| Black And Grey The tattoo is done in shades of black and gray only. This style originated in the prisons of North America, due to the prisoner's difficulty in obtaining colored ink. When several tattooists, e.g. California's Jack Rudy and Good Time Charlie Cartwright, saw the work they realized that there was great artistic potential in adapting it for use in tattoo shops outside of the prisons. They developed the refined, detailed style that has become popular these days. |
| Traditional Traditional style refers to the Western or American tattoo: arranging scrolls of words amongst decorative vignettes, flowers, hearts and animals. The style was first developed to accommodate busy shops of the 40s and 50s near military bases (it is a quick way to tattoo) and the limited color palette then available. This type of tattoo is very stylized, quite two dimensional, and often executed with little regard for art. The lines tend to be thick and bold, the colors are rarely shaded or life-like, and the images tend towards iconic, cartoon-like, and little effort made to make things look realistic. Common design elements include hearts, anchors, birds, panthers, simple flowers (roses in particular), and names. |
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| New York "The New York Style" of tattooing is known for its direct, no nonsense aesthetic. Influenced by Augustus "Cap" Coleman, The New York Style has historically exhibited a bold outline and bright, bold colors |
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| Bio-mechanical A style popularized by illustrator H. R. Giger, the designer of the creature from the Alien movies. Bio-mechanical work usually involves flesh intertwined with machines. |
| Fineline Delicate outlines, often highly detailed. The success of the finished tattoo depends a great deal on the artist's use of negative space, and his or her refraining from adding yet more detail. An overly detailed fineline tattoo, or one that was not carefully planned out, may dissolve into mush after a few years. Fine line tries to reproduce an effect similar to looking at a drawing or painting on the skin. This type of tattooing falls into the categories "color work" and "black and grey". The desired effect is that of the skin being just another type of canvas or medium for the artist. |
| Tribal Bold, black, silhouette style designs. Most of this work is based on ancient tattoo designs of the South Pacific Islands.These designs, more so where they are strongly based on traditional forms, are usually abstract. But this is not always the case, as tattooist in the west have modified the traditional designs. The easiest way to characterize tribal style blackwork is that it consists of a combination of discrete design elements, each of which is self contained, abstract, and without shading. These elements are grouped which may or may not have a separate specific meaning. |
| Portrait Photographic quality work, usually portraits or nature scenes. Images taken from photos, best done by someone who can render realistic photographic images. Usually done in black and grey ink. The danger with finely stippled realistic tattoo work is the same danger inherent in all tattoos. The pigment 'bleeds' by osmosis, spreading under the skin, which can turn a once finelined tattoo into a dark, fuzzy blotch over a couple of years and finelined work is that which suffers most, quality-wise. |
| Celtic Celtic tattooing refers to tattoo work based on Celtic styles of art and design. Scroll-work in particular, Celtic knots, and traditional design elements such as griffins and other stylized mythological creatures, arm bands utilizing triskaleons or interweaving knot-work designs, and the Celtic cross and circle are motifs representative of this category. These are much harder for artists to do, and is best done by someone who specializes in it. Also usually done in just black ink. |
| Custom Original work designed by the bearer, either on his/her own or together with the tattooist. Custom designs are prevalent among people looking for a tattoo which fits their personality, set of beliefs or is chosen to mark a pecial event in their lives. The design itself can be widely varying, depending on taste, budget and attitude of the bearer. |
| Oriental This style of tattooing is more concerned with approach than subject matter. It utilizes the entire body as canvas, rather than the western approach of adding a tattoo here and there. The Oriental style usually incorporates swirling patterns and figures from eastern mythology into the designs. This style is characterized by flowers with symbolic value (particularly chrysanthemums), fish (again with symbolic value), such as carp, the familiar dragon imagery, and background fill-work reminiscent of water and waves. These images are often stylized in a particular fashion that follows the design rules of traditional Japanese art. Individuals in traditional Japanese dress may also be part of the images. |
| Scratcher / Handpicked Handpicked or scratched refers to nonprofessional tattoos. Prison tattoos falls into this category; work that is most likely done with a single needle, often a sewing needle or a pin, dipped in India ink and then pricked into one's own skin or the skin of a friend. |
| New School New School is the news form of ink work, it consists of bold lines bright and brillant colors.many times its found in or done as the same style as tagging or graffity.the images you see on subways as well as walls is that similar to what you would find representing new school. |
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