Total Film
                               july 2001

                               The Brit actress returns for another bout of mummy-bashing

                               Rachel Weisz made her film debut just five years ago, lying topless next to a pool in Bernardo Bertolucci's
                               Stealing Beauty. She's been working virtually non-stop ever since. Stealing scenes from her higher profile
                               co-stars, whether resting the severed head of Ewan McGregor in her lap in the BBC mini-series Scarlet & Black or
                               stalking Ralph Fiennes as his lusty sister-in-law in Sunshine. She has also twice "done" the Hollywood thing.
                               The studios first beckoned after Stealing Beauty; the result was a starring role opposite Keanu Reeves. Sadly
                               for Weisz, the movie, Chain Reaction, turned out to be a turkey. So the Cambridge grad headed back for native
                               soil and rebuilt her reputation in a string of UK indies like Amy Foster, Michael Winterbottom's I Want You and
                               The Land Girls, before Hollywood came calling again.
                               This time, Weisz hit the jackpot with The Mummy, and her role as nerdy, curvy Egyptologist Evelyn. Despite the
                               opportunities that rolled in on the back of the '99 blockbuster, however, Weisz has kept her feet - and career-
                               firmly panted in British soil. She recently starred in Beautiful Creatures and played a Russian soldier in Enemy at
                               the Gates. The 30-year-old actress is back doing battle with the undead in The Mummy Returns.
                               How did you end up getting hired for the original Mummy?
                               I went to the Sundance Film Festival, where Land Girls was premiered, then went on to Los Angeles, did rounds
                               of meetings, and went home. But they wanted me back for 24 hours to audition with Brendan for The Mummy. I
                               traveled over one day, auditioned the next and left the same afternoon for the return trip - more than 12,000
                               miles. But it was worth it.
                               Did The Mummy's unexpected success have a big impact on your life?
                               It gave me my first big box office film and that always means something. But I haven't been back to Hollywood
                               since it came out. I did a play and a couple of other small-budget films and honestly didn't think about it. Then
                               there was Enemy at the Gates, which is doing well, but again I didn't really have time to test the impact. But I
                               do intend to visit Los Angeles when The Mummy Returns is out, so we'll see what happens.
                               What's your attitude to fame?
                               I honestly don't think about celebrity. I think of acting as some sort of vocation - which I know sounds
                               pretentious - and I'm quite surprised I'm even getting paid for enjoying myself. The pay really is indecently
                               large - even for small-budget films. You can get a lot of money from making films and it's a luxury to then be
                               able to play at the Donmar. It also helped when I bought my first place in London about three years ago. I've
                               had some financial advice from my dad. He's always going on about writing my will, and says I should look after
                               my financial affairs.
                               Can we expect to see any big changes in Evelyn in The Mummy Returns?
                               It's the first time I've actually aged up in a film and the first time I've played a mum. But there's no mumsy
                               stuff when it comes to the action. And there isn't much of a librarian left in my character. I spent four months
                               training in martial arts. I got to kick more butt this time.
                               Was there any rivalry between yourself and girl fight partner, Patricia Velasquez?
                               We were training together, so we got on really well. Neither of us had any idea what we would be doing - or how
                               hard it would be - so we just bonded. Patricia is a very beautiful former model and has a million friends in
                               London. She knows more people in Britain than I do. She didn't need looking after at all. But our routine during
                               filming was really tough: up at 5:30 every morning, work all day, to bed at 10. It can ruin a girl's social life.
                               How did you find working with Brendan Fraser a second time?
                               Brendan is quite mysterious. He's very gentle for a big action man and almost courtly in his manners. He always
                               speaks softly. He's like someone from another age - he's not quite modern. Having worked with him on two
                               films, I just can't imagine him ever falling out with anybody.
                               What's the result of working non-stop for a year?
                               Total exhaustion. I did Beautiful Creatures first, then Enemy at the Gates in Berlin and finally The Mummy
                               Returns, with hardly any rest in between. I went on a road trip from New Orleans to New York with a girlfriend.
                               We went to Elvis Presley's home - Graceland. I had a brilliant time. But I was reminded why I'm an actor on this
                               trip. The whole South of America in a different world; Louisiana, in particular, is incredibly racist. We were
                               hanging out with some black friends - two musicians and a doctor - and had linked arms in the street. The white
                               men were giving us some really odd looks and there was tension in the air. A friend said that about 10 years
                               ago they would probably have beaten us up.
                               Are you critical of your judgment when it comes to picking movies?
                               I'm quite philosophical. I was so proud of Amy Foster, for example, but that was trashed by the British critics. It
                               made me step back and think: "Gosh, my taste is really at odds with the world." Now, I go along, do my best,
                               and realize that I can't do anything about what people think."