To Be Titled Afterwards

by Seb Parker

 

            I begin writing, first choosing what should begin.  As the second sentence progresses, I realize this appears more to be an example such as the one one could find in an editorial styleguide––something devoid of life.  Such is postmodernism.  With this conclusion in hand (or mind, for that matter) we, you and now I, must forge another path.  Perhaps I should ask you what road would be best traveled along.  However, you’re answer would be unheard.  A passive listener I will be then.  See…now we’re building steam.  Okay, so our conclusion must be to leave it up to me before you will see it, and only afterward can it be said I’ve been read.  Creation, forthwith:  Now:  Now:  Now.

 

            Similarly, beginnings occur again and again, repetitious and redundant.  Repetund.  Aha!  A new language to leave in our wake.  Vlagging tempist flu innernite, enciting sflight two closes ayes.  Annur slowly borne back out again.  Tight T.  I see what I hear right now and I’ll tell you…or show you rather, as you read (continue) anonwards.  Puritan fathers, like Hawthorne, shaking heads grievously, furrowbrowed, upsidedownmouthed, pestered by this silliness.

 

            “Let me just say, now that I’ve found a means to speak, that I sincerely and truly write in a proper manner, with full grammar and poise, whenever I so wish—and never could I duplicate the form as seen above three lines to anyone down here below.”  Unless, that was, I became the reader now, which I can do now that I can look over what has come before.  Allow me to demonstrate:  The first line of this…this…we still have to come up with a name for it, and I suppose I’ll have to…was, and I quote, I begin writing, first choosing what should begin, which, now that I look back upon it, wasn’t a very good beginning at all.  Nevertheless, may I change it?  I doubt you can answer.

 

            But what if it was I reading me, as I had done in the previous paragraph.  Then I answer myself––a moment of masturbation.  Then I become you.  Or not you, since it is hard to tell coming from where I am.  It sounds real good right now, the possibility of rereading myself, becoming a myth unto myself.  Masochistic narcissism is what that is.  See how I’ve creating my first rule (at least the first one I’ll acknowledge) before your very eyes?

 

            And as King, I decree, from my moment in the long-ago past, that we return once again to the possibility that the reader may be me, even if the Hindus are right and my atman’s resprung two thousand years hence, or the Buddhists who’d say any reader is me and not me all at once without a beat, what implication does that have, if any?  Do we have parallels or mere triangles or gobbledygook without meaning?  That’s what I’m afraid of, if you were wondering.  I’d hope you’d tell me if you did, too; unfortunately, I can’t and neither can you.  What a pickle we’ve gotten in ourselves.

 

            Wait a second…I can end this any time.  Even then—left you hanging, and knowing that I know this, you’re still reading.  But, on the other hand, you can see how below much black remains on this page like some all-divining god, past and future within reach.  Yet you stand as a strange visitor from a relative future.  And I am this, a ghost from the past.  Let’s just say we’ve met somewhere in-between, like the hyphen you’ve just seen.  A nice bar, an instant of aggregating heaven.

 

            Better to be clean about things, tie it all up and throw it out.  As a final act I’ll lay out a classic ending, so everyone feels the far shore beneath their feet.  Are you ready?  Am I?  Let’s see:  I’m scared to die.  Not yet.   But I’ve got to hurry.  I don’t want to overstay my welcome.

 

            So:

 

            The end. 

 

            There.

 

 

 

 

 

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