Ekoostik Hookah
Legend Valley Music Centre
Thornville, OH
1-2 Sept 2006


1 Sept 2006
 1. Utopia
 2. Harmonic Convergence
 3. Good Time (Merry-Go-Round)
 4. Slipjig Through the Poppy Fields
 5. Gather 'Round
 6. A Train In The Distance
 7. When the Sun Goes Down
 8. Journey
 1. Deep River Blues
 2. Memphis In The Mean Time
 3. Life Is Good
Set 2:

 4. Tumblin'
 5. Schwa
 6. Stuck In The Snow
 7. Back Seat
 1. Red Haired Boy*
 2. Athens County*
 3. Carousel*
 4. Black Water >*
 5. Keepin' Time*
 6. Intrepid Traveler
 7. E: Bound To Ride#
 8. Backwoods Rose  

* w/ Ed Caner on fiddle
 # w/ Vince Hermann on guitar
2 Sept 2006
 1. Mississippi Steamboat
 2. Walk Real Fast
 3. Right Back Out In The Streets
 4. Chicago
 5. Silver Train
 6. Descent Into the Maelstrom
 7. Rollin' In My Sweet Baby's Arms^
 8. Foggy Mountain Breakdown^
 9. Man Or A Mouse%
1 . Heavens to Mergatroid

^ w/ Adam "Tarzano" Smith on mandolin,
 Zach Daniels on banjo, and AP Hill
 on guitar from Oakhurst
 1. Thumper
Set 2:
 2. Ecstasy
 3. Party Girl
 4. John Henry
 5. A Better Man*
 6. Big Ole Freight Train*
 7. Abdega Gaga*

* w/ Joe Crump & Chris on horns
 1. The Viper's Drag
 2. Somewhere Down the Line
 3. E: Shooting Star*
 4. Get Up, Get Into It, Get Involved*% >
     Soul Power*%-> Get Up, Get Into It, Get Involved*%
 5. Cold Gin#%
 6. Aqualung%

% first time played
 # w/ Shane Frye on drums

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 SBD source: Taped, transferred and processed by dubba.com
Recording: Midas SBD-> Stereo XLR-> Tascam DA-P1
Transfer: Tascam DA-3 mkII-> AES/EBU bus-> RME Intelligent 24/96 PAD-> Adobe Audition 1. -> WAV

AUD source: Taped and transferred by Kegan Reina
Processed by dubba.com
Recording: AKG C1   's>UA5>NJB3
Transfer: NJB3>Wavepad>CDWAVE>Flac-> WAV

Processing:  SBD: The SBD recording was cleaned up, as there were many digi-glitches throughout both nights, then put through a compression algorithm of: cmp 1.9:1 above -14.1 dB and then an exp 1.1:1 below -14.1 dB with a compensation gain=6.5dB using an output gain of -1.

AUD: The AUD recording was re-equalized, bringing down some of the bass response and lifting the higher ended frequencies. They were then put through a compression algorithm of: cmp 1.9:1 above -14.1 dB and then an exp 1.1:1 below -14.1 dB with a compensation gain=6.5dB

Both of these recordings were then mixed down, adding the omitted dead space to the AUD recording, syncing it up the best it could be (by ear) and then tracked and output to WAV format before using FLAC FrontEnd 1.7.1.


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