I USED TO BE
ITALIAN!
Italian Hi-Jinks with a simple script, a love theme, and recommendations for camera directions. There are rapid scene changes with simple staging. Also, please consider that there is plenty of room for product placement.
dedicated to Ric Eyrich
any questions call: 213-926-8940
(R)
MOVIE MAYHEM
WGA Registration Number 894025
by Thomas Joseph DiSalvio
(R) (C) 2002-6 Thomas Joseph DiSalvio
tomdme@gmail.com
ALL RIGHTS RESERVED
Tagline:
“The Godfather” hits his funny bone.
Log:
Action-comedy: While JOEY pursues
actress MARY X ARTWELL, UNCLE ROCCO battles the DRAGON LADY; and, while AUNT
REGGIE and UNCLE LEO try to rebuild their shattered lives, the cinematic epic
of the only Italian war hero
may never be completed.
(the trailer for Movie Mayhem)
Let’s Do It
JOEY explains the plot of the movie,
but is invariably interrupted
by scenes from his past, events from the movie, and his very own passion for “xxx”
star MARY X ARTWELL. AUNT REGGIE is in
a constant state of frustration due to JOEY’S inaptitude, her lack of money,
her investor problems and her attitude of
being generally pissed-off.
GIT-FIDDLE GUS provides the musical ambiance. New songs are introduced including ”Gli anni passeggiano...” (Years stroll by...), the love theme.
I USED TO BE ITALIAN!
Let’s Do It
(the trailer for Movie Mayhem)
by Thomas Joseph DiSalvio
(R) (C) 2002-6 Thomas Joseph DiSalvio
tomdme@gmail.com
ALL RIGHTS RESERVED
INT. AUNT REGGIE’S STUDIO - NIGHT
FADE IN:
The
camera views a poor man’s excuse for a studio with papers, boxes and lights
haphazardly thrown about.
With
electric guitar in hand, GIT-FIDDLE GUS, a washed-up 60’s rocker, enters the
studio and places his 50’s drum machine on his amp and sings his name twice.
GIT-FIDDLE GUS SINGS & PLAYS
“ANOTHER OPENING, LIKE SHOW BUSINESS”
The
cast sets up the lights, amps, curtains, etc. as they intermix songs.
GROUP
ONE, consists of TALENT SCOUT, BILLY-O, CPT. SALVADORE FORTUNATO, ANTOINETTE
FORTUNATO, with SAVED CHILD, DOCTOR, OLD EDITOR, nine year old ROGER THE NINTH
(the famous Movie Critic for the New York Post) and YOUNG JOEY (in black face).
They stay up stage and clean and adjust the area, with extras including CAROL
(Uncle Leo’s fiancé) a VOLGARIAN, 2 CHOLOS, 4 NINJAS, and Joey’s mother and
father LORETTA & RONNIE; and...
GROUP
TWO consists of AUNT REGGIE, MARY, BILL, JOEY, UNCLE LEO, THE DON (with his cat
ARCHIMEDES), also an unwitting and unwilling NURSE GINO, (who works in a
monastery and is the object of Aunt Reggie’s affection). They march back and forth down stage.
All
this happens while UNCLE ROCCO fights his ever ongoing war with NICK, CHICO and
THE DRAGON LADY in silent slow motion as they mutually stalk one another around
the stage.
GROUP
ONE
(loud)
Another opening, Another show...
GROUP
TWO
(louder)
There’s no business like
show business,
Like no business I know.
GROUP
ONE
(refrain
like a train)
Another opening... Another opening...
Another opening...
GROUP
TWO
Everywhere you go,
Show business leaves you out in the cold.
GROUP
ONE
(refrain
like a train)
It’s
another show
GROUP
TWO
You wouldn’t trade if for a pot of gold.
GROUP
ONE & GROUP TWO
LET’S GO------, ON-----, WITH------, THE------,
SHOW------,
(pause)
YEAH !
UNCLE
ROCCO
IT’S SHOW TIME !
AUNT
REGGIE, a forty-ish, black producer / director of art films, thereupon enters
in her usual aggravated state and taps
her baton on the music stand.
AUNT
REGGIE
(shaking
head)
Ok children, let’s get started?
JOEY,
a 9 year old screenwriter, enters
stage right, unobtrusively.
AUNT
REGGIE (CONT’D)
Action
GIT-FIDDLE GUS INSTRUMENTAL
JOEY
(on
stage with stand up mike)
Buon Giorno, mi amici,
this
is the COMING ATTRACTIONS about
how
I met the love of my life, Mary,
and
the time Aunt Reggie, the producer,
almost
got murdered by her investors.
(pause)
This
all took place when my somewhat
dysfunctional
family made a movie about
the
only Italian war hero they ever heard of.
(pause)
It
all probably started way back in time
when
my Aunt Reggie had me do
“SHOWBOAT”
in black face-
GIT-FIDDLE GUS’ MUSIC FADES OUT
DISSOLVE:
Spotlight
YOUNG JOEY
YOUNG
JOEY
(in
a high pitch voice)
Old man river,
T’at ole man river
He don’t say noth’in...
DISSOLVE:
JOEY
And
that’s when Mel Brooks threw Aunt
Reggie
outta da FUTURE PRODUCER’S GUILD.
MEL
BROOKS (V.O.)
YOU FOOL: YOU’LL NEVER
WORK IN HOBOKEN AGAIN!
GIT-FIDDLE GUS PLAYS, “BOEING”
JOEY
is startled to hear MEL BROOKS’ voice and does a double take.
GIT-FIDDLE GUS PLAYS, “BOEING”
JOEY
Aunt
Reggie then moved to California
to
make art films.
(pause)
A
few years back my ‘utta uncle, Uncle
Rocco
took me to visit Aunt Reggie and as we
entered
the foyer’, ninjas, knives and guns
came
outta the woodwork.
JOEY,
while in a pensive stance, lifts his eyes up.
GIT-FIDDLE GUS PLAYS EXCITING MUSIC
Spotlight
following action. UNCLE ROCCO is
furiously fighting with his nemesis ninja, THE DRAGON LADY.
GIT-FIDDLE GUS PLAYS RIFT
THE
DRAGON LADY drops her sword and exits.
A VOLGARIAN enters with a kitchen knife and thrown it at ROCCO. It misses him and the VOLGARIAN hurriedly
and wisely exits the scene. Then a
CHOLO enters . He points his gun
somewhere near ROCCO, but it misfires.
He throws it down and skid addles.
GIT-FIDDLE GUS STOPS MUSIC. STARTS AGAIN SOFTLY
JOEY
That
was The Dragon Lady, a Volgarian
&
a Cholo. You see Uncle Rocco cut them
to
the quick SO BAD that they had to leave.
(wipes his brow)
Whew,
well, me on the other hand,
I
found a safe place next to Aunt
Reggie’s
studio and...
(lifting
his hand up with
a
slight shake)
WHAT
I SAW WOULD BLOW YA’ MIND.
AUNT
REGGIE motions to JOEY to continue the story by pointing at JOEY and moving his
index finger like a tape reel in a camera.
JOEY
(CONT’D)
I’ll,
uh... Get back to that latter...
(pause)
After
we had the mix-up at Aunt Reggie’s,
All
the family got together and decided
to
make a movie about this distant cousin
and
his wife who died in the tsunami.
GIT-FIDDLE GUS PLAYS “GLI ANNI PASSEGGIANO”
JOEY
(CONT’D)
They
were real heroes.
(pause)
He
was a combat leader...
When
tragedy struck he was the
first
one on the scene.
(pause)
For
example: When the other solders
bugged-out,
pel mel, he stayed and fought
the
enemy and saved at least twenty guys.
JOEY
(CONT’D)
(pause)
Others talked the talk, but he
walked
the
walk. He rates so well that he is
alive
in my memory today.
GIT-FIDDLE GUS PLAYS BOMB & EXCITING
MUSIC
DISSOLVE:
Spotlight
bomb blast at hotel. Hotel burning
GIT-FIDDLE
GUS (V.O.)
(slowly)
Gli anni passeggiano...
Ancora
dall'io gridano...
(shocked
that he spoke Italian,
then
sings slower and softer)
Years stroll by...
Still I cry...
CPT.
SALVADORE FORTUNATO picks up a survivor of the bomb blasted hotel. He has blood all over his body. He gives the medics the wounded soldier,
looks at his bloody uniform, pulls out a picture of ANTOINETTE as we hear BILL sing “the blues”.
BILL
(V.O. english) GIT-FIDDLE GUS (V.O. italian)
I have a cold shrill feeling
deep down inside.
Sometimes the world comes
crashing down
all
around,
And darkness is everywhere…
Please turn on a light.
<beat>
Gli
anni passeggiano...
Ancora
dall'io gridano.
Years stroll by...
Still I cry.
GIT-FIDDLE GUS PLAYS & EMOTIONAL BLUES MUSIC AND
FADES-OUT DISSOLVE:
JOEY
once again relates his story.
JOEY
And
she was a fire woman who saved
the
lives of at least two babies...
GIT-FIDDLE GUS PLAYS BURNING
BUILDING BLUES MUSIC
DISSOLVE:
Spotlight
a fire in the background. Fire woman
ANTOINETTE FORTUNATO is on the scene.
While the fire rages in a row house ANTOINETTE carries a SAVED BABY away
from the fire as MARY sings. ANTOINETTE
brings the SAVED BABY to DOCTOR who motions the OK sign.
GIT-FIDDLE GUS PLAYS “GLI ANNI
PASSEGGIANO”
ANTOINETTE
acts as MARY sings to the SAVED BABY.
MARY
(V.O. italian) and GIT-FIDDLE GUS (V.O. english)
Ho una sensibilità
blu e blu...
I have a blue, blue feeling...
Ho
più profondo la sensibilità blu a voi.
I have the deepest blue feeling for you.
Spero
che lo amiate quanto quanto...
I hope you love me as much as…
L'oh
bene, sapete che che cosa significo?
Oh well, you know what I mean?
GIT-FIDDLE GUS FADES-OUT, THEN
PLAYS THE “BLUES” QUIETLY
DISSOLVE:
AUNT
REGGIE is trying to get JOEY to wind up his speech -- but to no avail, as JOEY
again continues his story.
JOEY
Anyhow,
getting back to the story that
will
blow your mind:
AUNT
REGGIE hits her head with his hand.
JOEY
(CONT’D)
I
see this most beautiful babe I ever
seen. And she’s trying to make this
art
film with Aunt Reggie.
As
the camera pulls back from a mesmerized JOEY to a wide shot, it picks up MARY’S
naked back, as she is wrapped in a towel, as she faces shirtless BILL. The camera also picks up AUNT REGGIE and
GIT-FIDDLE GUS.
GUS
plays “LET’S DO IT, LET’S FALL IN LOVE”, and AUNT REGGIE, MARY and BILL
pantomime their art scene rehearsal.
GIT-FIDDLE GUS PLAYS “LET’S DO IT”
LIVELY
GIT-FIDDLE
GUS (V.O.)
(directed
to Joey & Mary)
Birds do it, bees do it;
Even educated flees do it --
Let's do it,
Let's fall in love -- Anyone here speak English?
(more
emphatic)
In Spain the best upper
sets do it;
Lithuanians and Letts do it -- Sprechen Sie Deutsches?
Lassen Sie uns es tun,
Lassen Sie uns verlieben.
(more
romantic)
The Dutch in old Amsterdam do it,
Not to mention the Finns --
Folks in Siam
do it,
Think of Siamese twins.
GIT-FIDDLE
GUS (V.O.) (CONT’D)
Some Argentines, without means do it,
People say in Boston even beans do it --
Faisons-le,
Soyons amoureux -- Parlez-vous francais?
(whispering)
Let’s do it, let’s do it,
Ah, ah -- oh, yeah.
GIT-FIDDLE GUS CONTINUES TO PLAYS
MUSIC
BILL
(with
hands up)
Wait,
GIT-FIDDLE GUS STOPS MUSIC ABRUPTLY
BILL
(CONT’D)
I
can’t do this.
AUNT
REGGIE
What’s
the problem?
BILL
I’m
gay... I think.
GIT-FIDDLE GUS PLAYS “LONG GRAY MARE
VARIATION” EXCITINGLY
AUNT
REGGIE
I
don’t care. Your an actor, so...
(hand
circular motions)
So...
act, Bill, act!
BILL
(surges
shoulders)
Well...
uh... ok.
BILL
puts on a his best silly Stan Laurel smile
as if to say, “I think I agree”.
GIT-FIDDLE GUS PROVIDES MUSICAL
RIFT.
MARY
(waves
hand)
Me
too-oo.
GIT-FIDDLE GUS STOPS THE MUSIC
ABRUPTLY
AUNT
REGGIE
(hands
extended)
Wats’a
matter now?
MARY
I
just can’t do this.
GIT-FIDDLE GUS PLAYS MUSIC AGAIN
AUNT
REGGIE is fully taken aback.
MARY
(CONT’D)
I’ve
never done this before.
AUNT
REGGIE
(finger
pointed at Mary)
Mary
X Artwell, that’s the second
biggest
lie I’ve ever heard.
GIT-FIDDLE GUS PLAYS EXCITING
MUSIC
AUNT
REGGIE (CONT’D)
(hands raised shaking)
Just...
just... just pretend.
MARY
(lifts
shoulders)
Auntie
Reggie I’m too embarrassed.
BILL
If
I am gay, it really doesn't matter.
Does
it?
MARY
wipes her brow in relief.
AUNT
REGGIE
(shakes
head sideways)
Maybe
you just haven’t found the right
girl?
AUNT
REGGIE realizes she has said too much and is embarrassed, and places her hand
to her face, quite dramatically .
GIT-FIDDLE GUS PLAYS STOPS MUSIC
WITH A “BOEING”
MARY
is insulted and starts to cry.
GIT-FIDDLE GUS PLAYS SAD
MUSIC, THEN CONTINUES SLOWLY
BILL
gives MARY the once-over look. Mary
looks down at BILL’S midsection and smiles.
BILL
Maybe
your right. Maybe I do like
girls
after all... I do, I do , I do... I do
<beat>
MARY
is ecstatic. She wiggles her hips.
GIT-FIDDLE GUS PLAYS HAPPY MUSIC
JOEY
I
see Mary wiggle her hips to say
hello.
MARY
looks at JOEY who is off to the left side.
She smiles at him.
JOEY
(CONT’D)
And
she gives her beautiful
dairy’-airy’ a little shake and...
MARY
shakes her derrière-aire.
JOEY
(CONT’D)
My
goodness, I think I passed out.
(faints
passing-out)
I
understood why God had all that
begetting
in The Bible, and... and...
I
couldn’t wait for my turn to start
begett’en.
<beat>
GIT-FIDDLE GUS PLAYS STOPS MUSIC
WITH A “BOEING”
JOEY
(CONT’D)
CHE BELLA ! - I HAD JUST DIS-
COVERED
THE MEANING OF LIFE.
GIT-FIDDLE GUS PLAYS “GLI ANNI
PASSEGGIANO”
Change
camera angle to center MARY and JOEY as they gaze in each other’s eyes. Then C.U. MARY and JOEY as they sing with
GIT-FIDDLE GUS.
GIT-FIDDLE
GUS (V.O.), MARY & JOEY
Gli
anni passeggiano...
All the love in this world is all the love in my
heart
for you.
The kisses of the night, I give to you, my dear.
Now that I have you, I am
complete.
I have a star for you.
<beat>
Gli
anni passeggiano...
Ed ancora mi desiderare ardentemente per voi.
Years stroll by...
And still I ardently yearn for you.
GIT-FIDDLE GUS PLAYS “GLI ANNI
PASSEGGIANO” INSTRUMENTAL
View
JOEY with AUNT REGGIE’s face off to the side.
JOEY
(CONT’D)
So
you see, I had to make that babe
mine. That’s when I decided to be a
real
sophisticate. I said to myself, “Self
from now on: I am not the me I used to
be,
I’m not the man I used to be, I used
to
be... I used to be... I know, I’ll tell
her: “I USED TO BE ITALIAN!”
GIT-FIDDLE GUS PLAYS EXCITING
RIFT FROM “GLI ANNI PASSEGGIANO”
AUNT
REGGIE
(hand
covering left
part
of head and eye)
Do
you think anyone will want to see
our
movie?
JOEY
(hand
extended)
Yeah,
because... because it is a love
story
about me and Mary... and how
we
made a real movie in spite of the
fact
that she is the only “X” rated
movie
star who NEVER took her
clothes
off.
AUNT
REGGIE
Say
wha...?
JOEY
THIS
IS AN ACTION-MUSICAL-COMEDY about:
UNO-
The
time I pursued actress Mary X Artwell.
DUE-
JOEY
(CONT’D)
Uncle
Rocco battled the Dragon Lady.
E
TRE-
And
while you, my dear AUNT REGGIE,
try
to rebuild your shattered life,
the
cinematic epic of the ONLY Italian
war
hero may never be made.
AUNT
REGGIE
Can
you say that in ten words or less?
JOEY
(hand
extended)
Yeah,
THE GODFATHER HITS HIS
FUNNY
BONE...
(pause)
AS
THE LONDON PHILHARMONIC
PLAYS
THE LOVE THEME.
How
‘bout tat?
GIT-FIDDLE
GUS angrily makes his way to center stage.
GIT-FIDDLE
GUS
London
Phil, my ass!
GIT-FIDDLE GUS PLAYS LOUD RIFT
GIT-FIDDLE
GUS (CONT’D)
(head
upward, hand
adjusting
right side of hair)
I’m
ready now, for my money, Ms. Demille.
<beat>
AUNT
REGGIE shakes her head, then AUNT REGGIE begrudgingly gives him two subway
tokens. She pinches his cheek.
AUNT
REGGIE
FA
BENE.
Enter
TALENT SCOUT with a contract and pen in
hand. He grabs GIT-FIDDLE GUS by the
arm. They saunter toward their exit as
GIT-FIDDLE GUS waves good-by to AUNT REGGIE.
GIT-FIDDLE
GUS
HOARY FOR HOLLYWOOD,
Ra-
te- ta- te- ta-, Bolly Wood
Musical
interlude...
AUNT REGGIE
Get
back in your cubby, the
gig’s
not over.
GIT-FIDDLE
GUS goes back to his instruments and TALENT SCOUT exit brokenhearted.
AUNT
REGGIE and JOEY are startled.
<CLOSE
and OPEN CURTAIN>
Reprise
- farewells and bows of cast members as thhey sing, “Let’s do it” (english) as
the actor’s credits role.
ALL
Birds do it, bees do it;
Even educated flees do it --
Let's do it,
Let's fall in love.
In Spain the best upper
sets do it;
Lithuanians and Letts do it --
Let’s do it,
Let’s fall in love.
The Dutch in old Amsterdam do it,
Not to mention the Finns --
Folks in Siam
do it,
Think of Siamese twins.
Some Argentines, without means do it,
People say in Boston even beans do it --
Let’s do it,
Let’s fall in love.
ROGER
THE NINTH is the last actor on stage.
CAPTION: Roger the Ninth
Movie
Critic for THE NEW YORK POST
ROGER
THE NINTH
Thanks
to Mary’s happy ending, I
gave
the Italian Opera a bottoms-up.
(pause)
Coming
Soon is how these buffoons
did
it. And it’s sure to be a:
”MOVIE
MAYHEM!”
Enter
BILL-O to center stage bringing ROGER THE NINTH a gigantic plate of pasta.
BILLY-O
If you truly want to
know,
It
all began three years ago...
Role
production credits as the cast sings, “Another Opening, Like Show Business”
The
cast takes down the lights, amps, curtains, etc. as they intermix songs.
GROUP
ONE, consists of TALENT SCOUT, GIT-FIDDLE GUS, BILLY-O, CPT. SALVADORE FORTUNATO,
ANTOINETTE FORTUNATO, with SAVED CHILD, OLD EDITOR, NICK, CHICO, with extras
CAROL, LORETTA, and RONNIE, A VOLGARIAN, 2 CHOLOS, 4 NINJAS; and...
GROUP
TWO consists of AUNT REGGIE, MARY, BILL, JOEY, UNCLE LEO, THE DON (with his cat
ARCHIMEDES), and NURSE GINO. They march
back and forth down stage.
All
this happens while THE DRAGON LADY helps UNCLE ROCCO fight with ROGER THE NINTH
and YOUNG JOEY.
GROUP
ONE
(loud)
Another opening,
GROUP
TWO
(louder)
There’s no business.
GROUP
ONE
(refrain
like a train)
Another opening... Another opening...
GROUP
TWO
Like show business,
GROUP
ONE
(refrain
like a train)
It’s
Another----- Another----- Another-----
ALL
LET’S GO------, ON-----, WITH------, THE------,
SHOW-------,
(pause)
YEAH !
The final credit is:
COMING SOON
I USED TO BE ITALIAN!
MOVIE MAYHEM
While
presenting the final credit, fade to black, and keep final credit on for ten
seconds.
APPENDIX
Gli anni passeggiano...
(Years stroll by...)
The love theme from
I USED TO BE ITALIAN!
By
Thomas Joseph DiSalvio
(music by Robert L Wyatt)
® © 2005 Thomas J. DiSalvio
Gli anni passeggiano...
Ancora dall'io gridano.
Years stroll by...
Still I cry.
-----------------------------------
Ho una sensibilità stridula fredda in profondità giù all'interno.
A volte il mondo viene arrestandosi giù tutto l'intorno,
E la nerezza è dappertutto...
Per favore accendiamo una luce.
I have a cold shrill feeling
deep down inside.
Sometimes the world comes
crashing down all around,
And darkness is everywhere…
Please turn on a light.
-------------------------
Gli anni passeggiano...
Ancora dall'io gridano.
Years stroll by...
Still I cry.
-----------------------------------
Ho una sensibilità blu e blu...
Ho più profondo la sensibilità blu a voi.
Spero che lo amiate quanto quanto...
L'oh bene, sapete che che cosa significo?
I have a blue, blue
feeling.…
I have the deepest blue
feeling for you.
I hope you love me as much
as…
Oh well, you know what I
mean?
----------------------
Gli anni passeggiano...
Ancora dall'io gridano
Years stroll by...
Still I cry.
-----------------------------------
Tutto l'amore in questo mondo è tutto da amare nel mio
cuore per voi.
Tutti i baci nel mondo, sono per voi, il mio amore.
Prima io conosca voi, non ho conosciuto tutta la gioia
che io mancassi.
Vi ho la sensibilità blu più profonda.
All the love in this world
is all the love in my heart for
you.
All the kisses in the world,
are for you, my love.
Before I knew you, I have
not known all the joy that I
lacked.
I have the deepest blue
feeling for you.
------------------------------
Gli anni passeggiano...
Ancora dall'io gridano
Years stroll by...
Still I cry.
----------------------------
Tutto l'amore in questo mondo è tutto da amare nel mio
cuore per voi.
I baci della notte, dò voi, il mio caro.
Ora che li ho che sono completo.
Ho una stella per ti
All the love in this world
is all the love in my heart for
you.
The kisses of the night, I
give to you, my dear.
Now that I have you, I am
complete.
I have a star for you!
--------------------------
Gli anni passeggiano...
Ed ancora mi desiderare ardentemente per voi.
Years stroll by...
And still I ardently yearn
for you.
APPENDIX 2
“Let’s do it”
by
Cole Porter ( 1928)
adapted by
Thomas Joseph DiSalvio
(music by Robert L Wyatt)
Birds do it, bees do it;
Even educated flees do it --
Let's do it,
Let's fall in love -- Anyone here speak English?
(more
emphatic)
In Spain the best upper
sets do it;
Lithuanians and Letts do it -- Sprechen Sie Deutsches?
Lassen Sie uns es tun,
Lassen Sie uns verlieben --
(more
romantic)
The Dutch in old Amsterdam do it,
Not to mention the Finns --
Folks in Siam
do it,
Think of Siamese twins.
Some Argentines, without means do it,
People say in Boston even beans do it --
Faisons-le,
Soyons amoureux -- Parlez-vous francais?
(whispering)
Let’s do it, let’s do it,
Ah, ah -- oh, yeah.
Birds do it, bees do it;
Even educated flees do it --
Let's do it,
Let's fall in love.
In Spain the best upper
sets do it;
Lithuanians and Letts do it --
Let’s do it,
Let’s fall in love.
The Dutch in old Amsterdam do it,
Not to mention the Finns --
Folks in Siam
do it,
Think of Siamese twins.
Some Argentines, without means do it,
People say in Boston even beans do it --
Let’s do it,
Let’s fall in love.
APPENDIX 3
“ANOTHER OPENING, LIKE SHOW BUSINESS”
(excerpts from Cole Porter
& Irving Berlin)
adapted by
THOMAS JOSEPH DISALVIO
(music by Robert L Wyatt)
Another opening, Another
show...
There’s no business like
show business,
Like no business I know.
(refrain
like a train)
Another opening... Another opening...
Another opening...
Everywhere you go,
Show business leaves you out in the cold.
(refrain
like a train)
It’s
another show
You wouldn’t trade if for a pot of gold.
LET’S GO------, ON-----, WITH------, THE------,
SHOW------,
YEAH !
Another opening,
There’s no business.
(refrain
like a train)
Another opening... Another opening...
Like show business,
(refrain
like a train)
It’s
Another----- Another----- Another-----
LET’S GO------, ON-----, WITH------, THE------,
SHOW-------,
YEAH !
T’AT OLE MAN RIVER,
HE JUST KEEPS ROLL’IN ALONG!
IT’S SHOW TIME...
contact info:
Thomas Joseph DiSalvio
tomdme@gmail.com
