The Rhythm, the Rhyme,
and the Rhetoric
WE ALL know how the University of Iowa has helped (and probably continues to help) a lot of our country's writers through the UI International Writing Program and its individual members. As we all know workshops / seminars have been invaluable to almost everyone of us in this list when we were young. As we all know too how universities have made good in maintaining and keeping the literatures of all generations (the shortcomings in multicultural consideration notwithstanding).
I am not involved in the fight to save UI. You could say I don't care about UI, although indirectly I would for any university dedicated to the nurturing of writers and their art. Nor, to clarify, am I discouraging anyone from joining the fight to save UI. By all means, I'd say, fight to the end.
This message is then simply a reminder. A reminder to the forgetfulness of our era that, lest our worries get worse, sometimes certain causes turn out to be really lost causes and must be given up for lost. Lest our worries get worse. But lest (also) one think this is being utterly defeatist, may I now say that a "lost cause" does not necessarily read someone's having truly lost! For, after all, it may really just mean someone's waking up to an opportunity to look in another direction! Although the contending argument would laugh at this corniness and say, bluntly though equally corny, "it is always better to lose while fighting than lose without having fought at all." That is all well and good. That is honorable, I'll say here.
My concern, actually, is merely the maintenance of the highlight on the philosophy behind a fight, any fight. For if one is to join any present effort (to save UI) from a standpoint of mere worry, be it worry for certain literatures and writers and what may happen to them henceforth should UI go, I'd say the fight would be ignoble (could win one the Ig Nobel Award for Literature).
A creative director of mine at an ad agency told me once that a copywriter shouldn't resign simply because certain influential conservative quasi-execs in an agency are lobbying against his "poor produce." He said that would be entirely defeatist. They'd win, he said. Well, . . . I had a different view. I thought such a "war" could really be better fought from without instead of within, and sans the usual necessity of useless confrontation. I resigned before I could be ousted, found early a place where I would find the freedom to do my kind of stuff, and went further to -- this is the part where I'll have to get immodest -- become a creative partner, bidding for accounts against big and medium-size agencies.
But I don't want to delve into an art of war issue, no! You could read about that elsewhere, bookstands at airports sell such books. I've already suggested a philosophy (with a small "p"). Not an art but a philosophy. And I believe that literature will survive the death of universities. I believe that, in spite of universities' successful safekeeping of our literatures throughout the last few centuries, literature will continue to exist -- in the streets and in the bars and corporate libraries and elsewhere -- should all universities ban literature itself (and some philosophers have actually campaigned for such a ban!). You'd say, but woe to good literature! Not so fast. I wouldn't say that to good rock music that continue to be churned out by even the mainstream recording industry run by profit-motivated execs. I wouldn't say that to good cinematic works that continue to process negatives into positives within profit-oriented institutions. Is there any university directly handling these artforms? In place of a university to patronize an alternative cinema, Fox put up its Searchlight production house. Miramax, a pioneer in alternative film production in eighties and nineties Hollywood, has quite a website full of Miramax film listings. Robert Redford established the Sundance Film Festival for independent filmmakers. And he's not a professor.
And while we're at it, need I mention the literatures that universities have ignored for decades or a century before they could be acknowledged for their value via the changes in the day's cultural vision? These works didn't cease to exist. Need I mention the literatures that universities have oppressed; worse than what the University of the Philippines did to Jose Garcia Villa (for writing an "erotic" poem); worse than what Manila's illustrious University of Santo Tomas did to Jose Rizal's novels on to the early '60s even when the Philippines had already gained independence from the US in 1945?! Yes. Some literatures survive without universities' help and embrace.
So what is my point, my friends? Literature is like religion. The burning of churches or temples won't succeed in killing religion, and the burning of millions of books have not erased literature. No matter how many literature professors are brought to the bread lines of a future neo-Fascist regime, none will eliminate literature. And no matter how many writers are put in front of a firing squad, none will be able to kill the rhythm and the rhyme and the rhetoric that will keep on regenerating in our midst, within the armies of the time, even secretly within a regime's new cabinet! Oh, certainly an art may take another shape: verse drama did become outmoded; opera did become bourgeois; Neruda has been recited by hypocritical apolitical profiteers at Hollywood. But literature will move on, renewing itself for the present, be it in the shape of lyrics disguised under the noise of industrial rock, or the one on the papyrus someone rolled into a metal vacuum that he just hid inside his ass. Or it could be terribly atextual, had the state banned literacy among the poor.
In the meantime, yes. Yes, go and fight the war to save UI! But don't forget, my friends. The streets make quite a dormitory. It is here, here! -- where we can "fuck" our nostalgia for the university. [VSV]
--finis--
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© 1999, 2000 Vicente Soria de Veyra. All rights reserved.
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