Here at last
was a Crimson that appeared stable enough in its personal and musical relationships
to maintain some longevity. Unfortunately, after injuring himself onstage
in a previous concert, Jamie Muir suddenly left on February 17, reputedly
to join a monastery. The remaining quartet embarked upon a successful European
and American tour that spring. In August the band began rehearsing songs
to be included on their
upcoming "Starless
and Bible Black" album. "The Great Deceiver", a bitter attack on the commercialization
of the Vatican, and "Lament", a satire of the music business and rock music
managers in particular, were both
throwbacks to the
"21st Century Schizoid Man" brand of near-metal hard rock, whereas "Fracture",
despite its climactic ending, contained
moments of calm
and a guitar-solo midsection that continues to impress guitar students
to this day. The album, eventually released early the following year, included
many compositions recorded in Great Britain and Europe at live shows. This
came as a complete shock to listeners of the album; all crowd noise (if
any) had been edited out, and the tightness of the band was more indicative
of a studio performance. Gone were the days of the "Earthbound"-era live
shows. This was a perfectionists' band.
Musicians:
David Cross: Violin,
Viola and Mellotron
Robert Fripp: Guitar
and Mellotron
John Wetton: Bass
and Vocals
Bill Bruford: Drums
Copyright
1974 by EG Records 