TAROCCHI 2000 TAROT
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INTRODUCTION TO THE EXHIBITION BY

Maria F. Popia

published at Tarot 2000 Tarot exhibition catalog to
Palazzo Beato Jacopo - Varazze (SV)- Italy - 2001
ENGLISH TEXT
TAROT ORIGINS TAROT DEVELOPMENT
What moves the unrestrainedly exploring, of a rose whose petals are as disclosed, deep and jointed as the rooms of a labyrinth? A never finished labyrinth, as well as the search for a sense or a definite motivation for exist is never finished. Analogously the fan of the possibilities, of the attempts, of the hopes, of the solutions which are untold but apprehended by intuition is disclosed. From the depths of the abysses to the tops of the mountains, from scientific rationality to the irrationality of mystery, magic, divination, which found, paradoxically many of their firmest knowledge on the rigor of numbers. Therefore, we should not get surprised by the pertinence of the conclusive choice of the computer means as a capable, exhaustive, irreplaceable element of diffusion of a fortunate series of pictorial exposures self-fecundating and self-regenerating like contact, like exchange, like acquaintance. Like vital impulse. The undeniable commensurability between the digital mean and the magic thought is founded on on their common energetic nature. An energy that, in the case of the search of this group of artists in growth, must not be read as a definitive synthesis, but as a hypothesis, a question, an attempt. A hard attempt of going up to the prim genial sources of the question on being, developed through the pretext of the archetypical image of the tarots, symptomatic of a search, which is never extinguished in man, because it is intrinsic to him. In this way, the major arcane and their fanciful and anxious entourage of images become motive of a search through the untold and the undenied, anthropological fragments of an ancient desire of being and of existing. We know ourselves, because we know a part of our imaginary, the present one as the past one. An undeniably ancestral past. From this viewpoint, I think we should look at the varied range of images relative to the astral symbols, to virtues and vices, to Eros and Death, to mention just some. However, don't think to have exhausted, by this, the personal motivation of the single artists, whose voice is to be caught on, in each work, through serene celestial fields of starry backgrounds on which, every now and then, mordant anxious forms of symbols floating in the air, stand out. All secretly suspended between play and rigor, between faith and irony.
POPIA F. MARIA
Maria F. Popia
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