Atelier 17 info digital media galleries please select photographic galleries links
Deep Forest Nature Photography
Black&White Gallery I
Black&White Gallery II
Heel Still Life
Flowers
Egypt-1
Julia-1
Underwater
Still Life II
Julia II
Fountains Abbey
NEW
NEW
A profesional/artistic statement
Brief overwiev of my photography
Photographic education
Equipment
Nikon
Darkroom
A profesional/artistic statement:

In the world that pursues the frontiers of shock, world that crosses over the frontiers of what is commonly acknowledged as good taste, in search of a new meaning, my belief is that sometimes it is equally hard just to say I imaged something simply because I found it beautifull, as it is if someone else photographs to shock the viewer.
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Brief overwiev of my photography:

For a better part of my photographic life I did it uneducated, but with some guidance from my father, who spent better part of his money on travels and photography. In my high school friends referred to me - "the camera" due to the fact that I never was without my trusty old Nikon FG-20. That little thing was - in my opinion - the best ever entry camera - lightweight, simple and with a heart of a Nikon.

At that time I was shooting black and white. I do believe that black and white is a necessary method of entering into a higher realms of understanding photography. The simplification, purifaction built into it lets photographer to understand light and shadow... and meaning of them in an unparalleled way.

Eventually though I did move to Louisiana, where I spent five years studying architecture at LSU, and at the same I studied photography with professors Meek, Neff and Book. There I acquired skill in both black and white as well as colour photography. Also at that time I discovered colour for my artistic work. At the same time I ahd an opportunity of traveling across US, and Mexico.

Now, back in Poland, I have less time for darkroom work... but I still shoot a lot. Mostly color, but also black and white, while slides are reserved for travel

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Photographic education:

I do believe that education in photography is important. As well as education about photography. One teaches individuals techniques of the medium, as well as trains an eye. The requirements of looking for photographs allows an individual to see images in places where others might not even stop to think.

The other may eventually teach the viewers what is, and what is not art. However they shall perceive it.

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Equipment

Well, equipment is of importance too. It does matter to the extent, that some cameras are better suited for some work than other. My main interest areas are nature, landscape, and portraits. Of course I work with architectural photography as well - especially castles.

What do I use... not being as yet able to afford a medium format camera.

NIKON (well, I do count myself as one of the seven out of ten... as they would say it)

I have used Nikon FG-20 (my first one), Nikon N4004 (my worst one), Nikon N6006, Nikon N2002 (I think that was the number), Nikon N8000... But now my arsenal consists of:

  • Nikon F-3
  • Nikon N6000
  • Nikon FA
  • a hand made 4x7 View Camera
With following lenses:
  • Nikkor AF 24mm f/2.8
  • Nikkor 50mm f/1.8
  • Nikkor 135mm f/2.8
As you can see only manual focus cameras, and no zooms... Simple is excelent!

Why three cameras?

  • One is for black and white - Kodak TMX 400
  • One is for colour negative - Fuji REALA
  • One is for colour slides - Fuji VELVIA
Of course a good flash (Nikon SB-24), and an excelent lihgtmeter, plus some filters, although I generally don't use a polarizer now (unless I really need it). And a tripod, or two - one for a camera, the other for flash. These are the standard items on most assignments... when the need calls for something special I use something special.

Recently I added a Nikon Coolscan III, so, now I have something of a digital darkroom at hand

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Darkroom

For last two years I have been building my own darkroom. And now it's up and running. For now it's black and white, since after such a long break I have to work from the basics. But the enlarger is a Sounder dichroic enlarger... so colour is on the way too.

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All images ©1992-1998 Tomasz L.Czarnecki.
Any use without permission from author strictly prohibited.