| an example of close-up Carl Dreyer's Passion of Joan of Arc |
| This shot utilizes deep focus - showing both the closest soldier and the the on far behind at the gate in focus - resulting in deep space.
Mizoguchi's 47 Ronins |
| By contrast, this shot is almost two-dimensional, limiting the space that we should focus on to minimum. an example of shallow space. Godard's Pierrot le fou |