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After all, I didn't print a word about the rock legend who asked me to hold the spoon while he cooked his heroin. He was sitting backstage by himself when I was brought in and introduced. He said, "hold this," and handed me the spoon to hold while he applied the tourniquet to his upper arm. I mean, I understood. The poor man needed help. He had everything a guy needed to ease his way onto the stage -- a packet of heroin, a candle, a tourniquet, a spoon, a bottle of Jack Daniels, and a pack of cigarettes. All he needed was someone to hold the spoon while he cooked his juice.
While, I might add, all those rock legends who took pains to hide the heroin are pushing up petunias.
I'm reluctant to generalize in this case, ... but .. usually when a guy is introduced to you as being from The New York Times and is carrying a camera and notepad, you get a clue that a story may be written. Look, the CIA should have packed him back to Heathrow; he'd still be alive, tooling around London in that psychedelic Rolls with Yoko -- who was wonderful, by the way; charming and charismatic on top of gorgeous, in that regard clearly the least photogenic person I have ever known. I had the same reaction as John to meeting her -- yes! ...I would have broken up the Beatles for her, too. I suppose that reaction places me in the ranks of those New York and London art types who felt that she lowered herself to marry him, not the other way around, as popularly believed.I found her open and generous. I found him defensive and suspicious. I suppose he had the right. After all, the CIA was trying to get him deported. Or so I was told later.
"Imagine no possessions, I wonder if you can ..."
Um, ah, well, no, not any more. And while we're on the subject, at that recording session I took the photos of John seen on Tales of the Ancient Rocker and, yes, they're copyrighted.
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