Sidney Lanier was not really a Georgia poet in the truest sense of the word. He traveled widely and happened through Georgia a few times. His most famous poem, at least around here, is The Marshes of Glynn, which is featured at the bottom of the page after Souls and Raindrops. The legend of the poem is that Lanier sat underneath a live oak tree and wrote the poem while overlooking the marsh between the mainland and St. Simon's and Jekyll Islands. The old oak tree that is named Lanier's Oak on US Highway 17 leading into Brunswick, GA in Glynn County is the one Sidney Lanier is supposed to have sat beneath and wrote the poem. That oak is among others in the median. Although once a tourist spot, the area is now populated and features the usual shops with McDonald's and other modern stores and restaurants. The picture I chose for the background is the view of St. Simon's from the part of Jekyll Island known as Driftwood Beach. There are pieces of driftwood in the water and a shrimp boat in the right third of the picture (look close). Had I not used such a wide angle lens, I would've been able to capture the St. Simon's pier and the lighthouse. Both are featured among my aerial pictures in the My Proposal2 section. Enjoy the poetry.

aig

Souls and Raindrops

 

Light raindrops fall and wrinkle the sea,

Then vanish, and die utterly.

One would not know that raindrops fell

If the round sea wrinkles did not tell.

 

So souls come down and wrinkle life

And vanish in the flesh-sea strife.

One might not know that souls had place

Were 't not for the wrinkles in life's face.

 

The Marshes of Glynn.

 

Glooms of the live-oaks, beautiful-braided and woven

 

With intricate shades of the vines that myriad-cloven

 

Clamber the forks of the multiform boughs, --

 

Emerald twilights, --

 

Virginal shy lights,

 

Wrought of the leaves to allure to the whisper of vows,

 

When lovers pace timidly down through the green colonnades

 

Of the dim sweet woods, of the dear dark woods,

 

Of the heavenly woods and glades,

 

That run to the radiant marginal sand-beach within

 

The wide sea-marshes of Glynn; --

 

 

 

Beautiful glooms, soft dusks in the noon-day fire, --

 

Wildwood privacies, closets of lone desire,

 

Chamber from chamber parted with wavering arras of leaves, --

 

Cells for the passionate pleasure of prayer to the soul that grieves,

 

Pure with a sense of the passing of saints through the wood,

 

Cool for the dutiful weighing of ill with good; --

 

 

 

O braided dusks of the oak and woven shades of the vine,

 

While the riotous noon-day sun of the June-day long did shine

 

Ye held me fast in your heart and I held you fast in mine;

 

But now when the noon is no more, and riot is rest,

 

And the sun is a-wait at the ponderous gate of the West,

 

And the slant yellow beam down the wood-aisle doth seem

 

Like a lane into heaven that leads from a dream, --

 

Ay, now, when my soul all day hath drunken the soul of the oak,

 

And my heart is at ease from men, and the wearisome sound of the stroke

 

Of the scythe of time and the trowel of trade is low,

 

And belief overmasters doubt, and I know that I know,

 

And my spirit is grown to a lordly great compass within,

 

That the length and the breadth and the sweep of the marshes of Glynn

 

Will work me no fear like the fear they have wrought me of yore

 

When length was fatigue, and when breadth was but bitterness sore,

 

And when terror and shrinking and dreary unnamable pain

 

Drew over me out of the merciless miles of the plain, --

 

 

 

Oh, now, unafraid, I am fain to face

 

The vast sweet visage of space.

 

To the edge of the wood I am drawn, I am drawn,

 

Where the gray beach glimmering runs, as a belt of the dawn,

 

For a mete and a mark

 

To the forest-dark: --

 

So:

 

Affable live-oak, leaning low, --

 

Thus -- with your favor -- soft, with a reverent hand,

 

(Not lightly touching your person, Lord of the land!)

 

Bending your beauty aside, with a step I stand

 

On the firm-packed sand,

 

Free

 

By a world of marsh that borders a world of sea.

 

 

 

Sinuous southward and sinuous northward the shimmering band

 

Of the sand-beach fastens the fringe of the marsh to the folds of the land.

 

Inward and outward to northward and southward the beach-lines linger and curl

 

As a silver-wrought garment that clings to and follows

 

the firm sweet limbs of a girl.

 

Vanishing, swerving, evermore curving again into sight,

 

Softly the sand-beach wavers away to a dim gray looping of light.

 

And what if behind me to westward the wall of the woods stands high?

 

The world lies east: how ample, the marsh and the sea and the sky!

 

A league and a league of marsh-grass, waist-high, broad in the blade,

 

Green, and all of a height, and unflecked with a light or a shade,

 

Stretch leisurely off, in a pleasant plain,

 

To the terminal blue of the main.

 

 

 

Oh, what is abroad in the marsh and the terminal sea?

 

Somehow my soul seems suddenly free

 

From the weighing of fate and the sad discussion of sin,

 

By the length and the breadth and the sweep of the marshes of Glynn.

 

 

 

Ye marshes, how candid and simple and nothing-withholding and free

 

Ye publish yourselves to the sky and offer yourselves to the sea!

 

Tolerant plains, that suffer the sea and the rains and the sun,

 

Ye spread and span like the catholic man who hath mightily won

 

God out of knowledge and good out of infinite pain

 

And sight out of blindness and purity out of a stain.

 

 

 

As the marsh-hen secretly builds on the watery sod,

 

Behold I will build me a nest on the greatness of God:

 

I will fly in the greatness of God as the marsh-hen flies

 

In the freedom that fills all the space 'twixt the marsh and the skies:

 

By so many roots as the marsh-grass sends in the sod

 

I will heartily lay me a-hold on the greatness of God:

 

Oh, like to the greatness of God is the greatness within

 

The range of the marshes, the liberal marshes of Glynn.

 

 

 

And the sea lends large, as the marsh: lo, out of his plenty the sea

 

Pours fast: full soon the time of the flood-tide must be:

 

Look how the grace of the sea doth go

 

About and about through the intricate channels that flow

 

Here and there,

 

Everywhere,

 

Till his waters have flooded the uttermost creeks and the low-lying lanes,

 

And the marsh is meshed with a million veins,

 

That like as with rosy and silvery essences flow

 

In the rose-and-silver evening glow.

 

Farewell, my lord Sun!

 

The creeks overflow: a thousand rivulets run

 

'Twixt the roots of the sod; the blades of the marsh-grass stir;

 

Passeth a hurrying sound of wings that westward whirr;

 

Passeth, and all is still; and the currents cease to run;

 

And the sea and the marsh are one.

 

 

 

How still the plains of the waters be!

 

The tide is in his ecstasy.

 

The tide is at his highest height:

 

And it is night.

 

 

 

And now from the Vast of the Lord will the waters of sleep

 

Roll in on the souls of men,

 

But who will reveal to our waking ken

 

The forms that swim and the shapes that creep

 

Under the waters of sleep?

 

And I would I could know what swimmeth below when the tide comes in

 

On the length and the breadth of the marvellous marshes of Glynn.