"Aboriginal man"





"Didgeridoo"


"The kookaburra"
a relative of the kingfisher, is considered a protector by the Aborigines, as it feeds on poisonous snakes and vermin and has an alarming call that resembles haunting laughter.


Aboriginal art of "rock painting"is more than 40.000 years old.



It happened in one evening in the year 1988 in a small Brasilian town called Uni. I used to travel a lot in those times. In my insatiable desire to experience unknown places and countries, I arrived in Brazil to visit Dona Vida, a Slovene woman who lived there. On that particular evening Dona Vida introduced me to a young Brasilian doctor. The esoteric society would call him today a chaneller. The young man made quite an impression on me because of his very unusual, weird speaking. On my journeys I met very unusual characters, so I didn't take him too seriously. The doctor was watching me, staring at me almost too much as if trying to understand something about me... After that peculiar gazing at me, he suddenly said: "Yes, I will speak with them." I couldn't understand anything any more. After a few days we met again. He called me from a distance and immidiately  started the conversation. "I have spoken with them", he said "To whom?" , I asked him. "To them", he said and pointed with his hand towards the sky. "Oh really, and what did they tell you?" I asked him. "You were a man of Tasmania. Very interesting, very interesting", he repeated. At that time I simply didn't  knowthat Tasmania existed, so I didn't ask him anymore questions. Later on, Dona Vida helped me to find Tasmania in her Atlas. I learned that Tasmania is an island south-east of Australia. With that the whole story was finished and forgotten.

------------------------------------------------------------------------------- 

Two good years passed. It happened that I was in Australia at this time. Being there for 5 months - in the south -east of the country, Diana and Gordon Borlase invited me to see their farm. Their farm  bordered the desert in a small town called Maken Buden, which in Aboriginal language means "PLace of little water". Gordon entrusted his big farm to a young English tenant. He brought his wife and children with him and they helped him to work on the wide spread land. The hard work was well repaid with a good harvest of wheat. Gordon was still farm's owner and very much interested in its work. We decided to stay one week on the farm and to have a close look everywhere, specially the big fields, hundreds and hundreds of acres.    One day he stopped his jeep and invited me to walk with him, telling me he would like to show me something very interesting. His farm was cleaned up from the bush already by his father and what his father couldn't do, he continued, until his tenant took over.    But everything was not cleaned up. Between two fields there was a narrow passage of land still covered with bush, complitely virgin and Gordon wanted to show me exactly that piece of land. Gordon just couldn't tell me why this passage was untouched by his father and by him. He remembered that in his childhood there was found a specially formed stone in this particular bush. They still have that stone and think  it was used by the Aborigines as a tool to prepare food. After all this talking, we arrived at the point where Gordon said: "Yes, this is it." I stopped for a while, and started to look around. There were big eucalyptus trees which appeared as if from nowhere. "How interesting, how interesting" - I was saying to myself. There was a kind of reddish soil and not much gras. If one steps on it, it breaks and leaves its sap and whithers very quickly. I felt compassion for the gras. And then I examined many red-blue parrots in the branches of the majestic trees. "Of course, this is sandalwood" - I am thinking " and all these voices coming from the big branches  of the eucalyptus trees. This is all familiar to me." The whole scene became instantaneously known to me, so close, that I just couldn't believe it. "But it is impossible, I was never here before", I thought. There I was standing and looking around, more o less confused and suddenly and very firmly came the words into my mind: "You were the man of Tasmania." The words sounded so fresh and new. They were the words of a doctor from Brasil, which I forgot long ago. "This is impossible", I hear myself thinking. I never believed that kind of thing, there is no reincarnation. "Gordon, let's go", I said. He glanced at me with bewilderment. This experience stayed with me for a long time. It awakened in me an added sensitivity and a great interest for everything regarding the Aborigines, their stories and traditions.   In the following months I met with many Aboriginal people, and adored their beautiful characters. They helped me to understand even better their culture, heritage and their views of life. Soon I even learned  how to play their instrument, the Didgeridoo. I was not able to connect or to understand what happened to me in Brasil until I came to Australia. Seeing Australia opened for me a new understanding and appreciation  for the Aboriginal quality of life. This experience gave me a deep spiritual connection to the Aboriginal people and a special understanding that there is no essential difference between us; we are all part of the whole. And this the Australian Aboriginals may understand much better than others.  


Dhiraj





A group of Tasmanians, photographed at Oyster Cove in the 1860s. Photo by J.W.Beattie, National library of Australia.




Aboriginal kids today.




A friend Tomo Kriznar visiting Aboriginal community in the north of Australia.






Didgeridoo
From time to time I play also their instrument, the Didgeridoo. (long wooden flute). Much better than me are of course Yothu Yindi.



A FEW LINKS

Aboriginal music
Aboriginal music instrument "didgeridoo"
Aboriginal art
About Aborigines
Aboriginal and fire
Aboriginal artists
Aborigines today
Aborigines



Back on top!




[About me ] [Meditation] [Our meditaiton center][My friends] [Our garden] [Back home]