Here is a band from the land of Australia, Anarazel. They just recorded a demo entitled 'Into the Abyss of Midnight'. I just got a copy of it, and it is good, I mean it, so get a copy today!! All of them answered this interview. I don't know what else to say, so just read the intie, and try contacting them and get the demo!!!
Introduce Anarazel.
Members -
Dean ; Vocals,
Stuart ; Strings,
Roman ; Percussion
Location - Melbourne, Australia.
You said you would be finishing your demo soon.
How has it been going?
tell us about the demo, if so, your previous releases?
The recording of the demo has been a very gradual process.
This is due mainly to line up changes, equipment restrictions etc.
Also, as we have all been developing as musicians, our styles and
influences have changed radically. Up until recently we had not settled
on a particular style or format for our music.
It is now complete and we are content with its sound. It is
entitled "Into The Abyss At Midnight".
Though we do need an extra guitarist before we start gigging.
How do you think the reaction would be towards the demo? Do you feel you
have an 'edge' on the demo that would let Anarazel be famous in the Black
Metal scene?
Dean: It is difficult to say whether the demo will be received well by
Australian followers of black metal. Certainly it is different to most
bands in the Australian scene. I believe we do have a distinctive
'Anarazel' edge to our music.
Roman: It's not one dimesional like some bands. There is a good mixture
of different paced songs/parts. The production is also reasonably good.
Roman: The lyrics speak for us all.
Stuart: Philosophy is for people who can't play their instruments.
Dean: Musically/lyrically I am inspired heavily by the likes of Slayer,
Morbid Angel , early Sabbath and more recently the European black metal
scene.
Stuart: Satyricon, Slayer, At the gates...
Roman: We were all initially big Slayer fans. I really got into Death
Metal a few years back...Obituary, Cannibal Corpse, Deicide, Morbid Angel.
These days I mainly listen to Black Metal, I prefer stuff like Emperor,
Cradle Of Filth, Dimmu Borgir, Enslaved, etc.
But Deicide is definitely something that doesn't leave my CD player.
Dean: There are definitely some black metal bands out there who are not
too sincere about what they're doing. Personally, I have had an interest
in Satanism and the occult since before I discovered music. I am a big
fan of the Scandinavian black metal scene and it doesn't bother me that
they sing about their ancestors etc. They are very passionate about their
music for that reason.
Stuart: I don't give a shit what they sing about.
Roman: Well, I think that to be called a Black Metal band you do need
to have some Satanic/Anti-Christian content. Just as Death Metal usually
deals with gore and all that. But these days Metal is so diverse that its
hard to label bands this way.
Though most bands that have Satanism as a theme probably wouldn't really
believe all that Satan stuff. They would only do it to piss people off!
And because Christianity and all other religions are fucked up.
I hate Christians and what they stand for, so this hatred expresses
itself in our music.
If snow and forests are things that inspire some bands, then so be it.
To me the music is more important than song themes, band image, etc.
But a bit of corpse paint and big axe never goes astray.
Stuart: Who's Marilyn Manson?
Roman: He's just a fuckwit. I don't understand how he became so popular
in the first place. He's an insult to Satanists!!
Dean: I have no respect for shit bands who cash in on a certain image to
sell records.
Stuart: Better since we started.
Dean: The scene is reasonably big and is of a high standard but there's
not enough bands playing gigs at the moment.
Roman: There are quite a few Black Metal bands in Australia.
Destroyer666, Anatomy and Bestial Warlust are Melbourne bands worth checking
out. And I'd say we have some of the best Grind/Death Metal bands around.
Damaged has got to be heard, as well as Blood Duster and Abramelin.
We don't know too much about Black Metal bands interstate. Though there are
heaps more quality bands.
The problem here is that there is a shortage of venues for extreme bands.
There is also little recognition by record companies.
Do you think zines (printed/ezines) are useful in the underground scene?
What in your opinion is a good zine?
Without zines how else could underground bands like ourselves get our demos
heard all around the world? And get the recognition we deserve.
Especially e-zines(and the web in general) are useful 'cos its quite
inexpensive and very effective way of spreading our material.
Sending demos to record companies is useless.
How would you like to end his interview?
Thanks for the interest.
May the rest of your days be spent revelling in blasphemy!
Hail SATAN!!! Check out our homepage at http://go.to/anarazel