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P Tom's Star Trek Website | Back to Index | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Recommended Edits for Star Trek movies DVDs, pt. 2 |
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Star Trek IV: The Voyage Home (1986) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The Special Collector's Edition DVD of Star Trek IV: The Voyage Home does not have any new scenes or deleted scenes added into the movie. Nonetheless, here are some known or suspected scenes that became lost from the movie. - As mentioned previously, the original script for ST3 had intended for Saavik to become intimate with Spock on the Genesis Planet. A scene cut from ST4 would have shown that the reason Saavik remained on Vulcan was because she was pregnant with Spock's child. I would recommend the restoration of these two scenes so that this plotline could be incorporated into the movies. - At Starfleet Command, an alien officer gave readouts on various cities around the world. Among the cities he mentions include Leningrad. But Leningrad no longer exists, the city had changed its name to St. Petersburg with the fall of the USSR. Unless the city reverts to Leningrad by the 23rd century, there will be no city by that name in Kirk's time. One possible way to rectify this inconsistency would be to change the city's name to St. Petersburg in the DVD. - The script for ST4 called for a scene in which Sulu meets a young boy in the streets of San Francisco whom he later realises was his great-grandfather. The novelization of the movie suggests that the boy's name was Akira Sulu. However, this scene was not filmed because the boy actor was not cooperative with the production team. With current video technology, it should be possible to reshoot this scene and incorporate it back into the movie, since this scene represents another important character development for Sulu. |
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- The conversation between Sulu and the helicopter pilot was supposed to be longer than that shown in the original movie, ending with the pilot offering Sulu a ride. - After Scotty shows the formula for transparent aluminium to Dr. Nichols, McCoy takes Scotty aside and discusses the implications of giving the formula away and changing history. An alternate take shows Scotty replying that Dr. Nichols was supposed to invent transparent aluminium, and the scene ends with McCoy saying, "I'm a doctor, not a historian." - During the dinner scene between Kirk and Taylor, the candle shortens and lengthens throughout the scene, a classic problem in scenes with an ever-present candle. Perhaps CGI would allow the height of the candle to remain fixed. |
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Saavik stays on Vulcan because she's pregnant. | Sulu was supposed to meet his great-grandfather in San Francisco. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
- I suspect that there is a scene in which, Sulu steals the helicoper in order to deliver the panels to the cloaked Bird of Prey. It is unknown whether such a scene exists. - When Kirk phasers the lock in the surgery room, he first holds the phaser in his left hand. The shot of the phaser firing shows that Kirk's right hand was holding the phaser. At the very next shot, the phaser is in the left hand again. I believe that CGI technology could be used to show that it was Kirk's left hand which was holding the phaser throughout the entire scene. |
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- There is an inconsistency when Janice Rand, who was in the scenes at Starfleet Command, appeared to be wearing a cadet uniform. Promotional materials for ST4 suggests that Rand was promoted to Chief Petty Officer, but even this contradicts the fact that Rand was wearing the officer's uniform in both ST:TMP (set in 2271) and ST3 (set in 2285), and it still doesn't explain why Rand was in a cadet uniform. It is possible that Rand resigned from Starfleet, only to re-enlist but required to go through Starfleet Academy again, but this is almost inconceivable since ST4 was set in 2286, only a year (actually three months as mentioned in the film) after the events in ST3. I would suggest that an officer's uniform be digitally inserted over Rand's body so that Rand would be seen wearing the correct uniform in the movie. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Janice Rand in 2286. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Star Trek V: The Final Frontier (1989) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The director of Star Trek V (William Shatner) faced numerous problems throughout the entire production of the movie. A nation-wide writers' strike threatened to halt production, and the production crew received threats when they hired non-union workers for the delivering of equipment to the filming locations. The studio restricted the budget for the movie, while the producer was not cooperative with the director, deleting many scenes indiscriminately in order to conform to the specified length limit, resulting in the movie to suffer artistically. In the end, even the movie itself did not do well at the box-office. The Special Collector's Edition DVD of ST5, set to be released in 2003, would not have the deleted scenes restored into the movie, even though Shatner had expressed an interest in producing a director's cut of the movie. The studio executives probably overruled him in the decision to produce the Special Collector's Edition DVD. So, here are some scenes that are known to have been lost from ST5. |
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- The opening shot of the landscape in Yosemite Park was supposed to be longer, showcasing the sunrise over the mountain peaks. This shot got trimmed in the original movie, and I recommend that it be restored in a Director's Edition DVD. - Another shot which got trimmed was of Sybok's riding into the desert with his henchmen. The original sequence would have had a broad sweeping desert panorama, but this scene got shortened for time. I would also recommend the restoration of this scene should a Director's Edition DVD of the movie be produced, since Shatner had intended for it in the first place. |
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- Following the revelation that the "God" was of malevolent nature, Shatner had originally wanted "God" to summon minions of 'Rockmen' from the ground who would pursue Kirk and his crew as they escaped to the shuttlecraft. Due to budget reasons, only one Rockmen costume was made, and when the Rockmen did not look convincing on film, the entire Rockmen sequence was cut from the film, and restructured to make it look like "God" himself was chasing the crew. With CGI technology, it would now be possible to create formidable Rockmen and insert them into the footage, providing new elements which were chasing after the crew. In fact, Shatner had shot the escape sequence in wide angles in the hopes of inserting in the Rockmen in post-production. A good example of such a realistic Rockmen can be seen in the movie Galaxy Quest. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Sunrise at Yosemite National Park. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Shatner had originally wanted to film several impressive sequences but in the end did not do so due to the limited budget. With our current-day CGI technology, it would now be possible to create these scenes and inserted them into the movie. - Among these sequences include the opening of the movie, in which Shatner had wanted the camera to zoom out of the face of the laughing Sybok into space until the camera had a view of the galaxy. Following that, the camera would zoom in on Earth, and proceed onto a mountain, a tiny view of a person climbing the mountain, and finally zoom in on the hand, which would be revealed to be Kirk's hand as he was climbing El Capitan. This sequence somewhat resembles the opening scene in Contact, which only goes to show that such a sequence could be created. |
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A wide angle shot of Kirk and his crew running for the shuttlecraft. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
- Shatner had wanted Sybok's henchmen to be a large army sweeping out of the desert and storming Paradise City, a scene that would be of epic proportions reminisence of Lawrence of Arabia. Unfortunately, due to budget reasons, not too many extras could be hired, and the army was reduced to merely several handful of thugs. Using CGI technology, it would now be possible to digitally insert in the hordes of ravaging invaders onto the desert, giving some credibility to Sybok's army. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Sybok's army storming Paradise City. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
There are several inconsistencies during the sequence where Kirk, Spock and McCoy travel up the turboshaft. The deck numbers increase from the bottom of the ship to the top, when deck numbers had always increased from top to bottom in every Federation starship known to date. The Enterprise-A appears to have at least 78 decks, but according to the Star Trek Omnipedia, Enterprise-A was supposed to have only 23 decks. Perhaps turboshafts follow a numbering order different from the deck numbers. Furthermore, as the trio travel up the turboshaft, the deck numbers which they pass by are inconsistent. Starting from just below deck 8, they first go pass decks 35, 36, 52, 63 and 64. After this there is another shot of deck numbers 63, 64 and 65 passing by them. Immediately after, the three go pass deck 52 again (!). The three then pass decks 77 and 78, and this is followed by another shot of the remaining turboshaft length left above them, which still appears to be very long. The three again pass deck 78, after which they stop just before they would have hit the ceiling. I would recommend that in a future DVD, the deck numbers be digitally edited so that they would be consistent. First, the deck numbers should decrease as they travel up the turboshaft. Second, the deck numbers should be decreasing from deck 8 as they travelled up, but they could stop anywhere before and including deck 1, which would indicate the ceiling level of that particular turboshaft. And third, there should not be any repeat of the deck numbers which have already passed. The shot of the remaining turboshaft length could be removed altogether. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Kirk, Spock and McCoy go up the turboshaft. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Star Trek VI: The Undiscovered Country (1991) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Star Trek VI was intended to show the final journey of the Enterprise crew together, it almost didn't happen, when the movie was almost cancelled before pre-production due to budget reasons. An early draft of the movie consisted of an entirely different story, one in which the entire story was a flashback to Kirk's Academy days when he first met Spock and others, the characters would be protrayed by younger actors and the original actors only appear in brief cameos. When this plotline was eventually (fortunately) dropped, a whole new story was created, one which evolved into the movie that we know today. As you may know, Paramount had first released DVDs of Star Trek movies in their original versions with no deleted scenes or other extras. It was only from 2001 onwards that Director's and Special Collector's Edition DVDs were released. It is expected that Paramount would produce such DVD of ST6 in the near future. Fortunately, the DVD of ST6 released thus far does have some deleted scenes restored into the footage, these scenes were not present in the theatrical version of the movie. |
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Among the restored scenes include: - A presentation of Operation Retrieve by Colonel West following the Federation President's meeting with the Klingon Ambassador, ending with the President refusing to attempt a rescue of Kirk and McCoy for fear that it could lead to interstellar war. - After the Klingon assassin was killed by Scotty near the end of the movie, the assassin was revealed to be Colonel West in disguise. This scene was also cut in the theatrical version, since the above presentation scene was cut and therefore the movie did not provide any prior information on Colonel West. Both scenes have since been restored into the movie. Again, certain scenes are known to have been lost from the movie, and I would recommend the restoration of these scenes, as well as other possible edits, in future Director's or Special Collector's Edition DVDs of ST6. |
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Colonel West's scenes were cut from the theatrical version of Star Trek VI. |
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The conversation between the Enterprise crew and the Klingon delegation at the diplomatic dinner was supposed to be longer, with Brigadier Kerla at one point commenting, "You hypocritically presume that your democratic system gives you a moral prerogative to force other cultures to conform to your politics." This line was heard in the documentary Star Trek: 25th Anniversary Special. The trailer for ST6 had a scene which shows the Federation President taking Klingon Chancellor Azetbur in hand as they approached the podium during the arrival of delegates at the Khitomer Conference. This scene was not included in the theatrical version of the movie. It should therefore be possible to incorporate this shot into the movie. There is an inconsistency when Lt. Valeris wears a grey shoulder strap, but her collar is red. Rightfully, both the shoulder strap and collar should be of the same colour. Furthermore, red colour indicates that the person is a trainee personnel, while grey supposedly indicates the operations department (although The Star Trek Encyclopedia lists grey as science department). I recommend that Valeris' shoulder strap be digitally changed to red colour in a future DVD, since it was explicitly suggested in ST6 that Valeris was recently assigned to the Enterprise-A and could therefore be on familiarisation training on the ship. |
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Diplomatic dinner onboard the Enterprise. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Lt. Valeris has mismatched collar and shoulder strap. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
During the scene where the crew assemble in the transporter room to welcome the arriving Klingons, Scotty was standing with another cadet behind the transporter console when the Klingons start to materialise. In the very next shot, Scotty is standing right beside McCoy in front of the console! And no one is behind the console! I would recommend that this inconsistency be corrected in a future DVD, which can be done by digitally removing Scotty from beside McCoy, and inserting Scotty and the cadet behind the console during the scene in question. The digital clock on the bridge behaves strangely throughout the movie, a common problem in scenes which involve an ever-present clock.. Here are several examples that I could find. I recommend that these inconsistencies be corrected by digitally altering the clock times. - During the assassination sequence, the clock at first reads "1:18:58". At the next shot of the clock (after Gorkon is shot), it reads "1:38:52". But when Chang contacts the Enterprise-A, the clock reads "1:29:16". This is most likely an oversight, and I recommed that the third clock time be digitally altered to keep the timing consistent, which can be easily done by changing the time from "1:29:16" to "1:39:16" which involves the changing of only one digit. - Another sequence of the clock behaving strangely occurs during the trial of Kirk and McCoy. Ths first view of the clock gives the time "11:15:04". After McCoy gave his statement, the clock read "15:41:24", this is still consistent. However, after the judge has given his judgment, the clock reads "10:45:??". Had the court been adjourned to the next morning? - During the mind meld between Spock and Valeris, a shot of the clock reads "05:23:35". The reaction shots of Scotty a while later shows the time to be around "05:22:2?". When Enterprise-A contacts Sulu at the end of the scene, the clock reverts back to normal at "05:24:55". - As Enterprise-A approach Khitomer, the clock reads "09:37:05". Shortly thereafter, Spock says that they will enter into transporter range in 2 minutes. The next shot of the clock (when Kirk talks to Uhura) gives "09:43:10", clearly more than 2 minutes from the previous time. Actually, this could still be consistent, if we assume that some time passed between the view of the clock, and the very next shot of Kirk. Shortly after Uhura's line, Spock says that another 57 seconds are required. Spock then countdowns to 44 seconds when he is interrupted by Chang. When Chang speaks to the Enterprise-A, the clock freezes at "09:46:20" (there was actually another shot of the clock just before this, but the time was blurred and not clear). The entire sequence above meant that the Enterprise-A still has not entered into transporter range even after the two minutes as mentioned by Spock (even if it is 2 minutes from 09:43:10). Perhaps Enterprise-A had taken an unannounced detour. As the second torpedo hits the Enterprise-A, the clock reads "09:48:17". When the viewscreen shows that the Excelsior has been hit, no time is displayed, perhaps the clock has been damaged. The very next reaction shot of Uhura gives the clock time in the background as "01:18:44", clearly this is not consistent, but we can assume that the clock was giving the wrong time due to damage. |
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It has also been suggested that there is an inconsistency in the scene where the Klingon assassin cuts a hole in the panel in order to aim his weapon through, when the hole is not large enough for the assassin to aim using the scope on his weapon. It is possible that the visual through the scope was redirected from the nozzle of the weapon. However, if fans are still disturbed by this inconsistency, the hole could be digitally edited to look larger so that the assassin could aim his scope through as well! | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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The hole appears to be too small.... | ...to aim the scope through. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Uhura's name was spelled wrongly in the closing credits. It was written as "Uhuru". I suggest that this be corrected in a future DVD. It was established in "Flashback" (VOY) that Tuvok was present on the USS Excelsior during the events of ST6. It was Tuvok's first Starfleet career, and he was an ensign on the bridge. With CGI technology, Tuvok could be digitally inserted into scenes on the Excelsior bridge in ST6. Strictly speaking, although Tuvok was not seen on the Excelsior bridge in ST6, it does not mean that he was not there. "Flashback" (VOY) also establishes that Lt. Valtane was killed when the Excelsior fought with several Klingon battlecruisers as it attempted an unauthorised mission to rescue Kirk and McCoy. Strangely, Valtane was seen alive at the end of ST6. Some fans have speculated that the individual who resembled Valtane at the end of the movie was probably Valtane's twin brother who so happens to serve onboard the same ship. But I recommend a better solution. In the DVD for ST6, Lt. Valtane could be digitally removed from the last scene and be replaced with... Ensign Tuvok! Everything would therefore be consistent. |
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Ensign Tuvok on the USS Excelsior in 2293. |
TPTB should seriously consider digitally inserting Ensign Tuvok over Lt. Valtane, as a promotion for VOY. |
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Back to Index | Go to part 3 |