| Position Quotes 2 |
| *Sula "Sula, Kajira!" said the man. She slid her legs from under her and lay on her back, her hands at her sides, palms up, legs open. Explorers of Gor pg. 77 *Sula-ki "She lay on her back, her knees drawn up, before me. She arched her back. Her breasts were lifted beautifully. I observed their lovely rise and fall, correlated with the respiratory cycle of her small lungs. Then she lay back, her shoulders in the dirt, and pressing against the earth with her small feet, piteously lifted before me, for my examination, and seizure, if I pleased, the deep belly of her, the sweet cradle of her slave's heat. Explorers of Gor pg. 329 *Obedience/Obeisance . Obeisance: There are a few different forms of this position though all have the same basic meaning behind it. Each is a show of female submission. Here are three: 1) the slave kneels in nadu with her head lowered. 2) from nadu, the slave lowers head to the ground, placing her hands against the ground, palms lowered. (this is sometimes refered to as karta) 3) the slave moves to her belly and slowly inches forward to the Master's feet and at that point proceeds to lick and kiss at them before bellying back somewhat. (this position is known among many as the "belly" position) "There are many ways to perform obeisance. "I said." "I am a free woman," she said, " I know none of them." "I shall instruct you briefly in three," I said. "First kneel before me , back on your heels, yes, with your knees wide, wider, your hands on your thighs, your back straight, your breasts out, good, your belly in, good, and now lower your head in deference, in submission." "Now that," I said, " may not be exactly a form of obeisance, for authorities do not all agree, but for our purposes we shall count it as one. It is, at any rate, a beautiful position, and it is, certainly, a common position of slave submission." "Now" I said, "and this is clearly a form of obeisance, bend forward and put your head to the mat, the palms of your hands on the mat. Good. Now lift your head little and come forward, substantially keeping the position. Forward a little more." "But then my face will be at your feet," she said," My lips will be over them!" "Yes," I said, "Good, now, put your head down and lick and kiss my feet." "I am a free Woman!" She said. "You are a woman," I said, "now softly, lingeringly, and lovingly, Good." "I am not a slave," she said "All women are slaves," I said " Imagine what this would be like if you were truly a collared slave." She gasped. "Now" I said, "for a third form of obeisance. You may belly to me." "I do not understand," she whispered. "There are various forms of bellying," I said, and bellying may be suitably and pleasingly combined with other forms of floor movements, approaching the Master on all fours, turning to your sides and back, writhing before him, and so on. We will take a very simple variation, suitable for an ignorant free female who has not yet even begun to discover the depths of her sexuality." She looked up at me. "On your belly," I said. She backed off a bit , and went to her belly. Her hair was before her face, as she now on her belly before me looked up at me. "Now inch forward," I said, "remaining low on your belly, and when you reach my feet, once again, as before, lifting your head a little, tenderly and humbly, and beautifully, as though you were a slave, lick and kiss them. Good. Good. Now take my foot and place it gently on your head. Very good. Now place it again on the mat, and kiss it again. Good. You may now belly back a little, humbly. I have not yet given you permission to rise of course." Mercenaries of Gor pg 409-410 "Heads to the dirt!" called a man. "Swiftly we assumed a common form of slave obeisance, kneeling, the palms of our hands on the ground, our heads to the ground. Many Masters, though it tends to be rather associated usually with given cities, require this position of their girls, usually when they first enter his presence or find themselves, as in a room which he has entered, in his presence." She is then, usually, when given permission, permitted to lift her head, but is to remain kneeling before him, beautifully, in a standard position, her knees closed if she is a house or tower slave, her knees open, if she was the sort of slave I was, whatever sort of slave that was supposed to be. Dancer of Gor pg. 114 ' "You are naked before men," whispered Tupita. "Obeisance!" I quickly knelt before the men and put my head to the floor, the palms of my hands, too, on the floor. I heard several of the beads touch the wood. ' Dancer of Gor pg 186 At his entrance Susan put the palms of her hands on the floor and lowered her head to the tiles, assuming a position of slave obeisance common with her in the presence of her master. Kajira of Gor pg. 157 *Crawl "I pointed to the stones at my feet. "Crawl," I said, in Gorean. The girl slipped to her belly, and, as a slave girl, crawled to my feet. She put her lips to my foot; I felt her hair over it." Tribesmen of Gor pg. 78 "Go to the couch," I told her," "and curl up there." Yes Master," she said. She then, on her hands and knees, crawled to the foot of the couch." Savages of Gor pg 13 *Bara "Bara, Kajira!" he said. She rolled quickly to her stomach, placing her wrists behind her, crossed, and crossing her ankles, ready to be bound. Explorers of Gor pg 77 "`Bara,' said Mincon to Tula. `Bara,' said I to Feiqa. Both slaves went immediately to their bellies, their heads to the left, their wrists crossed behind their backs, their ankles also crossed. It is a common binding position." Mercenaries of Gor pg. 145 Standard Binding Position: When ordered into standard binding position the girl lays on the ground, wrists crossed behind the back and ankles crossed. (this is most likely another name for bara) "Standard binding position," he said. I was prone. When a girl is prone, the standard binding position is to cross the wrists behind the back and to cross the ankles. I took this position instantaneously. Slave Girl of Gor pg 125 *She-Sleen In this form of slavery, which is commonly used for disciplinary purposes, or for the amusement of the Master, the woman is not permitted to arise from all fours; similarly she is not permitted human speech, though she may signify needs and desires by such means as cringing, and moaning and whimpering. Not permitted the use of her hands, save as a means of locomotion, she must also eat and drink from pans set on the floor, or, sometimes to satisfy her thirst, she must lap the water permitted to her from puddles or lick spillages from the tiles; too, it is no uncommon to chain her near her master's feet, while he dines, that he may, if he wishes, throw her scraps of food. She will also be taught tricks, through which paces she may be put for the entertainment of her master's guests, such things as begging, lying down, rolling over, and fetching his sandals in her teeth. And, needless to say, when her master wishes to use her sexually, it will be a position common to the she-quadruped. "Guardsman of Gor" (page 225) ................ Hair I held my left hand open, at my waist. She stiffened, and looked at me, angrily. I opened and closed my left hand once. I saw her training in Gorean customs had been thorough. But she never thought that such a gesture would be used to her. She came beside me, and a bit behind me, and, crouching, put her head down, deeply. I fastened my hand in her hair. She winced. Women are helpless in this position.Beasts of Gor pg. 409 *Run I was amused, for she had run as a slave girl is sometimes taught to run, with rapid short steps, her legs almost straight, her feet scarcely leaving the ground, back straight, head turned to the left, arms at her ides, palms out a forty-five degree angle, more of a dancer's motion that a true run. - Assassin of Gor pg 45 Display Position: The auctioneer did not strike her with his whip. He merely took her arms and lifted them, so that the position chain, attached to each side of the sales collar lay across her her upper arms. Then he had her clasp her hands behind the back of her neck, so that the chain, on each side of the collar, was in the crook of her arms, and she was exposed in such a way that she could be properly exhibited. Explorers of Gor pg. 36 A slave girl whose primary purpose is for the display of her beauty to reflect the affluence of her master; often chained in cuffed with other display slaves behind the palanquin or other transport of her master. Dancer of Gor pg. 367 High-Harness: "Lift your head, " he said. "Higher. Higher!" She looked up at him, her head far back, the leash on her throat.... "You need not now keep your head in high-harness position,", he said to the girl. She moved her head. Mercenaries of Gor pg 308-309 Stand: "He looked me over. I blushed, under Gorean appraisal, I only wore my tether. "Stand as a slave, " he said. I stood beautifully, back straight, head high, belly sucked in, hip turned. No woman can stand more beautifully than as a Gorean slave girl. "Excellant," said Ladletender, smaking his lips. "Master is pleased," I said. "Yes," he said. "The slave too, is also then pleased," I said. Slave Girl of Gor pg. 249 Whipping Position: I went to Targo, trembling, and knelt at his feet... I crossed my wrists beneath me and touched my head to the floor, exposing the bow of my back. It is the submissive posture of a slave girl who is to be punished. It is called Kneeling to the Whip." Captive of Gor pg 200 "Elizabeth, trembling, lowered her head to the floor and crossed her wrists beneath her, kneeling, as it is said, to the whip." Assassin of Gor pg. 46 "`Kneel to the whip, Melpomene!' she ordered her. Melpomene then, sobbing, knelt, her legs close together, her wrists held crossed under her, as though bound, her head down, touching the floor, the bow of her back exposed, a slave girl awaiting punishment." Fighting Slave of Gor pg. 284 |