was a poised, lovely Marschallin. The Finnish soprano refrained from excess, blended beautifully in the ensembles, and painted the character's heartbreak in subtle, understated strokes./ 2007 Review
Isokoski's performance was detailed and full of emotional nuance -- never more touchingly than in the bittersweet reflection on the passage of time that concludes Act 1 -- and she brought an eloquent air of regret to the great final trio./ 2007 Review