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| *New Criticism says stay inside the text. Don't go outside the text. It may be interesting out there but it is the text that is important. *We can't look to the author because the author doesn't know what the text means. *Deconstruction refutes this idea and says there is no outside the text. We have framed the text to include the words on the page. Everything is a text. *A text is a series of signs and signals. Deconstruction: a critique of the assumption that language is stable *Fish would say that poetry is not a collection of words like New Critics would say, but poetry is whatever you happen to see when you have poetry seeing eyes. *New Criticism dictates that with it we can make a judgement about whether a text is good or bad. *Deconstructionism believes that signifiers have arbitrary links to signified. There is no absolute connection to things. Realist: (New Critic) believes that there are real substantial and absolute links between a word and the things that they denote Nominalist: (Deconstructionist) believes that there are words that have no signifies. They're just names (nomina) Words don't mean anything *There is no truth. And in the absence of truth, there is only power. |
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| There is no truth so this cow can be related to my notes | ||||||||||||||
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| "Il n'y a pas de hors-texte" - Derrida *What you bring to the text is also part of the text. The interpretation of the dream is also part of the dream. *Derrida believed that writing is more important than speech. He also believed that the binary opposition between speech and writing needed to be overturned. *The existential world is random and our lives are absurd *Plato condemned writing in writing Pharmakon: a word meaning remedy as well as poison *When you decide one meaning, you're automatically priviliging one over the other. A deconstructor must overturn the opposition because oppositions need to be overturned |
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| Foucault: post-structuralist - History is discourse Paul de Man: Deconstructionist - Language is rhetorical interpretation Wimsatt: formalist/New Critic - 1. Intentional Fallacy 2. Affective Fallacy Edgar Allen Poe: classicist - Literature must have only one single effect Stanley Fish (aka Fishy Foo): Reader Response - The meaning of a text is determinded by what the reader brings to a text. Poetry is whatever one sees with poetry seeing eyes Mary Wollstonecraft: 1st feminist - Educate women like men Carl Jung: Depth psychologist - archetypes are pre-existing patterns Thomas Love Peacock: Romantic satirist - critic of poetry Ralph Waldo Emerson: transcendentalist - Poet is inspired by god - an eyeball that sees everything Jane Tomkins: feminist - personal way of critical writing - Get Out of the Straight Jacket Vico: "original" - Four ages (Gods, Heros, Men, Chaos) Hugh of St. Victor: Classical theologian - picking berries and popping them into our mouths "This is just to say I have eaten the plums that were in the icebox and which you were probably saving for breakfast. Forgive me. They were delicious so sweet and so cold" Homi Bhabha: post colonialist - breaks down the Western binary tradition of haves and have nots Nietzsche: existentialist - truth is a mobile army of metaphors Mikhail Bhaktin: structuralist - Monologic versus dialogic Beavis and Butthead Roland Barthes: structuralist moving towards post structuralism - language speaks not the author Simone de Beauvoir: canonical feminist - We are free to invent ourselves Julia Kristeva: "Feminist" psychoanalyst - merged the disciplines of her colleagues - semanalysis Linguistics dissolve the sign Laura Mulvey: feminist - The Male Gaze Henry Lewis Gates: deconstructionist - race is a text Gilbert and Gubar: feminists - Anxiety of authorship and anxiety of influence Todorov: structuralist - simple clauses form a plot Schliermacher: Romantic - hermenutics - the science of interpretation Schiller: Romantic - "in error only is there truth" Eagleton: Marxist - Literature plays a role in the cultural, social and political spheres Stephen Greenblatt: New Historicist - the text is history and history is text Wordsworth: Romantic - poetry is the spontaneous overflow of poweful emotions Walter Benjamin: Social Historian - percetion of aesthetics changes social history - "aura" Judith Butler: feminist/queer theorist - Gender is a construct |
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