| Don Giovanni |
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| Don Giovanni |
| Lyric baritone role. A womaniser, he is morally unrestrained. |
| Year |
| Artist |
| 1938 |
| 1940 |
| 1943 |
| 1945 |
| 1947 |
| 1948 |
| 1949 |
| Italo Tajo |
| 1952 |
| 1974 |
| Roger Soyer |
| 1953 |
| 1978 |
| Justino Diaz |
| 1955 |
| 1959 |
| Mino Yahia |
| 1962 |
| 1965 |
| 1968 |
| Cesare Siepi |
| 1981 sum |
| Cesare Siepi |
| 1984 |
| Wolfgang Brendel |
| 1991 |
| Samuel Ramey |
| 1995 |
| Samuel Ramey |
| 1999-2000 |
| San Francisco Opera Don Giovanni History |
| Nicola Rossi-Lemeni |
| Nicola Rossi-Lemeni |
| Cesare Siepi |
| Giorgio Tozzi |
| Thomas Stewart |
| 1959 |
| George London |
| 1991 |
| Gino Quilico |
| 1995 |
| William Shimell |
| 1999-2000 |
| David Okerlund |
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| Aria Data Base for Don Giovanni |
| Act II, Scene I - 'Deh vieni alla finestra' |
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| Act I, Scene III / 'Finch'han dal vino' |
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| Act II, Scene I / 'Meta di voi qua vadano' |
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| To play above on a piano and hear it in play back - open Classical Music Search in a new page. Play notes on piano and press the play button when finished. Using the search button will bring up any symphonic music that has the same notes. |
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| 1999-2000-Dmitri Hvorostovsky |
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| 1999-2000-Thanks to some negative publicity, many opera-goers expected the San Francisco Opera's new production of Don Giovanni to be a loser --...The idea that Dmitri Hvorostovsky was somehow stiff and uninteresting in the leading role seemed to persist -- yet I found him to be a charming, even charismatic presence. .. he was a fine physical embodiment of Mozart's hyper-sexed anti-hero, and he sang the whole role in an altogether seductive tone. So what if the misguided stage director decided to make Hvorostovsky imitate Douglas Fairbanks in a rope-swinging aerial exit at the end ./ Review |
| 2006-2007 |
| Mariusz Kwiecie? swaggers as Don Giovanni, readily dominating his social inferiors./ SFCV The music's balance of exuberance and demonic drive was beautifully rendered, Kwiecien's singing was robust and well defined, and the two established a headlong tempo that never faltered. The result was an invitation to a party that you would be equally afraid of missing or attending./SFGate |
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| Samuel Ramey - 1995 |