Crone Genesis
by Z Budapest
Fifty-nine is such a bore, I have decided I'll be sixty years old twice.
In my sixtieth year, I am in my first year of Cronehood. Many women think
that Cronehood is somehow assumed because you "feel" like a Crone. Or
because you stopped the bloods, so now you are a Crone, or even after having
had a hysterectomy you want to storm the bastion and the majesty of
Cronehood. But all in vain! Croning is not up to you anymore than your birth
was. Because Croning is a star thing. A star thing, or rather a planet thing
because it's ultimately a Saturn thing. Unless you have completed 58 years,
you are only prepping for Cronehood.
Here in Cronehood the air is thinner, the sparks are more visible, and the
dreams are deeper. In this land of Cronehood my heart is at peace, my anger
is barely lurking. My curiosity is up, my energy is manageable. I do miss
sometimes the stormy queen hood I had enjoyed, the tearful ups and downs of
love, the everlasting waiting for things to move faster. But now I feel it's
all unfolding as it should. If I am careful and keep holding the Lady's
hand, I'll get another destiny, a third wind, another passion, a higher
love.
The bones do hurt more, the joints cry out for their former selves, I swim
and eat well, take Nettle as my daily tea.
Life still loves life through me. Life makes love to life in me. The planet
earth is awesome and I treasure that I am here. But each birthday the ghost
of lost youth also comes by to collect.
"Hmm. this year I'll take the spring in your steps," she says," and I take
your lips, leave you thinner ones, give your arms and elbows a little more
pain as a reminder. Just one word to you, floss, brush, and stop the
sweets."
"Go away!" I cry. And if you want to tell me how wonderful it is to be old,
how wonderful we look, and how great we can be, well yes, you are right,
considering the alternatives.
When I was just into my Queen hood, around 1975, the Holy Book of Women's
Mysteries was written with my coven, the Susan B Anthony Coven Number One.
Into this body of work we have set down all the passages of life, including
Croning which to us was still a distant ritual. It awes me to think in the
midst of our second destiny lives we made time to dream up the future. And
how powerful those mornings have become, looking back; we were eating
breakfast, dipping fries, at Mama's Cafe in Malibu and coming up with
visions, rituals, casting a long shadow into the future. You'll never know
when you make history.
The first Croning performed was much later in 1978 for Maxine who was a good
friend. It took place at her apartment on Brooks in Venice and we built the
altar so big it covered most of her living room. We used bells in those
days, ringing out each year she lived. When the ritual was performed, our
bodies were actually in the sacred space, it was powerful and transforming
for those of us who looked ahead while she was looking behind, appreciating.
Never were older women so different from the way we used to be old. Today,
at the turn of the millennium, we are blessed with the highest number of
older women Croning all at once. The Baby Boomer generation which was a
backlash to the death toll of World War 2 is now coming home, Croning. The
world's consciousness is changing in quantum leaps as well. It takes an army
of Crones to usher in the Age of Aquarius.
Ohh you want to know about the historical background of Croning. I am afraid
to tell you, lest I burst your bubble. No, there is no direct evidence of
any kind for ancient croning rituals. All I had when I first started
reclaiming it was that in a culture where menstruation was a ritual, so must
be aging. In my country the older women are dressed in black, with black
babushkas on their heads. When did they assume the colors of black? It
vibrates with the energy of Urdh, the Fate Goddess of the past and
beginnings. Black is the primary sacred color of the universe. It contains
all colors. The total black outfit served as a kind of uniform.
I have never found out just when the older women first appear in black. Was
there a ritual as for the married woman, whose heads get wrapped with a
babushka of many colors? No clue. But that isn't bothering me as a
priestess. I receive revelatory information, I meditate over something and
answers come. So sometimes a culture is so lost, yet so obviously in front
of us still alive. I have found many clues in folk art, folk dresses, folk
dances, folk poetry, and songs. But nothing about Croning. I just created it
based on the patterns of other rituals for which there was evidence.
There is also a question, is the new Crone up to the black? When I thought
about these things and reclaimed the Croning as a women's ritual, I was more
partial to purple. Purple is a power color, it's synthesis, hence a wisdom
color. I imagined the Crones to be more in the realm of purple, the
amethyst, the garnet, the opal. A Crone ring to be worn, as the black
babushka once was worn. I have rewritten what I knew from my culture, and
transformed it in a feminist context that is appropriate to the USA. I doubt
very much that the Croning ritual would be so popular if I had said we all
had to dress in black babushkas and black dresses, black shoes!
I had no idea that Women's Spirituality would grow to the large proportions
it has. Nor could I imagine back then how there would be one day a magazine
for Crones, and rituals of Cronings all over the USA. This is the gift of
time, when you realize what seemed like a fun Sunday morning writing the
material, is now touching lives and transforming gloom. I am truly grateful
for this .
Nowadays I am receiving the gifts I have sent on their way thirty years ago.
Such was my own Croning, performed at the International Goddess 2000
Festival in La Honda. The sacred circle was the well of a Greek Theater
called Gaia's Bowl. The circle itself represented the fullness of life. I
had to circle from the east moving from point to point, the childhood part
of the circle, the young woman part, the queen part, then the Crone part. I
walked around with a white wolf mask on my head. Good thing, when I got to
the end of Verdandi (second destiny) I shivered and shook, realizing how
close I was to the end of life. I just stopped and sobbed. I really felt
saying goodbye to my strength, goodbye to my wild sexual self, to the queen
that I was. Goodbye to my bubbling energy and walked slowly into Crone
territory. I was never the same after that. I threw into the fire sacrifices
of cinnamon sticks for good luck, because I have one more destiny coming.
My Mother did not have a Croning, but at the age I am now, she called me
home for her "coronation". This was 1977 and she had built a "Pagan Temple"
which was shown at the Museum. Mother was a Temple Raiser. Under the
disguise of Art, mother managed to create a worshipful space to the SOURCE
of life. Little girls in folk dresses came to see her and in their eyes
there was respect and joy, they too wanted to be one day artists like my
mom. I had to leave the space and cry in the corridors because I was so
moved.
The temple featured a center piece, the Source, very female, folk artist,
intricate and sophisticated circles interlocking with circles.(published in
the Holy Book of Women's Mysteries) It had Adam and Eve projected out from
her shoulders, as themselves, no longer snow white like the rest of the
show, but standing apart as the only works in flesh colored terra cotta. The
visitors stopped to pray at the Goddess statutes, some left flowers behind.
Some lit candles. The Museum guards looked the other way. I ran out again to
cry for joy. I was so proud of my mom. I could see how her work, raising the
Goddess temple, and my work, creating the rituals that go into it, clearly
were soul related.
Many years have passed since. All our combined efforts created a powerful
Goddess Movement, and from it the Crone movement. It all hangs together like
the webbing of life. We are all creating, staffing our century. We are all
working for the Fates.
The Crone goddess of course is every one of them, since they are all
trinities, and the third aspect is always the Crone. But the most impressive
ones I love are Alecto, Tisiphone and Mageara. I have written a whole play
for them (Rise of the Fates) and how they will save our world. These three
names were forbidden to be uttered under the threat of death by the Greeks.
So you know they are the real names of the Weird sisters, the Fates. Alecto
begins the thread of life, Tisisphone develops it, and Magera (whose name
means the abyss) cuts the threads when they have done what they were spun
for. The three are actually one force, life.
You have to see the three fates as Energy, Matter and Meaning. All the
female deities are emanations of the Three Fates. All of the goddess
thealogy we have been developing come from this original trinity. And it is
this trinity that gives us the new paradigm from the old duality. As soon as
you start thinking in trinities, you are thinking holistically.
The fates teach us that women are humanity. Men are our sons (hence part of
us). There is no separation in the bigger picture. Together we make up the
human species, subject to star influences, enduring astrological ages, the
winds of time.
As we march into the future and the old world dies off more and more, we
will be the old world soon. We will be the establishment. Oh horrors and oh
blessings!
Many more women come into the beginning, closing up the ranks. There hasn't
been a generation gap since the sixties. And there won't be any for a long
time.
We are one block of herstory, one savvy chain of generations, one strong and
active generation that is going to continue to change the world. When we are
done, being old will be fashionable, stories and movies about old people
will be normal, and we will live a long time.
Don't worry about the Goddess Movement getting watered down when it goes
mainstream, because this is supposed to be a folk culture spirituality. Not
a close knit cult. Nor an organized religion. It is supposed to build
communities.
In fact don't worry about any of it, just do your part, little bites at the
time. The Fates will fit it all together smartly. They are good at
historical webbing. Blessed be! |
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