Modern America, 1914-present


 
 

Robert Lowell, 1917-1977

By Andrew Qureshi
Student, University of North Carolina at Pembroke

 Issues and Themes 

 A Young Lowell: A Powerful New Style 

          At the beginning of Lowell's career, he made a powerful impression with his composition "The Land of Unlikeliness."  Through this work, he sought to reflect his views and opinions, as well as his life and the struggles that he had endured.  His studies, with mentors such as John Crowe Ransom and Robert Penn Warren, had developed a style unique to the time period.  This style was one that people could relate to and therefore caused his works to attain great popularity in contemporary literature.  One critic remarked that "...Lowell's style is bold and powerful.  His angry and violent use of Catholic symbolism is...extraordinarily effective" (New Republic).  This "Catholic symbolism" was an undeniable characteristic of Lowell's early adventures as an author.  His views on religion were a part of almost every theme Lowell sought to expose through his writing.  Another critic remarks that Lowell is "consciously a Catholic poet" (New Republic).  Lowell knew that religion was a central part of the lives of many Americans during that time and he used it effectively by incorporating religion into modern popular literature; a technique that was very effective for writer Nathaniel Hawthorne.  However, Lowell's early stylistic techniques were far more intricate than that of just a religious poet.  He took form to a new level, astounding many of those who dare read his thoughts and views.  He was said to have "a challenging vitality in his fearless and energetic use of language and in his strongly personal rhythms" (Weekly Book Review).  Some of his work was shocking, some had blatantly apparent motives, but all displayed the techniques of a gifted young writer who took 17th century formalism and modernized it into 20th century art (New Republic). 
 

 A Poet Evolves: The Voice of Experience 

        As Lowell got older, his experiences were reflected in his work.  The picture of a more personal, emotional author was drawn by his work.  Experiences such as his stay at a mental hospital, his battles with alcoholism, and his turbulent love life created a man with many words of wisdom.  On the work "For the Union Dead", published in 1964, one reader remarks that the "sense of survival is strong in this book" (Newsweek).  A sense of survival for Lowell was sometimes a harsh reality.  His poetry sometimes reflected hopelessness and loneliness.  A critic said that "Great chunks of his life has been spent in misery and in mental asylums" but also remarked that "Lowell's grim landscape is relieved by people, hallowed by compassion" (TIME).  "For the Union Dead" was one of the best examples of Lowell's "anti- war" views in his work.  In his new works, he was more abstract with his words and effectively produced reactions in every reader,  bringing new meaning to poetry and establishing himself as a most notable contemporary poet. 

Bibliography

"Land of Unlikeliness." The New Republic. 23 Oct.  1944.  Rpt. in Book Review Digest.  Ed. Dorothy Brown.  H.W. Wilson co., 1945. 

"Land of Unlikeness." Weekly Book Review.  17 Dec. 1944: 18.  Rpt. in Book Review Digest.  Ed. Dorothy Brown.  H.W. Wilson co., 1945. 

Stauss and Farrar. "For the Union Dead." Newsweek. 12 Oct. 1964.  Rpt. in Book  Review Digest.  Ed. Dorothy Davidson.  H.W. Wilson co., 1965. 

"For the Union Dead." Time. 16 Oct. 1964. Rpt. in Book Review Digest. Ed. Dorothy Davidson.  H.W. Wilson co., 1965. 

"Poetry Exhibits: Robert Lowell."  Poets.org.  The Academy of American Poets.  21 Nov. 2000.  <www.poets.org/LIT/POET/rlowefst.htm>. 

This Web site contains a brief biographical outline, a picture of Lowell, and a recitation of the poem "The Public Garden" by Lowell.
"Robert Lowell."  Books and Writers Online.  21 Nov. 2000.  <www.kirjasto.sci.fi/rlowell.htm>.
 
        - A brief biographical outline and a list of important works.
"Land of Unlikeness."  Introduction by Allen Tate.  Cummington, Massachusetts:  The Cummington Press, 1944.  <www.lib.udel.edu/ud/spec/exhibits/treasures/american/lowell.html>.
 
        - A description of "The Land of Unlikeliness" and a picture of the actual book.
 

 

Major Works

  • Land of Unlikeness
  • Lord Weary's Castle
  • The Mills of Kavanaughs
  • Life Studies
  • Imitations
  • For the Union Dead
  • Notebook of a Year
  • The Old Glory

Homes

  • Boston, Massachusetts
  • Southboro, Massachusetts
  • Cambridge, Massachusetts
  • Gambier, Ohio
  • Kent, Ohio
  • Iowa City, Iowa
  • Baton Rouge, Louisiana

Careers

  •  Teacher and Editor - State University of Iowa, Kenyon School of Letters, Boston
  • University, Harvard University, the University of Essex, Kent University
  • (taught poets including Sylvia Plath, Anne Sexton, and W.D. Snodgrass)
  • Editorial Assistant - Sheed and Ward Publishers: New York
  • Consultant of Poetry - for The Library of Congress
  • Chancellor of The American Poets
  •  Poet - won the Pulitzer Prize twice for his poetry
  •  Essayist - won the National Book Award and National Book Award 
  • Critic's Circle Award
  • Playwright

Family

  • Robert Lowell was born into a very old and upstanding Boston family.
  • Mother: Charlotte Winslow Lowell. 
  • Father:  Robert Traill Spence Lowell III. His ancestors include James Russell Lowell and Amy Lowell, who were also American poets.
  • He had two sons.

Chronology

  • 1917:  born on March 1st in Boston, Massachusetts
  • 1930-1935: attends St. Mark's School, takes interest in teachings of Robert Eberhart
  • 1935-1937:  attended Harvard University
  • 1937: introduced to John Crowe Ransom in Tennessee
  • 1937-1940:  moved his studies to Kenyon College where JCR was teaching
  • 1940-1948:  married writer Jean Stafford
  • 1940-1941:  attended Louisiana State University where he was taught by Robert Penn Warren and Cleanth Brooks
  • 1943:  served a 5 month prison sentence for his participation in the anti- WWII effort
  • 1944:  published his first finished work, Land of Unlikeliness
  • 1946:  published Lord Weary's Castle - Pulitzer Prize
  • 1947:  won National Institute of Arts and Letters Grant and Guggenheim Fellowship Award
  • 1949:  was institutionalized for the first time in a mental hospital and married second wife, Elisabeth Hardwick, a writer and critic (1949-1972) (one son)
  • 1949-1950, 1952-1953:  taught at University of Iowa
  • 1950:  published Poems, a collection of poems that he wrote from 1938 to 1949
  • 1951:  published The Mills of the Kavanaughs
  • 1952:  won the Monroe Poetry Award
  • 1955-1960:  worked as a teacher at the University of Boston
  • 1959:  published his work Life Studies, which was influenced by W.D.Snodgrass and Allen Ginsberg's styles.  It won the National Book Award (1960) and was said to have "changed the landscape of modern poetry" (poets.org).
  • 1959:  won The Guinness Prize
  • 1960:  published Poesie de Montale,  a translation of poems by Eugenio Montale
  • 1961:  wrote the play Phaedra and Figaro (originally from Phaedra, by Racine) and published Imitations, a translation of other's works
  • 1962:  won the Bollingen Poetry Translation Award
  • 1962-1977:  served as Chancellor of The American Poets
  • 1963-1977:  Lowell taught at Harvard University
  • 1964:  won the New England Poetry Club Golden Rose and the Ford Foundation Grant for Drama
  • 1964:  published For the Union Dead, a work that portrayed his anti-war view
  • 1965:  wrote play, The Old Glory and won Obie Award for Drama
  • 1966:  won the Sarah Josepha Hale Award
  • 1967:  published Near the Ocean
  • 1968:  published The Voyage and Other Versions of Poems by Baudelaire, a translation of Baudelaire's works
  • 1969:  published Notebook 1967-1968, a personal journal
  • 1969:  wrote play Prometheus Bound
  • 1972:  married writer Caroline Blackwood (one son)
  • 1973:  published For Lizzie and Harriet and History
  • 1973:  published The Dolphin - Pulitzer Prize
  • 1974:  won Guggenheim Fellowship Award (2nd), Harriet Monroe Poetry Award Copernicus Award
  • 1976:  published Selected Poems, another collection of his poetry
  • 1977:  published Day by Day and won the National Award for Literature
  • 1977:  Robert Lowell dies in New York City on September 12

The Dolphin

My Dolphin, you only guide me by surprise,
a captive as Racine, the man of craft,
drawn through his maze of iron composition
by the incomparable wandering voice of Phèdre.
     When I was troubled in mind, you made for my body
caught in its hangman’s-knot of sinking lines,
     the glassy bowing and scraping of my will. . .
     I have sat and listened to too many
words of the collaborating muse,
     and plotted perhaps too freely with my life,
not avoiding injury to others,
     not avoiding injury to myself--
     to ask compassion . . . this book, half fiction,
an element made by man for the eel fighting
     my eyes have seen what my hand did.


Explication:

Unfamiliar Terms

Jean Baptiste Racine (1639-99)- was one of France's most notable tragic dramatists of the 17th century.  He was influentially involved in the Renaissance movement of Classicism.

Phedre - A tragedy, written by Racine in 1677, which caused much controversy and almost resulted in Racine quitting theater for good.
 

Form and Content

                   allusion - "...Racine, the man of craft, drawn through his maze of iron
                      composition by the incomparable wandering voice of Phedre..."

                                               Lowell refers to the play "Phedre" by Jean Baptiste Racine.
                                               His use of an allusion here emphasizes to the reader his
                                               feelings of "loneliness" and "wandering."  It portrays his
                                               views that his life is unpredictable and perhaps out of his
                                               control.

                   alliteration - "...a captive as Racine, the man of craft..."

                                              The use of the words "captive" and "craft" create a sense
                                                of harshness by using the "c" sound.

                   imagery - "...drawn through his maze of iron composition..."

                                                 It gives us a feeling of confinement as well as the feeling of
                                                  being drawn somewhere strange and eerie.

                              "...incomparable wandering voice of Phedre..."

                                                It appeals to our senses, in that we can almost hear the
                                                voice of which he speaks.

                              "...caught its hangman's knot of sinking lines..."

                                               It appeals to our sense of feeling.  It gives us a feeling of being
                                                helpless and bound, sinking into the unknown depths.

                              "...bowing and scraping of my will..."

                                               "Bowing and scraping" portrays a feeling of pain and
                                                instability of will.

                   figurative language -Most of the passages in "The Dolphin" use figurative
                                              language to create a certain abstractness; an abstractness
                                              that he uses to leave the reader with individual interpretations
                                              which develop the overall themes of the poem.

                              "My Dolphin..."

                                               Although Lowell speaks of his "dolphin", he really does not
                                               mean that he has a dolphin.  Most likely, he uses this term to
                                               describe the force which guides him in life.

                                " ...a captive as Racine, the man of craft, drawn by the
                           incomparable wandering voice of Phedre..."

                                               Lowell of course does not mean that he is really captive
                                               or drawn by a wandering voice; rather, he uses figurative
                                               language to describe his feelings of captivity and misdirection.

                                           "...caught in its hangman's knot of sinking lines..."

                                             He uses these terms to describe helplessness and fear,
                                               one of the main themes in "The Dolphin".

                                 " ...listened to too many words of the collaborating muse..."

                                                This passage most likely means that Lowell feels that he
                                                listened to the advice of others far too many times.  Maybe
                                                this passage means that his instinct is the strongest and most
                                                reliable.

                                  " ... an element made by man for the eel fighting..."

                                                Lowell means by this that this book is made for the
                                                betterment of man.  Through his experiences, a lesson
                                                in life can be taught.

                  repetition - "...not avoiding injury to others, not avoiding injury to
                           myself..."

                                                 Lowell uses repetition to emphasize his personal feelings of
                                                 his inescapably destructive nature.  The reader cannot help
                                                 but feel pity for the writer, given the circumstances of his life.