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Top Ten Lists | ||||||||||||||||
Everything's a bit skewed date-wise because I spent nine months in France. All the films from the 2001 list were either releases in the US from that year or were films I had seen in France. Rather than try to accomodate American release dates for these two lists, I chose to keep the earlier one and try to put together a patchwork 2002 list that came from six months in France and six in Seattle. I decided to leave off any of my favorites that I saw in Cannes but have not yet been released here. | ||||||||||||||||
The best films of the year... | ||||||||||||||||
2001 | ||||||||||||||||
1) Je Rentre A La Maison - Manoel d'Oliveira 2) Amores Perros - Alejandro Gonzales Inarritu 3) Trouble Every Day - Claire Denis 4) What Time Is It There? - Tsai Ming-Liang 5) Mulholland Drive - David Lynch 6) Ghost World - Terry Zwigoff 7) Waking Life - Richard Linkater 8) Innocence - Paul Cox 9) Les Glaneurs et La Glaneuse - Agnes Varde Tie 10) Warm Water Under A Red Bridge - Shohei Immamura 10) The Royal Tenenbaums - Wes Anderson 10) Sexy Beast - Jonathon Glazer w/Brother, Battle Royale, Millenium Mambo, Bully, Human Nature, RxMas, Time and Tide, Hedwig and the Angry Inch (for that fantastic soundtrack), Storytelling, Eloge de l'Amour, Lord Of The Rings I: The Fellowship of the Ring , ABC Africa Undoubtedly, a fantastic year for movies. |
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2002 | ||||||||||||||||
1) Talk With Her - Pedro Almodovar 2) Spirited Away - Hayao Miyazaki 3) Lundi Matin - Otar Iosseliani 4) Punch-Drunk Love - P.T. Anderson 5) The Pianist - Roman Polanski 6) Russian Ark - Aleksandr Sokurov and then, in no order (I know, I can't count): Catch Me If You Can - Steven Spielberg 24 Hour Party People - Michael Winterbottom Morvern Callar - Lynne Ramsay The Believer - Henry Bean Roger Dodger - Dylan Kidd Y Tu Mama Tambien - Alfonso Cuaron and a special acknowledgement for Chris Marker's glorious Le Fond De L'Air Est Rouge, which received its first American distribution this year. w/Far From Heaven, Confessions of A Dangerous Mind, About Schmidt, L'Emploi du Temps, Igby Goes Down, All Or Nothing and Mischka by Jean-Francois Stevenin... as well as the first half of Adaptation My least favorites include The Hours, Nicole Garcia's L'Adversaire, Insomnia A few bright (very bright) spots near the end, but I'm praying for a better 2003. |
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2003, so far 1. Turning Gate - Hong Sang-soo 2. Dracula: Pages From A Virgin's Diary - Guy Maddin 3. Vendredi Soir - Claire Denis 4. Man Without A Past - Aki Kaurismaki 5. Divine Intervention - Elia Suleiman 6. My Mother's Smile - Marco Bellocchio 7. Spellbound 8. Vagabond & Hukkle 9. Spider - David Cronenberg 10. Sweet Sixteen - Ken Loach with/ Stevie, Ten, PTU, American Splendor, Gerry, The Mudge Boy, Power Trip, Marion Bridge, demonlover, Cremaster 3, Pirates of The Carribbean, Musa: The Warrior, So Close, Le Fils, In This World, Capturing The Friedmans ... my God, this has been a FANTASTIC year for movies, and it's not over yet. My most despised film is undoubtedly Todd Graff's unbearable musical, Camp, but Decade Under The Influence is up there too. 28 Days Later gets my strong recommendation for most overrated. No point on picking on anything else. |
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My All-Time Favorites: This is a list that's completely without stability. It often depends on what I've seen recently, an illuminating article I might come into contact with, or maybe whatever nostalgic wave happens to hit me as I get out of bed in the morning. Anyway, I've contributed a top ten list to www.sensesofcinema.com, so it is, in a way, official. I've left myself enough leeway to add a whole bunch of alternates and additions. Mainly, this list is meant to argue against any sort of canon (or, at least, against whatever's currently enshrined). If a 'greatest film's list can't include something with the goofy charms of Something Wild, or doesn't have the imagination to compare Wong or Kiarostami on equal footing with Bergman or Fellini, then what good is it? The fact is that greatest film lists tend towards the uninteresting - in the sense that they are incredibly inflexible and repetitive. You won't be getting any surprises, for the most part. This list is a personal one, one that I hope will illuminate something about my tastes and character. The alternates list is long, but that's because I feel this exercise is somewhat academic, and arbitrary. How much better, or worse, is one great film from another? Does it matter? Regardless, these are the films that I love. In no particular order. PlayTime - Jacques Tati Sherlock, Jr. - Buster Keaton and Clyde Bruckman Pierrot le Fou - Jean-Luc Godard Rio Bravo - Howard Hawks Moment of Innocence - Mohsen Makhmalbaf And Life Goes On - Abbas Kiarostami Yi Yi - Edward Yang Ivan the Terrible - Sergei Eisenstein Celine and Julie Go Boating - Jacques Rivette Taxi Driver - Martin Scorcese Other favorites include: Claire Denis' Beau Travail and Trouble Every Day Cronenberg's Dead Ringers and Videodrome Fassbinder's Merchant of Four Seasons Kiarostami's The Wind Will Carry Us and Where Is The Friend's Home? Wong Kar-Wai's Chungking Express, Fallen Angels, Happy Together and In The Mood For Love Aldrich's Kiss Me Deadly Hawks' His Girl Friday Rivette's La Belle Noiseuse Cocteau's Orphee Feuillade's Les Vampires The Fatal Glass of Beer, with W.C. Fields Godard's Le Mepris Truffaut's Tirez Sur le Pianiste and La Nuit Americaine Fellini's 8 1/2 Wes Anderson's Bottle Rocket Keaton's Steamboat Bill, Jr., The Navigator and The General Scorcese's Mean Streets Coppola's Godfather, I and II Almodovar's Talk To Her De Oliveira's Je Rentre A La Maison Altman's Nashville, Short Cuts and McCabe and Mrs. Miller Kitano's Sonatine Haynes' Velvet Goldmine Demme's Something Wild Antonioni's L'Avventura Welles' Touch of Evil and Citizen Kane Miyazaki's Spirited Away The Coen's The Big Lebowski Bunuel's That Obscure Object of Desire, Belle du Jour and The Discreet Charm of the Bourgeoisie Jarmusch's Dead Man Van Sant's My Own Private Idaho Samira Makhmalbaf's The Apple Dreyer's The Passion of Joan of Arc Bresson's Pickpocket and A Man Escaped Vertov's Man With A Movie Camera Lang's M Lubitsch's Trouble In Paradise and To Be or Not To Be Errol Morris' Gates of Heaven and Fast, Cheap and Out of Control Mackendrick's Sweet Smell of Success Eustache's La Mamain et La Putain Stuart Gordon's From Beyond Kaurismaki's La Vie de Boheme |