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NOTE: There is no direct English translation of the Italian
word ‘buonismo’, used in the interview.
A ‘do-gooder;’ or ‘bleeding-heart liberal’ would be
the nearest thing to someone who practises ‘buonismo’ in English.
RADIO CAPITAL SPORT
30/10/01 – ROME - Tim Parks, 47, born in Manchester, is a
Guardian journalist. Having lived
in Verona since 1981, he is a fan of Hellas Verona, the premier [football] club
of the town. Recently he has become
well-known for an article
that was taking aim at Chievo and the ‘buonismo’ surrounding the squad.
One of those who has ranked against him is Michela Sironi Mariotti, mayor of
Verona, who has declared: “To publish an article like that, fifteen days
before a delicate match like the Derby, shows how a lot of scatterbrains are to
be found in every type of football supporter.”
Guiseppe Perrelli interviewed Tim Parks:
RADIO CAPITAL: You have decided, against the tide, to attack Chievo Verona.
Why is that?
TIM PARKS: I am not against Chievo Verona. I have expressed opinions against the
‘buonismo’ that has attached itself to the Chievo phenomenon.
RADIO CAPITAL: In this piece, you complain of the mentality of those who support
Cheivo.
TIM PARKS: Not so much the mentality.
The true fans of Chievo have all my respect, and also all those who go to the
stadium to see the actual squad win deserve it. Not that I know what will happen to today’s tens of
thousands of supporters when Chievo start to lose.
It is that all the Italian press has begun to want Chievo to do well
because to be a fan of Chievo [it seems] is to love the whole world.
The attitude does not take into account of the therapeutic value of being
a fan: the stadium is a place circumscribed, where a fundamentalist kind of
behaviour is possible. Then, having just left the stadium, a kind of serenity
returns. And this is attractive
because it gives to people the possibility to vent their negative side,
attitudes that would otherwise reverberate dangerously outside in the street or
in the family. And then to praise
this environment in which there are no roars or affronts breaks me into little
pieces. I, for example, went
to see Reggio Calabria against Verona in the play-offs to remain in Serie A two
years ago. When they entered, the
stadium were yelling to us: ‘Kill! Kill! Kill!’
But it is not that I have been offended or have gotten angry. Rather I have thought here, the tension, the clash, has been
attractive! I don’t go to Reggio Calabria to hear “We want you to do well.”
RADIO CAPITAL: This speech has, at its foundation, a sense of loving soccer
understanding it. But is there not
a risk that it could be distorted by others?
TIM PARKS: There is always someone that, in any situation, is not capable of
distinguishing between the theatre of the stadium and true life.
However, I will not be the one to cause these problems in a playful
article.
RADIO CAPITAL: Your fellow countryman, Nick Hornby, has written a celebrated
book, “Fever to 90” [Fever Pitch], from which a film has been made in which
the protagonist rages with women when they say ‘But basically, soccer is only
a game’…Perhaps Cheivo Verona should be praised for thinking like the women
in Hornby.
TIM PARKS: Actually, it is also a
fault of the Chievo sympathiser who says: “It’s great to go to the stadium!
It’s great to go to the cinema!” This means not to understand the emotions a
fan experiences. One does not go to the cinema to yell.
To say that it is “only” a game means not to understand how much
space a fan can occupy on an existential level.
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