Top Ten Lists
Everything's a bit skewed date-wise because I spent nine months in France. All the films from the 2001 list were either releases in the US from that year or were films I had seen in France. Rather than try to accomodate American release dates for these two lists, I chose to keep the earlier one and try to put together a patchwork 2002 list that came from six months in France and six in Seattle. I decided to leave off any of my favorites that I saw in Cannes but have not yet been released here.
The best films of the year...
2001
1) Je Rentre A La Maison - Manoel d'Oliveira
2) Amores Perros - Alejandro Gonzales Inarritu
3) Trouble Every Day - Claire Denis
4) What Time Is It There? - Tsai Ming-Liang
5) Mulholland Drive - David Lynch
6) Ghost World - Terry Zwigoff
7) Waking Life - Richard Linkater
8) Innocence - Paul Cox
9) Les Glaneurs et La Glaneuse - Agnes Varde
Tie 10) Warm Water Under A Red Bridge - Shohei Immamura
       10) The Royal Tenenbaums - Wes Anderson    
       10) Sexy Beast - Jonathon Glazer 

w/Brother, Battle Royale, Millenium Mambo, Bully, Human Nature, RxMas, Time and Tide, Hedwig and the Angry Inch (for that fantastic soundtrack), Storytelling, Eloge de l'Amour, Lord Of The Rings I: The Fellowship of the Ring , ABC Africa
Undoubtedly, a fantastic year for movies.
2002
1) Talk With Her - Pedro Almodovar
2) Spirited Away - Hayao Miyazaki
3) Lundi Matin - Otar Iosseliani
4) Punch-Drunk Love - P.T. Anderson
5) The Pianist - Roman Polanski
6) Russian Ark - Aleksandr Sokurov

and then, in no order (I know, I can't count):

Catch Me If You Can - Steven Spielberg
24 Hour Party People - Michael Winterbottom    
Morvern Callar - Lynne Ramsay     
The Believer - Henry Bean 
Roger Dodger - Dylan Kidd
Y Tu Mama Tambien - Alfonso Cuaron

and a special acknowledgement for Chris Marker's glorious Le Fond De L'Air Est Rouge, which received its first American distribution this year. 

w/Far From Heaven, Confessions of A Dangerous Mind, About Schmidt, L'Emploi du Temps, Igby Goes Down, All Or Nothing and Mischka by Jean-Francois Stevenin... as well as the first half of Adaptation

My least favorites include The Hours, Nicole Garcia's L'Adversaire, Insomnia

A few bright (very bright) spots near the end, but I'm praying for a better 2003.
2003, so far

1. Turning Gate - Hong Sang-soo
2. Dracula: Pages From A Virgin's Diary - Guy Maddin
3. Vendredi Soir - Claire Denis
4. Man Without A Past - Aki Kaurismaki
5. Divine Intervention - Elia Suleiman
6. My Mother's Smile - Marco Bellocchio
7. Spellbound
8. Vagabond & Hukkle
9. Spider - David Cronenberg
10. Sweet Sixteen - Ken Loach

with/ Stevie, Ten, PTU, American Splendor, Gerry, The Mudge Boy, Power Trip, Marion Bridge, demonlover, Cremaster 3, Pirates of The Carribbean, Musa: The Warrior, So Close, Le Fils, In This World, Capturing The Friedmans

... my God, this has been a FANTASTIC year for movies, and it's not over yet.

My most despised film is undoubtedly Todd Graff's unbearable musical, Camp, but Decade Under The Influence is up there too. 28 Days Later gets my strong recommendation for most overrated. No point on picking on anything else.
My All-Time Favorites:


This is a list that's completely without stability. It often depends on what I've seen recently, an illuminating article I might come into contact with, or maybe whatever nostalgic wave happens to hit me as I get out of bed in the morning. Anyway, I've contributed a top ten list to www.sensesofcinema.com, so it is, in a way, official. I've left myself enough leeway to add a whole bunch of alternates and additions. Mainly, this list is meant to argue against any sort of canon (or, at least, against whatever's currently enshrined). If a 'greatest film's list can't include something with the goofy charms of Something Wild, or doesn't have the imagination to compare Wong or Kiarostami on equal footing with Bergman or Fellini, then what good is it? The fact is that greatest film lists tend towards the uninteresting - in the sense that they are incredibly inflexible and repetitive. You won't be getting any surprises, for the most part. This list is a personal one, one that I hope will illuminate something about my tastes and character. The alternates list is long, but that's because I feel this exercise is somewhat academic, and arbitrary. How much better, or worse, is one great film from another? Does it matter? Regardless, these are the films that I love.

In no particular order.

PlayTime - Jacques Tati

Sherlock, Jr. - Buster Keaton and Clyde Bruckman

Pierrot le Fou - Jean-Luc Godard

Rio Bravo - Howard Hawks

Moment of Innocence - Mohsen Makhmalbaf

And Life Goes On - Abbas Kiarostami

Yi Yi - Edward Yang

Ivan the Terrible - Sergei Eisenstein

Celine and Julie Go Boating - Jacques Rivette

Taxi Driver - Martin Scorcese



Other favorites include:

Claire Denis' Beau Travail and Trouble Every Day

Cronenberg's Dead Ringers and Videodrome

Fassbinder's Merchant of Four Seasons

Kiarostami's The Wind Will Carry Us and Where Is The Friend's Home?

Wong Kar-Wai's Chungking Express, Fallen Angels, Happy Together and In The Mood For Love

Aldrich's Kiss Me Deadly

Hawks' His Girl Friday

Rivette's La Belle Noiseuse

Cocteau's Orphee

Feuillade's Les Vampires

The Fatal Glass of Beer, with W.C. Fields

Godard's Le Mepris

Truffaut's Tirez Sur le Pianiste and La Nuit Americaine

Fellini's 8 1/2

Wes Anderson's Bottle Rocket

Keaton's Steamboat Bill, Jr., The Navigator and The General

Scorcese's Mean Streets

Coppola's Godfather, I and II

Almodovar's Talk To Her

De Oliveira's Je Rentre A La Maison

Altman's Nashville, Short Cuts and McCabe and Mrs. Miller

Kitano's Sonatine

Haynes' Velvet Goldmine

Demme's Something Wild

Antonioni's L'Avventura

Welles' Touch of Evil and Citizen Kane

Miyazaki's Spirited Away

The Coen's The Big Lebowski

Bunuel's That Obscure Object of Desire, Belle du Jour and The Discreet Charm of the Bourgeoisie

Jarmusch's Dead Man

Van Sant's My Own Private Idaho

Samira Makhmalbaf's The Apple

Dreyer's The Passion of Joan of Arc

Bresson's Pickpocket and A Man Escaped

Vertov's Man With A Movie Camera

Lang's M

Lubitsch's Trouble In Paradise and To Be or Not To Be

Errol Morris' Gates of Heaven and Fast, Cheap and Out of Control

Mackendrick's Sweet Smell of Success

Eustache's La Mamain et La Putain

Stuart Gordon's From Beyond

Kaurismaki's La Vie de Boheme