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This is the list of B&Ps (Blanks & Postage) that I am currently offering. Usually I get extra copies after I upgrade a show, from trades that do not go through, or when I transfer a show to cdr media that I prefer. If a source is not listed, then it is possible that it is mp3 sourced. These are available to whomever wants them (as opposed to just throwing them away)....they are already burned and ready to go. I also tried to list any known defects. Most of them do not include artwork.

If you would like any of these, it is a pretty simple process (this information is mainly for the people who have not done a B&P before):

(1) Email me at spacedvest@hotmail.com to request whatever show(s) that you want.
(2) I will reply to you, confirming that the show(s) you want are still available.
(3) Get the appropriate number of blank CD-Rs. If you want to make me really happy, send me Kodaks, Mitsuis, TDKs, Taiyo Yuden, or Fujis. However, I will accept any brand.
(4) Get a bubble pack mailer big enough to hold the shows that you are getting. Put the blank CD-Rs inside the mailer (put them in something like paper sleeves). You can send jewel cases if you want (you are the one paying for the postage), but 7 out of 10 times the cases will get damaged in the mail. Do not seal the mailer (this is what I am using to send them back to you).
(5) Please include some sort of note indicating what you are getting.
(6) Either put the postage on the mailer yourself, or include enough money for me to put it on for you. Please make sure you include enough postage!
(7) Get an envelope big enough to put the bubble pack mailer inside of it. Put the mailer inside the envelope, seal the envelope, put my address on it, put postage on it, and mail it to me.
(8) You should get your shows back right away (barring any mail system failures).

For even more detailed instructions on how to do a B&P, click here.

Well, here is what I have currently available. I am in the process of going through all of my stuff, so I will definitely be adding more in the near future:

  • Los Angeles 2/8/91 C+ (1 cd; source: unknown microphones (Sony PC-62?) > Sony WM-D3 > analog (1st gen) > dat > cdr)
  • Toronto 10/30/91 B- (1 cd; source: unknown microphones > unknown recorder > ? > cdr)
  • Toronto 10/30/91 + New York 11/16/91 + Columbus 11/18/91 B-/C+/C (1 cd; 10/31 source: unknown microphones > unknown recorder > ? > cdr; 11/16 source: unknown microphone > unknown recorder > analog > dEQ > cdr, 11/18 source: unknown microphone > unknown recorder (microcassette?) > analog > dEQ > cdr)
  • Burlington 11/2/91 C+ (1 cd; source: Sony PC-62 > Sony WM-D3 (supposedly master) > dat > cdr) Eric
  • New York 11/16/91 + Columbus 11/18/91 C+/C (1 cd; 11/16 source: unknown microphone > unknown recorder > analog > dEQ > cdr, 11/18 source: unknown microphone > unknown recorder (microcassette?) > analog > dEQ > cdr)
  • New York 11/16/91 + Columbus 11/18/91 C+/C (1 cd; 11/16 source: unknown microphone > unknown recorder > analog > dEQ > cdr, 11/18 source: unknown microphone > unknown recorder (microcassette?) > analog > dEQ > cdr) (another copy)
  • Salt Lake City 12/15/91 B (1 cd; source: unknown microphone > unknown recorder > analog (4th gen) > dat > cdr; some problems probably all on master) Eric
  • Seattle 1/17/92 B- (1 cd; source: unknown microphone > Sony WM-D6 (master) > analog (2nd gen) > dat > cdr > dEQ > cdr)
  • Paris 2/10/92 B+ (1 cd; source: unknown Marantz microphones > Sony WM-D6 > cdr)
  • New Castle 2/22/92 A (1 cd; source: FM > "11 Alive" liberated boot > cdr; not complete)
  • New Castle 2/22/92 A/D+ (1 cd; source: multisourced: FM > liberated boot (not "11 Alive") > cdr; tracks 11-15 from unknown gen VHS > dEQ > cdr; some problems that seem to be on all circulating copies)
  • New Castle 2/22/92 A/D+ (1 cd; source: multisourced: FM > "11 Alive" liberated boot > cdr; tracks 11-15 from unknown gen VHS > dEQ > cdr; some problems that seem to be on all circulating copies)
  • Nottingham 2/25/92 B+ (1 cd; source: unknown microphones > unknown recorder > ? > cdr) Eric
  • Vera 3/1/92 B- (1 cd; source: unknown microphones > Sony WM-D6 > analog (3rd gen) > cdr; some problems)
  • Vera 3/1/92 B- (1 cd; source: unknown microphones > Sony WM-D6 > analog (3rd gen) > cdr; some problems) (another copy)
  • Vera 3/1/92 B (1 cd; source: unknown microphones > Sony WM-D6 (master) > dat > cdr; some problems)
  • Vera 3/1/92 B (1 cd; source: unknown microphones > Sony WM-D6 (master) > dat > cdr; some problems) (another copy)
  • Vera 3/1/92 B (1 cd; source: unknown microphones > Sony WM-D6 (master) > dat > cdr; some problems) (another copy)
  • Vera 3/1/92 B (1 cd; source: unknown microphones > Sony WM-D6 (master) > dat > cdr; some problems) (another copy)
  • Den Haag 3/2/92 A (1 cd; source: soundboard > Sony WM-D6 > analog (1st gen) > dat > cdr; 80 minutes long)
  • Den Haag 3/2/92 A- (2 cds; source: soundboard > Sony WM-D6 > analog-2 > dat > cdr > dEdit > cdr (dropouts patched with 'Small Club' bootleg); 88 minutes long)
  • Utrecht 3/4/92 B+ (1 cd; source: liberated boot > cdr; seems like it is running too fast)
  • Frankfurt 3/12/92 A- (1 cd; source: Sonic Studios DSM3 > Sony TCD-D3 > dat > cdr; some problems)
  • Frankfurt 3/12/92 A- (1 cd; source: Sonic Studios DSM3 > Sony TCD-D3 > dat > cdr; some problems) (another copy)
  • Frankfurt 3/12/92 A- (1 cd; source: Sonic Studios DSM3 > Sony TCD-D3 > dat > cdr; some problems) (another copy)
  • Munich 3/13/92 B-/B (2 cds; source: unknown gen HIFI VHS > cdr > dEdit > cdr; some dropouts) Eric
  • Lowell 4/6/92 B- (1 cd; source: unknown microphone > unknown recorder > analog > dat > shn > cdr; some ticks and other problems)
  • London 6/6/92 A (1 cd; source: 2 source mix: pre-FM (US) > "Westwood One Radio Broadcast" boot + FM (UK) > analog (1st gen) > cdr )
  • Milan 6/17/92 A- (1 cd; source: "We're Jamming" boot > cdr )
  • Stockholm 6/19/92 B (1 cd; source: Sennheiser 2000 > Sony WM-D6 (master) > dat > dEdit > dEQ > cdr; some minor problems that seem to be on all copies )
  • Vienna 6/25/92 B+ (2 cds; source: Realistic > Sony WM-D6 > cdr ("Garden" is from unknown microphone > unknown recorder > cdr) )
  • Vienna 6/25/92 B+ (2 cds; source: Aiwa CM-30 > Sony WM-D6 (master) > dat-2 > cdr > dEdit > cdr)
  • Boston 8/8/92 B- (1 cd; source: unknown microphones > unknown recorder > analog (unknown gen) > remastered w/ realtime sound processor “Clean!” > cdr; Even Flow is cut on master) Eric
  • Pittsburgh 8/16/92 B- (1 cd; source: unknown microphone > (Sony WM-D3 or Sony TCD-D3?) > analog > dEQ > cdr) Eric
  • St. Paul 8/28/92 B+ (1 cd; source: Sony FaaLT > Aiwa HSJ470 > dat > cdr > dEQ > cdr)
  • St. Paul 8/28/92 B+ (1 cd; source: Sony FaaLT > Aiwa HSJ470 > dat > cdr > dEQ > cdr) (another copy)
  • New York 12/31/92 B+ (1 cd; source: Sonic Studios > Sony TCD-D3 (15th row, center?) > dat-4 > A/D conversion on minidisk > cdr; small very small problems which seem to be on all circulating copies)
  • New York 12/31/92 B+ (1 cd; source: Sonic Studios > Sony TCD-D3 (15th row, center?) > dat-4 > A/D conversion on minidisk > cdr; small very small problems which seem to be on all circulating copies) (another copy)
  • New York 12/31/92 B+ (1 cd; source: Sonic Studios > Sony TCD-D3 (15th row, center?) > dat-4 > A/D conversion on minidisk > cdr; small very small problems which seem to be on all circulating copies) (another copy)
  • New York 12/31/92 B+ (1 cd; source: Sonic Studios > Sony TCD-D3 (15th row, center?) > dat-4 > A/D conversion on minidisk > cdr; small very small problems which seem to be on all circulating copies) (another copy)
  • New York 12/31/92 B+ (1 cd; source: Sony PZM > Sony WM-D6 (master) > analog (1st gen) > cdr)
  • New York 12/31/92 B+ (1 cd; source: Core Sound Binaurals > Sony TCD-D3 > dat > cdr > dEdit > dEQ > shn > cdr)
  • Stockholm 6/28/93 B (1 cd; source: 4th gen HIFI VHS > cdr; Animal cut @ beginning)
  • London 7/13/93 B- (2 cds; source: Sony ECM-909a > Sony WM-D6 (master) > analog (1st gen) > cdr > shn > cdr; track changes are not completely smooth)
  • Toronto 8/18/93 C+ (1 cd; source: unknown microphone > Sony WM-D6 > analog (unknown gen) > cdr) Eric
  • Santa Cruz 10/27/93 soundcheck B (1 cd; source: Sonic Studios > Sony WM-D6 > analog (3rd gen) > dEdit > cdr; some ticks inbetween some tracks)
  • San Diego 11/2/93 C+ (1 cd; source: unknown microphone > unknown recorder > analog > dEdit > cdr)
  • San Diego 11/2/93 C+ (1 cd; source: unknown microphone > unknown recorder > analog > dEdit > cdr) (another copy)
  • Denton 11/11/93 B/B+ (2 cd; source: Sony ECM-155 > Sony TCD-D7 > mp3 > cdr)
  • Pensacola 3/9/94 A (1 cd; source: Sonic Studios > Sony TCD-D3 > "The Jam Machine" boot > cdr)
  • Pensacola 3/9/94 A (2 cds; source: Sonic Studios > Sony TCD-D3 > dat > cdr > dEdit > cdr; couple of minor problems)
  • Melbourne 3/16/95 B- (2 cds; source: Sony PC-62 > Sony WM-D3 > analog (unknown gen) > dat > analog > cdr) Eric
  • Miami 3/28/94 A- (2 cds; source: Sonic Studios (DSM6P) > Denon DTR-80P (10th row, left) > cdr)
  • Atlanta 4/3/94 A+ (3 cds; source: pFM/dSBD > dat > dat-1 > shn > cdr; includes Ed's aftershow DJ set)
  • Atlanta 4/3/94 A+ (3 cds; source: pFM/dSBD > dat > dat-1 > shn > cdr; includes Ed's aftershow DJ set) (another copy)
  • Atlanta 4/3/94 A+ (3 cds; source: pFM/dSBD > dat > dat-1 > shn > cdr; includes Ed's aftershow DJ set) (yet another copy)
  • Atlanta 4/3/94 A+ (2 cds; source: Australian Sony promo > cdr)
  • Atlanta 4/3/94 A+ (2 cds; source: WBCN promo > cdr)
  • Atlanta 4/3/94 A+ (2 cds; source: KROQ promo > cdr)
  • Atlanta 4/3/94 A+ (2 cds; source: pFM/dSBD > dat > dat-1 > shn > dEdit (cuts patched with Sony Australian promo) > cdr)
  • Atlanta 4/3/94 A+ (2 cds; source: "Still Alive" liberated boot > cdr)
  • Atlanta 4/3/94 A+ (2 cds; source: pFM/dSBD > dat > dat-1 > shn > cdr (cuts filled in with Sony Australian promo)
  • Rochester 4/7/94 B- (2 cds; source: Sony PC-62 > Sony WM-D3 > analog? (think so) > cdr; some light hiss and some ticks)
  • Bridge School 10/1+2/94 B+ (1 cd)
  • Bridge School 10/1+2/94 B+/A- (1 cd; 10/1/94 source: Sonic Studios > Sony TCD-D7 > cdr; 10/2/94 source: soundboard > video (master) > dat > dEdit > dat > shn > cdr)
  • Boston 4/12/94 B+ (2 cds; source: unknown microphone > unknown recorder > cdr (last song is sourced from Sony ECM-144 > Sony TCD-D7); cut @ very beginning (on master) ) Eric
  • Sendai 2/18/95 B/B+ (2 cds; source: Sony TS-120 > unknown dat > dat > cdr; some split-second cuts on the second disc)
  • Melbourne 3/17/95 A (2 cds; source: "Rarified and Live" cd > cdr)
  • Red Rocks 6/20/95 B (2 cds; source: Sonic Studios > Sony TCD-D7 > cdr)
  • Sacramento 6/22/95 B+ (2 cds; source: Schoeps 120 MK5 > Rmod > Denon DTR-80P (FOB, back of pit) > dEdit > dEQ > cdr; some shifts) Eric
  • San Francisco 6/24/95 B+ (2 cds)
  • Milwaukee 7/8/95 B+ (2 cds; source: Core Sounds (16th row right) > Sony TCD-D7 > dEdit > dEQ > cdr)
  • Phoenix 9/13/95 B+ (2 cds; source: "Down the Road" boot; has glitches on the first disc, which are all on copies of this source)
  • Salt Lake City 11/2/95 A (2 cds; source: 2 source mix: ["Monkeywrench Radio" mono FM] + [Nakamichi 700 > Sony TCD-D7] > dat > cdr)
  • Salt Lake City 11/2/95 A-/A (2 cds; source: "Abandoned" cd > cdr)
  • San Diego 11/6/95 A- (2 cds; source: Neumann KM-184 > Sonosax pre-amp > Sony D10 ProII (on 20' micstand, next to SBD cage) > dat > cdr)
  • Seattle 9/16/96 A- (2 cds)
  • Seattle 9/16/96 A- (2 cds; source: "Dangerous Minds" boot (silver) > cdr)
  • Augusta 9/26/96 B (2 cds; source: Core Sound Binaurals? > dat > cdr; includes 10/2/94 SBD>VID(M)>DAT>dED>DAT>.SHN>CDR)
  • Buffalo 10/1/96 A- (2 cds; source: Schoeps MK4/CMC6 > Sonosax pre-amp > Sony TCD-D10 II (mics on 10' mic stand) > "Eddie Who?" boot > cdr)
  • Ft. Lauderdale 10/7/96 B+ (2 cds; source: Sonic Studios DSM-6P > Denon DTR-80P > dat > dEQ > cdr)
  • London 10/28/96 B+ (2 cdsl source: unknown microphone (Core Sound Binaurals?) > unknown dat > cdr)
  • Berlin 11/3/96 Pearl Jam Set A (2 cds; source: pre-FM Soundboard > Satellite > dat-M > dat > dEdit > cdr > cdr)
  • Berlin 11/3/96 DJ Aftershow/Interview A+ (2 cds; source: pre-FM SBD > promo cd> cdr)
  • Paris 11/7/96 B+ (2 cds; source: "French Class" boot > cdr)
  • Rome 11/12/96 B- (2 cds; source: Core Sounds > Sony TCD-D8 > dat > cdr )
  • Budapest 11/17/96 C- (2 cds; source: built-in condenser microphone > unknown Sony walkman (inside soundcage) > analog > mp3 > cdr)
  • Istanbul 11/19/96 C (2 cds; source: built-in condenser microphone > unknown Sony walkman (inside soundcage) > analog > mp3 > cdr) Eric
  • Barcelona 11/21/96 A- (2 cds; source: Countryman Isomax II > Sony TCD-D7 (~5' from left PA) > dat > cdr)
  • San Sebastian 11/22/96 B+ (2 cds; source: Marc Sounds > Sony TCD-D8 > dat > cdr)
  • Oakland 11/14/97 B 1 cd; source: unknown gen (master?) HIFI VHS (proshot, w/soundboard audio) > cdr) (another copy) Brian
  • Maui 2/20/98 B (2 cds; source: Schoeps CCM-4 > Aerco pre-amp > Sony SBM-1 > Sony TCD-D100 > cdr)
  • Maui 2/20/98 B (2 cds; source: Schoeps CCM-4 > Aerco pre-amp > Sony SBM-1 > Sony TCD-D100 > cdr) (another copy)
  • Maui 2/20/98 B (2 cds; source: Nakamichi 300 (shotguns) > unknown pre-amp > Sony TCD-D7 > digi-remaster > cdr)
  • Maui 2/21/98 B+ (2 cds; source: Sonic Studios (DSM6) > Sony TCD-D7(@32k) (in front of right PA) > dat > cdr)
  • Maui 2/21/98 B+ (2 cds; source: Sonic Studios (DSM6) > Sony TCD-D7(@32k) (in front of right PA) > dat > cdr > dEQ > cdr; included Mudhoney's set)
  • East Troy 6/26/98 A- (2 cds; source: AKG SE 300b's > Crown PH-1 > Sony PCM-M1 > cdr; nice sound but glitches @ beginning and frameloss)
  • East Troy 6/26/98 B+ (2 cds; source: Core Sound > Sony TCD-D7 (8th row, left of center) > cdr)
  • East Troy 6/26/98 B+ (2 cds; source: 2-source mix (first version): Shure SM-98 > Sony TCD-D7 (Sec.102, row F, seat 124) + Sonic Studios (DSM6L) > PA-6LC3 > Sony TCD-D8 > cdr)
  • Seattle 7/22/98 A+ (2 cds; source: dSBD > dat > cdr)
  • Cuyahoga Falls 8/26/98 A (2 cds; source: 2 source mix: Schoeps CMC6 + MK4 > Sonosax pre-amp > Sony SBM-1 > Sony TCD-D8 (first song Sonic Studios DSM13 > PA-6LC > Sony PCM-M1) + unknown source; Soundcheck (B-): Sonic Studios DSM13 > PA-6LC > Sony PCM-M1 > cdr)
  • Birmingham 9/3/98 B+ (2 cds; source: Sonic Studios DSM6 > Sony TCD-D100 (2nd row, far right) > dat > cdr; small glitch @ 2:02 of Release)
  • New York 9/11/98 B+/A- (2 cds; source: 2 source matrix mix: Schoeps MK5 (cardioid) > R-Mod > Sony SBM-1 > Sony PCM-M1 (right risers; "Indifference" cut) + Core Sound Cardoid > Sony TCD-D7 > cdr)
  • Washington 9/19/98 B+ (2 cds; source: Sonic Studios (DSM6) > Sony TCD-D100 (2nd row) > dEQ > dat > cdr)
  • Washington 9/19/98 A- (2 cds; source: Sonic Studios (DSM6) > Sony TCD-D100 (2nd row) > dat > cdr > dEQ > cdr ["Patriot" pre-show and first 1.2 songs are Countryman Isomax II > Sony PCM-M1 (Sec.F, row D) > dat > cdr > dEQ > cdr])
  • Seattle 10/22/01 A (1 cd; source: 2-source mix: unknown Schoeps mics > unknown preamp > Sony SBM-1 > Sony PCM-M1 > shn + Webcast (mono SBD) @ 300 kbps > cdr)
  • San Juan Capistrano 3/12/02 B+/A- (2 cds; source: Sanken COS-11sBP > Sony TCD-D100 > dEdit > shn > cdr; Neil Finn w/Ed on a few tracks)
  • Seattle 12/06/02 B+ (2 cds; source: unknown Schoeps > unknown preamp > unknown dat (master) > cdr)
  • Seattle 12/09/02 B+ (2 cds; source: unknown Schoeps > unknown preamp > unknown dat (master) > cdr)

  • Fan Club Singles '91-'99 A+ (1 cd; source: vinyl > cdr; one track has a very small problem during recording)

  • A Perfect Circle Atlanta 7/30/03 B+ (1 cd; source: AT933 (cards) > SP-SPSB-3 > M1 > dat (48k, 10' FOB, dead center) > M1 > Core Sound 7 pin > Delta Dio 2496 > CEP (+3.5db) > wav > shn > cdr)

  • Ben Harper Sydney 4/11/01 A+ (1 cd; source: mono soundboard > Real Audio webcast @ 225 kbps > Total Recorder > .wav > CD Wave > cdr; has Ed Ved on Indifference)

  • +Live+ The Academy: New York, NY 11/19/94 A (1 cd; source: soundboard > FM > "Supernatural" (KTS) liberated boot > shn > cdr)

  • Mad Season - Seattle 11/6/94 B- (1 cd; source: unknown audience > ? > cdr) (another copy) Eric
  • Mad Season - Seattle 4/29/95 B+ (1 cd; source: Sonic Studios (DSM6) > Sony TCD-D8 > cdr) Eric

  • Nirvana San Fran 12/31/91 + Soundgarden Bremerton 7/22/92 (1 cd; Nirvana source: Nakamich 300s > Sony WM-D6 > DAT > dEQ > CDR; SG source: SBD > Pro-Shot Vid > Bootleg CD > CD-R > CD-R) Note: this is SHN (fits on one cd)...you will have to convert it to listen to it

  • Pink Floyd - London 9/30/71 A (1 cd; source: SBD > BBC Broadcast(FM) > dat > cdr)
  • Pink Floyd - Los Angeles 10/22/72 (2 cds; source: "Staying Home to Watch the Rain" liberated boot > shn > cdr)

  • Queens of the Stone Age - Portland 10/8/02 A- (2 cds; source: MBHO 603A+KA500HNS (XY, 90 degrees) > Denecke PS-2 > Denecke AD-20 > Sony PCM-M1 > Tascam DA-20 MK II > .shn > cdr)

  • Radiohead - Boston 8/14/01 A+ (1 cd; source: DAUD/FOB Schoeps MK-4 (ORTF) > KC-5 Actives > Schoeps CMC6 > Sonosax SX-M2(+30db) > Sony SBM-1(Oade Mod.) > Sony TCD-D7(@44.1kHz) (on 7' micstand just right of the soundboard) > shn) Note: this is SHN (fits on one cd)...you will have to convert it to listen to it

  • Smashing Pumpkins 11/29/00 B+ (3 cds; source: SS DSM-6S > PA-6LC3B > M1 > cdr)

  • U2 - Chicago 4/27/87 A+ (2 cds; source: aud > "Rock's Hottest Ticket" boot > cdr)
  • U2 - Chicago 12/31/87 A (2 cds; source: FM > "New Year's Night in Dublin" boot > cdr; some tracks are not seamless)
  • U2 - Dublin 8/28/93 A (2 cds; source: soundboard > FM > "Dublin 1993" boot > cdr)
    Date Location Quality Source Info Discs Notes:
    07/13/91 The Marquee Room: New York, NY B+ Sonic Studios > Sony TCD-D3 > dat > cdr 1
    11/21/91 Blind Pig: Ann Arbor, MI B+ Sonic Studios > Sony WM-D6 > cdr 1
    02/07/92 Koolkat Klub: Stockholm, Sweden B+ Aiwa CM-30 > Sony WM-D6 > cdr 1 Complete!
    02/09/92 Pumpehuest: Copenhagen, Denmark A- Sony ECM 909 > Sony WM-D6 > dat > cdr 1 Complete! Brief cut @ end of "Why Go" (during crowd noise) when tape was flipped.
    04/04/92 Massey Concert Hall: Toronto, Ontario B- unknown microphones > unknown recorder > cdr 1
    05/05/92 Glenn Miller Ballroom: Boulder, CO B- unknown gen HIFI VHS > cdr 1 Only known source. There is a cut right after "Garden"...sounds like it might have been on master where maybe the tape was paused or flipped.
    05/12/92 Ventura Theater: Ventura, CA C+ unknown microphones > unknown recorder > cdr 1 "Wash" cut @ beginning (fades in).
    06/26/92 Roskilde Festival (Orange Stage): Copenhagen, Denmark B+ ECM-144 > DTR-80P > dat > dEQ > cdr 1 Volume level a little low, especially at beginning.
    08/07/92 Great Woods Center: Boston, MA B unknown microphone > unknown recorder > analog (1st gen) > dat > cdr 1
    09/08/92 Desert Sky Pavilion: Phoenix, AZ B+ unknown microphones > unknown recorder > cdr 1 "Sonic Reducer" has a very small glitch @ 0:52 (on all circulating copies...on master?), and "Why Go" has a level increase by taper.
    09/26/92 Andrew's Amphitheater: Honolulu, Hawaii A soundboard > ?-m > analog (1st gen) > dEQ > dat > cdr 1 Incomplete.
    09/04/93 B.C. Place Stadium: Vancouver, Canada B Sonic Studios > dat > cdr 1 A little echo, much crowd noise. A touch of electronic interference static in "Glorified G", and scattered in places thereafter.
    11/30/93 Aladdin Theater: Las Vegas, NV B Sonic Studios > Sony TCD-D7 > dat > cdr 2 There is a strange 1-second long "interference" noise @ 3:13 of "Deep" , and some cuts: inbetween "Blood" and "Alive", inbetween "Porch" and "Swallow My Pride", and inbetween "Ain't Nothing to Do" and "My Way" (not sure if any of these problems are on the master or not...but the cuts sound like they might be where the taper had to flip the tape and trying not to tape the encores).
    12/02/93 Lawlor Athletic Events Center: Reno, NV B (Core Sounds or Marc Sounds?) > Sony TCD-D3 > dat > cdr 2 This is a shifty recording (especially at the beginning), and there are occassional screams from a member in the crowd. Has a split-second skip @ 2:17 of "RVM", a 1-second long cut @ 2:11 of "Once", and a small tick @ 3:05 of "Porch" (supposedly from dat cloning).
    12/02/93 Lawlor Athletic Events Center: Reno, NV B Marcsounds?? (or CSB) -> Sony TCD-D3 / Generation: DAT-M -> DAT-2 48khz Transfer: DA-20 -> Monster coax -> DiO 2496 -> Soundforge 6.0 (resample to 44.1) -> CDWave -> FLAC frontend -> FLAC > cdr 2 Both encores abruptly cut on master. Left channel raised by approx. 4dB to balance channels. Dropout @ 3:44 on "Deep" and 0:52 on "Jeremy". Kind of shifty in places.
    12/09/93 Seattle Center Arena: Seattle, WA B+ Source 1: Sonic Studios > Sony TCD-D3 > dat > cdr > dEQ > cdr 2 1 second long gaps inbetween tracks, so looking for better copy. Glitches also @ 0:52 and 3:50 during "Rearviewmirror".
    12/09/93 Seattle Center Arena: Seattle, WA B/B+ Source 2: Sonic Studios > Sony TCD-D3 > dat > cdr 2 Nothing wrong with this source (no gaps or glitches), but remastered source (source 1) sounds better.
    06/16/95 Casper Events Center: Casper, WY A- Marc Sounds > Sony TCD-D7 > dat > cdr > dEdit > dEQ > cdr (the beginning and a portion of "Last Exit" were patched with "Long Road" boot) 2 dEdit by Glenn, dEdit & dEQ by Fred. Annoying screams from the crowd at times.
    06/19/95 Red Rocks Amphitheater: Morrison, CO Sonic Studios > Sony TCD-D7 > dat > cdr 2 Looking for the Marc Sounds source (which I think is supposed to be better).
    11/07/95 Sports Arena: San Diego, CA A Neumann M-140's > HHB Pro 1 > dEdit > dEQ > shn (30 sec. cut during "Better Man" patched w/ MWFM source) > cdr 2 Not perfect: there are some bumps @ 6:04 and 6:05 on "Corduroy", and there is a strange warping/shifting during "Better Man" during 1:27 through 1:54 where the patch was applied.
    10/24/96 Millstreet Arena: Cork, Ireland B Core Sound Binaurals > Sony TCD-D8 > cdr 2 Taper makes adjustments during first 2 songs.
    11/01/96 Torwar: Warsaw, Poland B+ Source 1: Core Sounds Binaurals > Sony TCD-D7 > dEQ > cdr 2 Crowd noise a little annoying, volume level problems (rises and falls occasionally). Definitely better than the Sonic Studios > Sony TCD-D3 source. Small glitches during "Immortality" and "Smile". Looking for better copy.
    11/01/96 Torwar: Warsaw, Poland C+ Source 2: Sonic Studios > Sony TCD-D3 > analog (unknown gen) > cdr 2 Really rough sound, obviously some analog generations in the lineage. "Even Flow" is also cut at the very beginning and at the end.
    11/12/97 The Catalyst: Santa Cruz, CA B+ Schoeps CCM-4 > Aerco pre-amp > Sony TCD-D100 (floor) > cdr 1
    03/02/98 Melbourne Park: Melbourne, Australia A Countryman Isomax > Sony TCD-D100 (recorded from left stacks) > cdr 2
    03/07/98 Thebarton Oval, Adelaide, Australia B- Source 1: Core Sound > Sony TCD-D7 > dat > cdr 2 Dropouts, skips, and has some analog-like hiss. Spectrum looks wrong (most likely analog gen).
    03/07/98 Thebarton Oval, Adelaide, Australia B- Source 2: Core Sound > Sony TCD-D7 > dat > cdr 2 No hiss or skips, but sound is more "flat" than 1st source (really a toss-up on which is better). Spectral view cuts at 16.0. Not sure if better source exists.
    05/07/98 ARO.space: Seattle, WA C+ Internal mic > Panasonic Walkman > analog > dat > dEQ > dat > cdr 1 First show with Matt Cameron.
    06/24/98 Rushmore Civic Center Arena: Rapid City, South Dakota B-/B Sony ECM-MS907 > Sony WM-D6 (master) > dat > cdr 2
    07/03/98 Sandstone Amp: Bonner Springs, KS B+ Schoeps CCM-4 > Aerco pre-amp > Sony SBM-1 > Sony TCD-D100 (16th row, right/center) > cdr 2 Some mild diginoise on master tape.
    07/05/98 Reunion Arena: Dallas, TX B/B+ Core Sound > Sony TCD-D8 (24th row, left) > cdr 2
    07/07/98 Tingley Coliseum: Albuquerque, NM B Sonic Studios DSM6 > PA-6LC > Sony WM-D6 > cdr 2
    07/11/98 Thomas & Mack Center: Las Vegas, NV B+ Sonic Studios (DSM6) > Sony TCD-D100 (center, just FOB) > cdr 2 Taper makes adjustments @ very beginning. Also includes 12/31/91 as filler.
    08/17/98 Deer Creek: Noblesville, IN B Marc Sounds > Sony TCD-D100 (7th row, center) > cdr 2
    08/23/98 Palace of Auburn Hills: Auburn Hills, MI B+ Neumann KM-140 > Aerco pre-amp > Casio DA-7 > cdr 2
    08/29/98 Blockbuster Entertainment Center: Camden, NJ B+/A- Schoeps MK4 > VMS 012B > Sony SBM-1 > Sony TCD-D100 (cut filled with Sonic Studios DSM6 > PA-6LC > Sony TCD-D100 (lawn) ) > cdr 2 Not sure if I still have this...this is the FGE version from a long time ago. There is a touch of diginoise @ 3:45 of "RitFW" (all circulating copies).
    09/03/98 Birmingham-Jefferson Coliseum: Birmingham, AL Sonic Studios(DSM6)>Sony TCD-D100>DAT>CDR>.WAV>dEQ>dEdit>SHN>CDR 2 FGE Edit
    09/03/98 Birmingham-Jefferson Coliseum: Birmingham, AL 2-source mix: [Neumann KM-184 > Aerco pre-amp > Sony TCD-D100 > DAT-M 48khz > .wav > dEdit]+ [Sonic Studios (DSM6) > Sony TCD-D100 > DAT1 48khz > .wav > dEdit] > FLAC > cdr 2 BLG Mix
    09/06/98 Thompson-Boling Arena: Knoxville, TN B+ Sonic Studios DSM6S > PA-6LC > Sony TCD-D100 (4th row) > dat > cdr 2
    Fan Club Singles 1991-1999 A vinyl > cdr 1



    Last Updated: February 14th, 2005