Don Herbison-Evans, M.A., D.Phil. (oxon), Dip. Dance Ed.
donherbisonevans@yahoo.com
(updated 24 October 2003)

with
partner Anna Piper
(Photo: Neville Lowe)
Don Herbison-Evans is
and is a very proud
grandfather.
He is the author of the
NUDES
computer animation system.
He has recently been co-lecturing
Introduction to Computer Graphics at the University of Technology Sydney.
His 80
publications
and
technical reports
to date range over:
Nuclear Magnetic Resonance,
Microwave Antenna Design
Numerical Analysis
Computer Graphics
Computer Animation
Dance, and
Dance Notation
His on-line pages include:
A program that prints itself
Solving Quartic and Cubic Equations
Animated Cartoons by Computers Using Ellipsoids
Rapid Raster Ellipsoid Shading
The NUDES animation System
4D Computer Output
Dance and the Computer
Computer Animation of the Merrilyn
Robots and Dancing
Objectifying Information About Dance
Digital Duet
A Dancer Among Us
LED & LINTER: An X-Window Labanotation Editor and Interpreter
Revised Grammar for the Foxtrot
A Ballet Animation Language
Symmetry and Dance
Perception of the Fleeting Moment in Dance
Gender & Choreography: An Irrational Tango
History of Modern Ballroom Dancing
History of Latin & American Dancing
Scottish Country Dancing
Noh Dancing
English Old Time Dancing
Exhibition Dancing
Ballroom Dance Studios Sydney
Ballroom Dance Studios NSW and ACT
Ballroom Dancing in Sydney
Australian Dance Links
Australian New Vogue Dancing on the Web
Dance Competitions in NSW
Dancing in the Olympics 2000 Closing Ceremony
The Interferometer
Caterpillars of Australian Moths and Butterflies
Dinosaurs Dancing in the Country
Australia vs New Zealand Showdance
Comforting Thoughts,
Sequenced Music for New Vogue Dancing,
Waltzing on a KDF9,
Why Can't I Slow Down,
as well as:
A
Curiculum Vitae and
An
Autobiography.
His interests include:
various forms of Dancing
rearing larvae of native Australian
Butterflies and
Moths,
keeping fresh and salt water native
Australian aquaria, and
UFO's.
His abiding
academic obsession
has been the design and study of languages for
the description and prescription of human movement.
Deciding that dancers have
been designing sytems for communicating movement for centuries,
he has been learning and studying
many forms of dance :
Ballroom Dancing
(Senior B Grade, 17 years, many teachers, lately
Bob Field, Sydney)
Latin & American Dancing
(Senior B Grade, 16 years, many teachers, lately
Neale & Nicole Byrnes, Sydney)
New Vogue Dancing
(Senior B Grade, 15 years, many teachers, lately Ian Gillard, Sydney)
Classical Ballet
(7 years, many teachers, most recently
Ann Butt-D'Hau, Sydney)
Contemporary Modern Dance
(5 years, many teachers, most recently
Ann Butt-D'Hau, Sydney)
Jazz Dancing
(5 years, many teachers, most recently Sam Emmans, Sydney)
Contact Improvisation (5 years, many teachers, most recently Pru Jones, Sydney)
Tap (5 years, many teachers, most recently Peggy Watson, Sydney)
Clogging (1 year, with Sonya Volzke, Bundaberg)
Exhibition Dancing (3 years, with George Czender, Sydney)
Folk Dancing (1 year, Kitchener-Waterloo Folk Dance Club)
Sacred Dance (6 months, with
Nina De Shane, Toronto)
Argentine Tango (4 months, with
Neville Boyd, Sydney)
Scottish Country Dancing (3 months, with Olivia Roberts, Sydney)
Square Dancing (3 months, with Shirley Kelly, Bundaberg)
Renaissance Dance
(3 months, with Waterloo University Renaissance Dancers)
Break Dance (3 months, Newport Community Centre, Sydney)
Line Dancing (10 classes, Kay Longhurst, Brisbane)
English Old Time Dancing
(Adult D Grade, 2 lessons, Brad Cherrie, Patrick Sweeney, Sydney)
Round Dancing (3 classes with Shirley Kelly, Bundaberg)
also
Labanotation (3 years,
Rhonda Ryman,
Ronne Arnold and
Drid Williams)
Benesh Dance Notation (18 months,
Rhonda Ryman, Waterloo)