Creator & Cognoscenti

Creator & Cognoscenti is a fine arts production company created in 1987. The purpose of this entity is to display the creations of an artist named Peter Edward Mulhern. To view the artwork, please click on colored text in the body of the page.

Mr. Mulhern was born in the city of New York in 1966.

Mr. Mulhern states:

There are three classes of people:

The artist tends to regard himself in the third category.

He is a challenging interview; not abrasive, but reluctant to speak. He told the following story...

I once walked into the ballroom of a hotel, and a man came to me and spoke thus: "I always wondered why I have had such difficulty in life. So much sadness. Then it occurred to me why. You see, it is really quite simple -- I am not a human being."...I thanked him. I watched as he turned away and walked to the center of the room and was gone. I was granted a wisdom as I realized that I am also not a human being. I am a spiritual being, placed in a body, learning or just experiencing what it is to be human.

Mr. Mulhern's general state is depression. He claims efforts to change his state have been to no avail.

I have been an artist for most of my life. Naturally, I am more than comfortable with pretention. I think the world could use more of it. People seem so willing to "let it all hang out," so to speak, that they forget that conventions of sophistication, artificial as they are, are part and parcel of being human. The school of thought prevalent for current generations, the cult of the ugly, wishes to destroy sophistication, including propriety. The cult also attempts to completely devalue beauty. But to lose these sophistications is to lose our humanity. Consider the history of humanity; it is the recording of the process of the sophisticating of simple souls into developed souls. Mere existence and survival are simple to define. The mandated objective of mankind is sophistication. If the masses, indoctrinated by the low, rail against this, it is unfortunate, but should not be unexpected. History informs us of many times when people fell down to engaging in barbarism. I'll stick with propriety. Pretention equals peace.

He frequently questions his sanity.

The universe is a disaster. It is a bad idea, poorly executed. It burns our souls, and devolves us into something less than we are. I wish it could be fixed. But it is not in my hands. And anyway, I'm just a visitor here.

Small wonder.



Thank you for visiting.


Send email to: mulhernp@hotmail.com















Learning to Heal


"I know what you want," the man said, smiling broadly. "Look at that face. What a tough guy. I know what you want. You want my wallet!"


The nine year old boy lying in his hospital bed perked up quickly, to the extent that he could, and smiled at the entrance of his doctor. Dr. S. pulled out his wallet and discretely passed his young patient a couple of dollars that he quickly tucked under his pillow.


Having already reviewed the patient's chart, the doctor began his in-person assessment. His expression moved from concentration to relief. The boy's condition was improving.


Dr. S. moved his hand over the boy's head. "Has this stuff seen a comb lately?" The patient lowered then shook his head with a tight lipped smile. "You're looking pretty good except for this 'scare-do' you have. Do you know what a scare-do is? It's a hairdo that's scary!" The boy's hair was matted and reaching for the sky from the great duration of needed bed-rest. "I'm sending you home this afternoon. I'll have your parents come get you. Okay?" The boy nodded vigorously. "Good."


Dr. S. is a hematologic oncologist at a major teaching hospital. His patients are cancer kids. In December 1995, I was an advanced pre-med student and volunteer at the hospital. As a result, I was presented with a splendid learning opportunity: Dr. S. permitted me to follow him on rounds.


The day began at half past seven with the doctor from the overnight shift bringing Dr. S. up to speed on his patients, along with a review of new admittees. We then left his office and proceeded on a long walk through underground tunnels to the hospital proper. The place is dauntingly vast, a world in itself. I tried to keep up with Dr. S.'s fast pace without looking like too much of a clutz. I also tried to be as unobtrusive as possible, remaining silent and writing extensive notes on everything I saw and heard.


In spite of my better judgment, I did find myself asking questions. Dr. S. answered questions happily and completely. He was inadvertantly quite merciless to my ego, in fact, because his answers were so detailed and precise that I could finally plumb the prodigious depths of my ignorance. There was so much I did not know about medicine and how bodies work. I was getting a sinking feeling as I entertained the possibility that I may not be capable of mastering such a volume of complex information in a lifetime, let alone in four more years of study. I shut off my mind's "doubt-speak" and continued to look, listen and record.


The first patient of the day was the brave nine year old with the winning smile and the untamed mane. Our exit from the boy's room was informed with the doctor's quick lecture on Von Willibrand's disease: Von Willibrand's factor VIII deficiency presents like hemophilia, complete with mucocutaneous bleeding and extra heavy mensing; treatment consists of an anti-diuretic with an absurdly long acronym that increases the synthesis of the limiting factor in endothelial cells.


I was still writing furiously when the doctor entered the next room. The patient had difficulty breathing, and upon examination presented an oregophany. Her lungs were "solidifying," and she was prescribed "TPN" for eighteen hours.


Rounds continued rapidly. The next patient was Ashley. Her legs were different temperatures; one was very hot. A blockage caused by sickle-cell disease was the culprit. Then Travis, the picture of courage after radiation and chemotherapy, was beginning a regimen of granulocyte colony stimulating factor for neutropenia. Another patient with a "conversion reaction" was to get a topical anaesthetic "eutectic mixture of prilocaine and lidocaine" to ease his needle squeamishness. A girl named Valerie needed a spinal tap to check her CSF. There was a serious problem behind every door Dr. S. walked through, and he always knew what to do, quickly, to solve that problem.


One of the young resident physicians was doing his own rounds when his path crossed that of Dr. S. A discussion resulted about a patient presenting an adverse reaction. The resident recognized the reaction immediately, calling for a change in the type and dose of the patient's medication. Dr. S. challenged the resident in a diagnostic definition. The resident blanched before my eyes. He knew the disease and the medication used, he spotted the adverse reaction and corrected it; but what was the adverse reaction called? Dr. S. presented the question to me as well, but he really wanted the answer from his resident. I remained silent. The anxious resident looked to me for a clue in my eyes, when Dr. S. broke the tension by answering his own question. "Red man's syndrome," he said. And with that the resident was embarrassed, deflated and defeated, apologizing for his mental lapse and fully aware of the potential cost of it. Dr. S. wasn't too easy on him. He's a tough teacher. The resident volunteered a detailed summary of the status of his other patients, displaying an encyclopedic knowledge, to regain the confidence of the attending physician, and perhaps his own. The summary was satisfactory and rounds continued.


I earned my insider's glimpse of the medical world a year earlier than many students due to my academic record and volunteer time. My volunteer activities at the hospital were unexciting, but still a good preparation to acclimate myself to the vernacular and environment of medicine. One of my tasks was a patient transport to the children's wing. While waiting for the updated chart to accompany the patient, I encountered a happy, playful three year old in the hallway. This little girl looked conspicuously healthy but for her lack of hair. I said hello to her and waved. She picked up my cue, and in a fit of toddler flirtatiousness, she accosted me with her toy lawnmower! We must have been quite a sight: a six feet six inch, burly twenty-something in a crisp shirt and tie, being chased around the nurse's station by a toddler in footsie pajamas with a plastic yellow lawnmower.


The thought of the healthy child came to me as I followed Dr. S. to the room of the next patient, baby Jasmine. She was very sick. She had been in and out of the hospital for most of her short life. Even her family was losing hope. I didn't recognize her at first, inanimate and unresponsive to all, but she was the girl with the toy. Dr. S.'s instructions were as straightforward as always in prescribing her therapeutic regimen. What was unusual was that he was not certain of her recovery.


To have certainty in one's career, one should find a way to make a living out of death or taxes. Such a view would seem obvious to all but the most naive. Brilliance and technology are not enough to save the world, and possibly not even enough to save this little girl. A thick skin is required of the professional. Dr. S. smiled as he entered the room of the next patient.

February 24, 1997





Visitor

I remember a time during my student years when I, as an ordinary young man, experienced the feeling of being a king. A college student studying abroad, I was on a journey across France. Classes were grinding me in London, so I hopped a ferry across the Channel to Calais, France. Ferry rides are exciting for me; the first one I rode out of Belgium sank a week after I rode it. Friends assured me there was no causal relationship between my steerage and the later submersion, but I remained alert for this trip nonetheless, hovering ghoulishly over the life-boats and preservers just in case one of the Fates had improved her timing.

Transfer from ferry to bus was made under cover of night. I took my place in the small, sepulchral, blissfully land-bound conveyance. My space in the crypt afforded me about three hours of fitless sleep, frequently interrupted by floating sensations. My feelings of discomfort were enhanced by the murky view out my window and the driver's general resemblance to a mythological character named Charon, a chauffeur to the underworld. "Wake up and go to sleep," I told myself.

The light of a new day eviscerates the power of the night's chiaroscuro conceits, leaving a beautiful tabula rasa full of promise for all who bother to experience it. It's a little after six in the morning, a cloudy sunrise, my bus looks like an ordinary coach, my driver looks like a regular bloke. My body's instinctive action is to pull a "just five minutes more, Mom," and return to the realm of the faeries, but I rise, quietly passing the rows of sleeping, dissheveled college students to exit the bus. In a nanosecond I hear the guide tell the driver we will continue to Paris at half past seven. The instantaneous translation of this to my mind was "It's time to explore."

Gosh it's cold. My strides are long and directed, although I have no idea where I am going. It's cold, yet it is not cold. My teeth are chattering like an old fire alarm and I'm shivering uncontrollably but I don't feel the cold; I feel like Christmas morning -- I feel brand new. It's about forty five degrees, I'm shivering, my hands are shoved way in the pockets of my windbreaker, and I'm taking longer and faster strides down a narrow cobblestone street towards the sunrise.

Rouen is an old city in France. It's old like nothing I have seen in the states. It has it's own Cathedral. It's older than my soul, and it will be here long after I have moved on. The place seems to have a heartbeat, a respiratory rate. And as the cloudy skies turn lavendar and pink with the quickening of the sun, I feel its pulse rate rise to the new day.

And the entire city smells like a fresh-baked croissant! My long legs bring me to a trot, then a full run down the narrow street. Birth! I emerge at the broad avenue. The clouds are a blanket over the still sleeping city. How can they still be sleeping? There's life going on; are they not afraid to miss it? Violet floats in the sky down the avenue at walking pace, "No hurry," says the city, "Life will not be missed."

I stand in the middle of the quiet, empty avenue, color moving across the clouds as one light, then two, then two more illuminate the windows of homes and bakeries along the avenue. I observe the domain come to life as if it were my own. I feel like a young prince who has secreted himself from the castle to observe the kingdom that will soon be his.

The scent of croissants has become intoxicating to this traveller. Alas, a bakery has unlocked its front door. I shall satiate my royal hunger! With something less than a mastery of the French language, I somehow emerged from the shop with a small bag of croissants without insulting anyone or signing a promissory note to purchase the Eiffel Tower.

My sense of royalty waned and my sense of reality waxed as I reembarked on the bus with the other dissheveled college kids. Still, I was given a glimpse of magic this day. I'm told that's how God generally works -- indirectly, quietly, but with style. I am aware.

And Rouen makes great croissants.




March 1997












Click here for a staged/spontaneous photo of the artist at work, 5/2001

1. Portrait of Sibyl

2. Portrait of Sibyl, close-up

3. "Diner" oil painting, October 1999, about 16 x 20 in.

4. "Diner" close-up, October 1999

5. "Diner" close-up, October 1999

6. "Diner" close-up, October 1999

7. "Diner" close-up, October 1999

8. "Diner" close-up, October 1999

9. "Diner" oil painting, October 1999

10. "Diner" close-up, October 1999

11. portrait close-up, October 1999

12. October 1998, "Aletheia", about 30 x 40 in.

13. different light

14. Figure

15. Head

16. Color drawing

17. Head

18. vertical drawing, about 18 x 24 in.

19. close-up

20. watercolor still-life

21. Astaire and Hayworth, about 20 x 30 in.

22. close-up

23. horizontal drawing

24. close-up

25. Deer watercolor, about 20 x 30 in.

26. Landscape after Homer

27. Rowboat watercolor

28. Landscape after Nolde, about 20 x 30 in.

29. Landscape after Sargeant, about 20 x 30 in, oil on canvas

30. superman, about 14 x 17 in.

31. hulk

32. marvel, about 14 x 17 in.

33. Painting: "Homage to Matisse", measures five feet across.

34. Oil Painting: "Still Life with Goldfish", 2001, 16 x 20 in.













Close-up from the drawing "Hermetica 2" by Peter E. Mulhern
To see more views of this piece, please click HERE.













Links:

The Metropolitan Museum of Art, New York

The Hermitage Museum, Russia

The Museum of Modern Art, New York

The Frick Museum, New York

The Louvre Museum, France

The National Gallery of Art, Washington, D.C.

National Gallery, England

The Tate Museum of Art, England

Norman Rockwell

Illustration Museum, Rhode Island

The Drawing Center, New York

Da Vinci Drawings includes links to other great collections







































Finally, here is a photograph of the artist dated June 30, 2001. Thanks for viewing. I hope you found it interesting!