Frank Sinatra w/Bill Miller Sextet
Royal Festival Hall
London
1 Nov 62

This show likely was liikely pulled from a vhs copy of the TV broadcast of Frank's concert for Princess Margaret.  

01 Intro > Goody Goody
02 Imagination
03 At Long Last Love*
04 Moonlight In Vermont
05 Without A Song
06 Day In, Day Out
07 The Moon Was Yellow
08 I've Got You Under My Skin
09 I Get A Kick Out Of You
10 The Second Time Around
11 Too Marvellous For Words
12 My Funny Valentine
13 In The Still Of The Night
14 My Blue Heaven
15 April In Paris
16 You're Nobody 'Til Somebody Loves You > outro

* recording volume drops for t3 & t4, presumably due to vhs tape transfer

 
01 Band Intros
02 You Make Me Feel So Young

03 All The Way
04 Chicago
05 Night And Day (duet w/Al Viola - g)
06 Autumn Leaves
07 I Could Have Danced All Night
08 One For My Baby
09 A Foggy Day
10 The Lady Is A Tramp


 Filler Unknown
11 Ol' Man River
12 You Make Me Feel So Young
13 Nancy With The Laughing Face - rarely performed
14 Come Fly With Me

Bill Miller (piano),
Irv Cottler (drums),
Al Viola (guitar)
Ralph Pena (bass)
Harry Klee (reeds),
Emil Richards (vibes)



return

Following a very brief intro by David Jacobs, onto the floor strode Sinatra and who began another of his popular but now recognized as classic performances. Roughly the first half was performed straight through with barely a pause of introduction. Following a single break the rest of the show was peppered with comments on the songs, the fellow musicians and much else. At one point an English 'cup of tea' was drunk, to be praised by Frank for the soothing effect on his throat, only for him to admit blowing the benefit on a cigarette which he smoked, stubbed out on the concert floor and then acted shocked at the enormity of this act on such a hallowed stage!

Bill Miller's stripped down sextet allow the music to really focus on Sinatra's voice  -- no smashing brass here. It's more like a jazz concert that a pop concert at times. The backing of the sextet gave a swinging informality to the musical program. Indeed it was apparent Sinatra was both in very good voice and in total synch with the musicians - they having been together on the charity tour across Europe and beyond for some time. All the songs are great but  'Day In Day Out' gets special mention because even Frank claps along with the arrangement,  I also liked 'Night and Day' particularly because it was performed as dues by Sinatra and Al Viola on guitar. The beauty of each other's contributions and interplay is raw but poignant.