NIKOLO KOTZEV
By
Nicky Baldrian
Just released
worldwide by SPV is the stunning rock opera
"Nostradamus" put together by Brazen Abbot's Nikolo
Kotzev who for the first time has bought the historic life of the
influential French prophet Michael De Nostradamus to cd which
features the cast of Alannah Myles, Joe Lynn Turner, Sass Jordan,
Goran Edman, John Levin, Glenn Hughes, Jorn Lande, Doogie White
and a 35 piece orchestra I caught up with Nikolo tot talk about
this wonderful presentation and here's what went down.......
Nicky
: - This is your debut album as a solo artist, can you fill us in
about what happened between the release of "Bad
Religion" in 1998 and this new album? and is Brazen Abbot
still a going concern?
Nikolo : - My debut album as a solo artist was "Live and
Learn " - the first Brazen Abbot album. All the following BA
albums have been my solo albums. On the contrary , I wouldn't
call "Nostradamus" a solo album , because it doesn't
only have to do with my skills as a player and the whole concept
leads the project into a different perspective. After releasing
"Bad Religion" I almost immediately started working on
"Nostradamus", even though at that time it was only an
idea in my head. I will actually soon start writing songs for the
next Brazen Abbot album. BA is very much alive and it will be an
ongoing concern for me - it's just that I obviously didn't have
the time for releasing a new album while I was working on
"Nostradamus".
Nicky : - I
believe that you originally released "Nostradamus"
independently, what made you choose to go with SPV?
Nikolo : - I never released "Nostradamus"
independently. The company which financed the Nostradamus
recording went bankrupt , but at that time I had almost completed
the recordings. I continued working with the director of the
company , who became my manager. At that time I had a ready
product , but no record company. Obviously , I had to find the
way to release "Nostradamus" properly , so I waited for
the right solution and SPV seemed to be it. There was a
possibility to release it myself , but obviously such a release
would limit my perimeter of action.
Nicky : - How
long did it actually take to record "Nostadamus"? It
must have been a nightmare trying to round up all the artists?
Nikolo : - The actual recording time was not long at all - if I
summed up all the recording sessions , the time frame would
escalate to only about 15 weeks. Negotiating , scheduling and
financing was what took time.
I had to approach the artists or managers , agree on the time
frames of recordings and all that - obviously it took time....
Nicky : - You
produced the album yourself are you pleased with how the CD
turned out?
Nikolo : - I am very critical towards myself - I wouldn't have
released Nostradamus if I wasn't happy with it.
It wasn't easy , though - having no one to share opinion with is
tough , as I had to make sure I am making the right decisions at
all times. On the other hand , the unusual format and concept
demanded a completely different approach than anything else I'd
ever worked on before.
Nicky : - I
heard somewhere along the line that you can be extremley
difficult to work with, is this true?
Nikolo : - That is really surprising for me. I've always paid an
utmost respect for everyone I'd worked with.
All the artists involved in my projects are perfect professionals
and I have never had any arguments with them. The atmosphere in
the studio has always been very friendly and creative , so I have
no idea where you've heard that.
Nicky : - Can
you take us through the album and tell us about the songs on it
and how you pieced it together?
Nikolo : - Once the idea about "Nostradamus" was born ,
I decided to collect as much information on Nostradamus as
possible. This took me a couple of months of Internet research ,
reading few books and
watching a few films. There are thousands of Nostradamus sites
out there , so collecting the correct information was not easy.
The next task was building the foundation of the whole piece. I
had many important factors to consider - who'll sing , in what
tempo , in what key , with orchestra or not etc. etc. I was very
careful in placing the singers throughout the entire work , since
I wanted their appearances to be very well balanced to each
others - both timewise and storywise.
Since Nostradamus was written for to be performed live , I had to
make sure it is playable live. I made sure the orchestra had time
to change their sheets , the band to prepare with new
sounds/instruments , the singers have time to rest between songs
etc. etc . I spent about two months on scoring everything for the
orchestra. Some changes had to be made as the project began
taking shape , I wrote a couple of additional numbers , had to
change the storyline a little, etc .etc.
Nicky : - What
does the story of "Nostradamus" mean to you?
Nikolo : - It carries a message to humanity - Nostradamus spent
his life helping people , but in many occasions
the people turned against him due to ignorance and under the
influence of the church. Despite all this, Nostradamus never
failed to follow the most important mission in his life - helping
the ones in need. He was misunderstood by the most , which only
proves the well known fact , that humanity is self-destructive by
nature. Ironically , five centuries after his death he is
recognized for his incredible talents and devotion.
Nicky : - It
was an unusual choice to see the involvement of Alannah Myles and
Sass Jordan and I have to say the song 'Try To Live Again' is one
of the best songs I have ever heard Alannah sing. How did they
get invovled in the project and do you think that you will work
with Alannah again on a full rock release?
Nikolo : - I needed two female singers for the story and Alannah
has always fascinated me as one of the best female singers I ever
heard. Obviously , I approached her through her manager and she
agreed to participate. She is an incredible singer - I was
stunned in the studio ! Alannah recommended Sass Jordan for the
role of Catherine de Medici , so I went to Canada and recorded
Sass , which also turned out to be a very pleasant session. I
don't know if I'll be doing anything with Alannah in the future ,
but I surely hope so. I have always been open for possibilities
to work with other people , not necessarily only on my own
projects.
Nicky : - What
was it like working with the a 35 piece symphonic orchestra? Was
this a dream fulfilled and do you have any future projects
involving an orchestra?
Nikolo : - I spent many school years working in a symphonic
orchestra - in fact I have been the first violin in
the school orchestra. So , the atmosphere was nothing new to me.
However , recording an orchestra properly was a whole different
story. Already from the beginning there was no doubt that I will
use a real orchestra , so I had to plan the recording as good as
possible. We spent a week on the recording and it was one HARD
week ,since we had to make sure the technical side of things was
working properly as well as rehearsing at the same time as we
recorded. I hired a huge art gallery in Varna , locked it for
visitors and we worked 12 -14 hours a day. I hope I will have the
chance to make another orchestra project in the future , so ,
we'll see.
Nicky : - What is
the concept behind BRAZEN ABBOT the band and what influences the
band while writing the music?
Nikolo : - would like to underline once again , that Brazen Abbot
is not a band - it is my solo effort. I have
always written the music , hired the performers and produced
every single note . My influences have always been bands like
Deep Purple , Rainbow , Whitesnake , Queen , Pink Floyd. The main
idea is to produce a high quality hard rock music , disregarding
the contemporary trends on the market for rock music . I have
always hoped for creating an own trademark . I always use at
least three different singers , but try to keep a close circle of
people I work with. The concept gives me the advantage of writing
music the way I like it , without been affected by
record companies or current trends.
Nicky : - What
feelings do you wish to express through your music?
Nikolo : - I am a romantic person by nature and always try to
recreate the feelings I had when listening to the aforementioned
bands. Rock music played an important role in my teenage period
and will never forget that.
Nicky : - What are the most important aspects of each individual
member, what are the qualities you looked for which made them
unique for this project?
Nikolo : - When
casting for "Nostradamus" I had to make sure that the
individual profile of the singers will moreor less fit to their
roles. On the other hand I had to make sure all the singers had
the necessary range for singing their parts. All the chosen
singers are incredibly well suited to their roles and I expected
their personal artistic input to enrich the entire level of
performance / emotion . I am extremely satisfied with the choice
of singers - it all worked out exceptionally well. I knew most of
the singers prior to recording and knew what to expect on the
emotional side of things, so it was just to carry on...
Nicky : - Can
you tell us some more about your lyrical approach on
"Nostrdamus"?
Nikolo : - The lyrics were written by the singers under my
guidance. Everyone who wrote lyrics received
a detailed instruction from me , so they knew what the song is
about , what events are taking place , what has happened and what
will happen after the song. I gave some tips for certain phrases
and expressions , which were characteristic for the 15th century
and made sure it all fitted together. I was afraid , that having
few people write lyrics might result in stylistic problems , but
later on I realized that everything was going well , so that
concern dropped out. The lyrics are rich in quotes and genuine
facts/expressions . Five of the songs deal with Nostradamus'
predictions , so we had to make sure everything is historically
correct and well put . The difficulties in these particular songs
came from their nature - they tell a story , but still had to be
emotional and dramatic. Göran Edman and Doogie White did an
excellent job there. Obviously Joe Lynn Turner and Glenn Hughes
did an admirable job too - it has all been collective effort at
it's best.
Nicky : - I've
heard that there has been film and theatre interest in this. Is
this correct? Have you had any offers?
Nikolo : - The primary goal for "Nostradamus" is
playing it live on stage. I had an offer from an American
production company , which wanted to buy the rights for
"Nostradamus" world-wide and a film / live production
would come as a result of an eventual agreement. We negotiated
for a few months and had agreed on the most important points of
the deal. However , it was taking too long time I the mutual
feeling was , that we should carry on in different directions. I
believe there is a huge potential in "Nostradamus" as a
live show and once the record has been released I will start
approaching different parties interested in financing it.
Nicky : -
Obviously your inspired by literature, but I was wondering what
forms of art beside music inspires you most and are there any
other works of literature that you would like to put music to?
Nikolo : - I love movies - it is my best way to relax an find
inspiration. Good taste is the main
inspirational force for me - regardless of the art form that
carries it. Inspiration comes sometimes
from the most unexpected sources - it is hard to predict.
Nicky : - How
do you see the evolution of the metal world? There are currently
epic / speed metal bands around every corner. Don't you think
that the market becomes saturated and that it is difficult for
the fans to make a choice to what to buy and what not?
Nikolo : - I have always been a firm believer , that people who
are hungry for real art always find it. It is true , that there
is too much product on the market ( some of it is even
substandard ) , but then again - we all have the right to be
creative. Some of us are less successful , some more. After all ,
the creator can't judge the value of his own work - he can only
suggest it to the public. It is the public that decides how much
it is worth.
Nicky : - As
far as I know you never toured with Brazen Abbot. If and when the
band get back together will there be any shows for either Brazen
Abbot or even a one off London Westend show for
"Nostradamus" perhaps?
Nikolo : - I would love to take BA or "Nostradamus" on
the road. While the thought seems easily achievable with BA ,
"Nostradamus" will demand a far larger budget , so it
won't be equally easy. However , I would love to tour either of
the projects , so only the future will show.
Nicky : -The
artwork is dark and mysterious with a gloomy frail looking
picture of "Nostradamus", did you give the artist a
free hand or did you have an idea how you wanted the artwork to
look like?
Nikolo : - I gave a direction and he put it on paper. We adjusted
it few times and finally got it right.
Nicky : - How
do you predict the future of for yourself musically as this will
be a tough album to follow?
Nikolo : - Well , I will start writing for the next Brazen Abbot
album soon and it will be in the old BA tradition - so
it is not directly comparable to "Nostradamus" , I
guess. "Nostradamus" will not affect the future of BA ,
simply because they are different projects and there is no reason
to put a parallel between them.
Nicky : -
Finally if you would like to add something then please go ahead?
Nikolo : - I hope everyone out there will realize how much effort
and devotion went into the making of "Nostradamus". I
also hope the public will like it as much as I do and let's all
hope we will see it on stage in the near future !!!
Yes, the amount of
work that went into the album deserves an award of achievement. I
predict that sometime soon we will see this massive production on
stage, Nikolo has achieved a mighty project which is hard to
describe in words, "Nostaradamus" is an adventurous
project and is Nikolo's most mature and varied work to date,
Please go and buy this album and make your own mind up on this
wonderful project that will know doubt be recogonised by music
lovers for years to come. www.nostramusic.com