Starring:
Yu
Ji-Tae, Kim
Ha-Neul, Ha
Ji-Won
Price: P100.00
Subtitle: ENGLISH
CDs: 2
Director:
Kim
Jeong-Gweon
Genre:
Romance
Certification:
15
Runtime: 110mins
Production:
Hanmac
Films
Distribution:
Hanmac
Films
Language:
Korean
Country: South Korea
In the last few years, a new film
genre has been steadily currying favor
among South Korean moviegoers,
blending the traditional staple of
melodrama (no stranger to cinema on
the peninsula) with some science
fiction or fantasy time-travel
elements that unite two lovers
separated by time. 1996 saw the first
entry into this 'love across time'
genre with "Shiri" director
Jacky Kang's "The Gingko Bed (Eunhaengnamoo
chimdae)", where an antique bed
reunites a man in present-day Korea
with his long-lost love in a previous
life. Since then, the genre has grown
to include a number of memorable
films, including 1999's
"Calla" (a businessman gets
a second chance to save the life of a
flower girl he has fallen in love
with), "Il Mare" (a magic
mailbox brings together two people
living two years apart) and
"Peppermint Candy (Bakha
sating)" ("Forrest Gump"
meets "Memento" as a man
travels back in time through the
events that have unraveled his life)
from 2000, and "Failan (Pairan)"
(a low-level thug finds dignity in the
letters written by his deceased wife
whom he never knew) from 2001.
One of the more popular entries in the
genre is Kim Jeong-kweon's "Ditto
(Donggam)", which appeared in
Korean movie houses four months prior
to the release of "Il Mare"
and racked up an impressive one
million admissions in 2000. The story
revolves around the relationship that
develops between two college students,
So-eun (the lovely Kim Ha-neul) and In (Yoo Ji-tae of "Attack the Gas
Station!"), who connect via a ham
radio one night. However, when they
decide to meet on campus and miss each
other, it is revealed that they are
separated by 21 years, with So-eun in
1979 and In living in the present day,
2000. Eventually, they become
comfortable with the supernatural
phenomenon that has brought them
together, as well as their
correspondence. She relates her
camaraderie with her best friend Seon-mi
(Kim Min-ju) and her pining for fellow
student Dong-heui (Park Yong-woo),
while he talks about the unwanted
attention he receives from fellow
co-ed (Ha Ji-weon). However, as the
on-air relationship deepens, it is
revealed that their ties go far deeper
than ever imagined.
True, the plot of "Ditto" is
eerily similar to a Hollywood
production released that same year,
"Frequency", in which a
young man is able to communicate with
his late firefighter father through a
ham radio. However, there is a
difference between the two films with
respect to intent. Whereas
"Frequency" was more-or-less
a sci-fi suspense-thriller,
"Ditto" ends up being a
bittersweet drama that offers up some
interesting perspectives on the
national psyche of South Korea.
To appreciate the significance of the
two timelines in "Ditto",
1979 and 2000, one needs to be
familiar with the history of South
Korea, a relatively young democracy
with a turbulent past. Though the
country was established as a
democratic republic in the aftermath
of the Second World War, the
disruption of the Korean War, sluggish
economic growth, and paranoia over the
growing influence of pro-North leftist
groups created an environment of
instability, which eventually led to a
military coup during the Sixties. For
the next three decades, the successive
governments of Park Chung-hee and Chun
Doo-hwan maintained a tight grip on
the country through various means such
as declaring martial law, using the
Korean Central Intelligence Agency (KCIA)
to spy on and harass political
opponents, violently suppressing
anti-government demonstrators, and
manipulation of the country's
constitution.
Faced with increasing opposition and
mass demonstrations in 1987, President
Chun finally delivered several
democratic reforms, including a new
constitution and open elections.
Though the following decade would
bring South Korea renewed economic
growth and membership in the United
Nations, the young democracy would
still be rocked by numerous
challenges. Government corruption
figured prominently, as the 'old ways'
came under greater scrutiny in the
nascent democracy, which included the
arrest of former Presidents Chun and
Roh Tae-woo for their roles in the
1980 Kwangju Massacre (an event that
plays a prominent role in
"Peppermint Candy") and
allegations of bribery against
President Kim Young-sam, who had
himself spearheaded an anti-corruption
campaign in the early Nineties. And
then in 1997, the Asian economic
crisis hit the debt-ridden South
Korean economy, which resulted in a
rapid depreciation of the country's
currency and a bailout by the
International Monetary Fund. It would
not be until 2000 that some semblance
of stability would return to the
peninsula, as National Assembly
elections brought veteran opposition
leader and pro-democracy advocate Kim
Dae-jung to power. At long last,
democracy in South Korea had come of
age.
Given that the South Korean people
made the painful transition from one
political extreme to the other in the
span of a single generation, it is not
surprising that the country's
filmmakers have been influenced by
such upheaval. Underlying the 'love
across time' genre is the dichotomy
between the lessons of the past and
the understanding of the present, not
unlike the themes addressed in the
films of Wong Kar-wai ("In the
Mood for Love"). All the
characters in the genre's films
struggle with trying to make sense of
events in their past, often
catastrophic, and using that knowledge
to better understand themselves and
their current circumstances. And like
the growing pains experienced by South
Korea over the last four decades,
there is a realization that the trauma
of past experience shapes and becomes
an integral part of the individual (or
a nation), wherein lies its
acceptance. This perspective is
readily demonstrated in the films of
the genre, such as with Eun-joo (Jun
Ji-hyun) making sense of a broken
relationship in "Il Mare",
the disintegration of Yongho (Sol
Kyung-gu) in "Peppermint
Candy", and the dignity and
comfort that Kang-jae (Choi Min-shik)
finds in the letters from his late
wife in "Failan".
In the case of "Ditto",
screenwriter Jang Jin (who also wrote
the Korean political satire "The
Spy") anchors the young and naïve
So-eun in the month of October of
1979, a period of major political
upheaval that was triggered by the
assassination of Park on the 25th of
that month. On the other hand, In is a
child of the Internet era, who perhaps
takes the relative stability of modern
South Korea for granted. As the story
develops, Chang makes it very clear in
one of the film's genuine 'gee-whiz'
moments that the destinies of these
two protagonists are irrevocably
intertwined, with the decisions made
and actions taken by So-eun having
significant implications for In, not
unlike how South Korea's political
strife during the Sixties and
Seventies helped set the stage for
reform during the Eighties and
Nineties. Unfortunately, like much of
the 'lost generation' of Koreans
during the Park and Chun regimes, So-eun
ends up becoming a casualty of
history, which is eloquently conveyed
in the film's sad coda in the present
day.
Technically speaking, director Kim
Jung-kueon has crafted
"Ditto" with some top-notch
production values. Kim makes good use
of some stunning cinematography to
contrast the two eras, such as the
missed meeting at the clock tower,
which has So-eun under sunny skies and
In soaked by a downpour. The film's
judiciously chosen soundtrack also
highlights the differences between the
two time periods, and heightens the
sense of bittersweet remorse that
dominates the film's ending. Coupled
with a strong performance by Kim
Ha-neul,
who capably demonstrates So-euns
emotional maturation against the
film's historical backdrop,
"Ditto" is in the league of
"Il Mare" and
"Peppermint Candy" as a
shining example of the genre.
With the growing prominence of Korean
films on the world stage, it is not
surprising to see that the 'love
across time' genre has crossed over
into other markets, such as with the
2001 release of "Second Time
Around", essentially a Hong Kong
take on the genre starring Ekin Cheng
("Legend of Zu") and Cecilia
Cheung (who also starred in "Failan").
However, whereas "Second Time
Around" is purely aimed at
cashing in on a growing cinematic
phenomenon, "Ditto", along
with the other films of the Korean
'love across time' genre, is a
thoughtful reflection of the national
psyche of South Korea, a country that
has matured into a functioning
democracy in a relatively short time,
yet still bears the scars of that long
and difficult struggle.