Puroresu Greats and Legends
In Japan, Pro-Wrestling has an amazing legacy. Sumo and Judo were popular sports and many Japanese stars traveled overseas or brought catch-as-catch-can wrestlers to Japan to prove their disciplines supremacy. In the early twentieth century, American hooker Ad Santel was tied to wrestling in Japan, battling judokas in America, touring Japan himself and influencing a number of young judokas in pre-war Japan. After World War II, Japan was occupied by Americans and this new sport entered Japan with more successful results. Sumo wrestlers and judokas often left their sports to take part in pro-wrestling ("puroresu" as it became known). After native stars began establishing themselves, traveling abroad and promoting cards themselves, puroresu became firmly established in Japanese culture. On the underground, women's wrestling was even established in the 1950s and steadily grew a cult following and by the end of the 1960s, All Japan Women (Zenjo) was formed by the Matsunaga brothers who took Joshi Puroresu to its greatest heights. In 1953, a former sumo Rikidozan returned from an American tour and had the support and charisma to become a superstar.
Rikidozan's Japan Wrestling Association was formed and he bought up or starved out his competitors. He was the boss and the top star, battling Gaijin (foreigners) from all over the world. Then in 1963, Rikidozan died and the landscape of puroresu began changing. Many fans were turned off by Riki's ties to the yakuza and pro-wrestling lost its luster for a time. Power struggles over the company and over the country began. The first lasting company to be created was International Wrestling Enterprise. In the late 1960s, JWA's top stars were Giant Baba and Antonio Inoki. Baba was the top star and Inoki was second, which led to frustrations for Inoki, who repeatedly tried to seize power and create something for himself. He eventually succeeded with New Japan Pro-Wrestling, the JWA closed and All Japan Pro-Wrestling was the phoenix that rose from its ashes headed by Giant Baba. New Japan and All Japan battled throughout the 1970s and 1980s with the IWE carrying the role of the third company. Then in the early 1980s, a new guard of frustrated young talent formed a new group, Union of Wrestling Federation, which promoted a more realistic form of pro-wrestling. This created a powerful trend in puroresu. First, was the succession of Shoot-style companies that formed in the next twenty years. Second, was the push for new, innovative companies. The two most notable were Frontier Martial-arts Wrestling, which became wildly popular for its bloody death matches (which became a niche form of puroresu), and the short-lived Universal Pro-Wrestling, which focused on a faster product based on Mexican Lucha Libre. FMW lasted and had its ups and downs, Universal though did not last long, but created a ripple effect on the independent wrestling scene. Another approach was poaching stars and creating another traditional company, which is what Super World of Sports tried at and failed. They were succeeded by the lower scale Wrestling Association "R", which lasted much longer. As the millienum drew to a close in Japan, kakutougi (combat sports) were going through a significant transition. Pro-wrestling was declining and Mixed Martial Arts and Kickboxing were growing. Although there is a market for it still, puroresu is currently in a weakened state, waiting for the next big thing.
JWA - Japan Wrestling Association (1953-1973)
Rikidozan was what Occupied Japan longed for in a hero. He was a legitimate fighter with the strength to challenge
Americans in the pro-wrestling ring. While other promotions existed, JWA consumed them and Rikidozan defeated their top
stars. Over the next few years, Rikidozan was wrestling the best pro-wrestlers from America and estabilshing himself and
his product. Everything was building when he died after an altercation with a gangster and pro-wrestling in Japan nearly
died. There was no star to take over for Rikidozan and his ties to the yakuza (Japanese mafia) had been made public and
pro-wrestling was branded with a negative stigma. Power struggles throughout the 1960s depleted the Japanese pro-wrestling
scene, but new stars were being established. JWA's top stars continually left or were forced out and in 1973 the promotion
closed.
Shohei "Giant" Baba [54%]
Haruka Eigen
Antonio Inoki [70%]
Masahiko Kimura
Shozo "Strong" Kobayashi
Great Kusatsu
Hiro Matsuda
Mitsuo Momota
Masashi Ozawa
Kintaro Oki
Rikidozan
Thunder Sugiyama
Akihisa Takachiho
Toyonobori
Michiaki Yoshimura
Yoshinosato
IWE - International Wrestling Enterprise (1966-1981)
After Rikidozan's death, the JWA was often in disarray. The chairman of their business office, Isao Yoshiwara, left
the company and planned to open a new company. He took some young talent, aligned himself with Hiro Matsuda (who had
American contacts) and developed a working relationship with Toyonobori and Antonio Inoki's startup Tokyo Pro-Wrestling.
After Tokyo Pro folded, IWE took on most of their talent. In the late 60s, they established the IWA World Championship,
the first title of its kind in Japan. Lou Thesz and Great Togo also became involved with the growing product. After
securing a TV deal with TBS (Tokyo Broadcasting System), the IWE was firmly positioned as the main opponent of JWA. They
continued to strengthen their international connections in the late 60s and early 70s. IWE did not have the
best wrestlers, but they became popular for their gimmick matches such as steel cage matches and chain matches. TBS did
not care for the bloodshed, but it had an impact on the puroresu scene. By 1973 there were two new companies with bigger
stars on top and the JWA was dead. Throughout the 1970s, the IWE was the third company in Japan and they often worked with
New Japan and All Japan. After folding in 1981, IWE's roster were assimilated by the bigger two companies. The most
established stars were past their primes and were never pushed as top stars past their initial appearances. IWE's
contributions to the puroresu world seem lost among the fall of JWA and rise of New Japan and All Japan. In the mid-90s,
Goro Tsurumi formed a revival group in a couple forms that was basically a small independent with no real ties to the IWE
heritage other than similarities in name and Tsurumi himself.
Kim Duk
Haruka Eigen
Hiromichi Fuyuki
Higo "Animal" Hamaguchi
Ashura Hara
Mach Hayato
Kantaro Hoshino
Mighty Inoue
Rusher Kimura
Strong Kobayashi
Great Kusatsu
Hiro Matsuda
Kintaro Oki
Masa Saito
Apollo Sugawara
Thunder Sugiyama
Isamu Teranishi
Great Togo
Toyonobori
Goro Tsurumi
Umanosuke Ueda
NJPW - New Japan Pro-Wrestling (1972-)
Antonio Inoki is the king of self-promotion. In the JWA, he was always second to Giant Baba and in 1966, tried to
start a company with former JWA president Toyonobori, but it did not last long. During his second run with the JWA, Inoki
was the top star of the NET station's new JWA show. In 1971, he grew frustrated again and after a failed coup, Inoki left
and his second promotion attempt, New Japan, was a success. Now the Inoki-Baba rivalry was taken to a new level as they
became the respective heads of their own companies. NET (which became TV Asahi) cancelled their deal with JWA and started
airing New Japan. Throughout the 70s and 80s, Antonio Inoki established himself by battling foreign pro-wrestlers, winning
foreign championships and challenging fighters to elevate his legitimacy. Over the next decade, he developed ties with the
NWA and the WWF (in the US), the UWA (in Mexico), Stampede (in Canada), the CWA (in Europe) and other companies around the
world with the goal of promoting the most global pro-wrestling company. In the late 80s, Inoki began phasing himself out
and Tatsumi Fujinami and Riki Choshu tried to shoulder his legacy. Many stars had left due to Inoki. Tiger Mask became a
huge star in the early 80s as a groundbreaking junior heavyweight and influenced a generation of young pro-wrestling fans.
Akira Maeda left twice to start more realistic pro-wrestling companies. There had never been superstars established to
fully take over for Inoki and it took a few years before the next wave of stars took and they saw New Japan through its
greatest financial successes in the late 90s. The wave in the new millenium has been met with similar challenges as the
pro-wrestling landscape was deluded with numerous companies and rising interest in mixed martial arts and kickboxing.
Riki Choshu [66%]
The Cobra (George Takano)
"The Dragon" Tatsumi Fujinami [81%]
Yoshiaki Fujiwara (Worked Shoot)
Ryuma Go
Gran Hamada [64%]
The Great Muta [70%]
Animal Hamaguchi
Hiroshi Hase [60%]
Shinya Hashimoto
Norio Honaga
Kentaro Hoshino
Antonio Inoki [70%]
The Great Kabuki
Killer Khan
Kengo Kimura [54%]
Kuniaki Kobayashi [63%]
Shiro Koshinaka [63%]
Akira Maeda (Worked Shoot) [71%/73%]
Kendo Nagasaki
Mr. Pogo [36%]
Masa Saito
Seiji Sakaguchi
Nobuhiko Takada (Worked Shoot) [73%/75%]
Genichiro Tenryu [76%]
Tiger Mask [86%]
Ultimo Dragon [80%]
Kazuo Yamazaki
AJPW - All Japan Pro-Wrestling (1972-)
Giant Baba was the superstar that helped JWA resurrect after nearly dying following Rikidozan's scandalous death. He
had so much appeal and the company made him their focal point. Television contracts led to problems and Baba's eventual
departure. Working with Rikidozan's sons and Nippon TV, Giant Baba started his own company, opposite of Antonio Inoki's
upstart New Japan promotion. An early signee by the company was a former Olympian, Tomomi Tsuruta, who was named "Jumbo"
by the fans. Baba cleverly made himself the drawing card, but pushed Tsuruta for his ability and became a key character
when Baba could not be top star anymore. While he and Inoki feuded throughout the 1980s by raiding talent, Baba usually
came out on the better end with his stars often returned (with fresh interest) and he was able to utilize stars more
effectively. As the 1990s rolled in, All Japan was able to transition wonderfully. Baba was still appearing on the
undercard, Jumbo Tsuruta had an excellent feud with Genichiro Tenryu, who left the company suddenly to headline for a new
group. Tsuruta was able to spend the last years of his career working with the deep talent pool that was coming up and the
company had secured the best gaijin talent. Mitsuharu Misawa was put over by Tsuruta and given a big push and his
supporting cast over the next decade was highlighted by: Toshiaki Kawada, Kenta Kobashi, Akira Taue and Jun Akiyama.
Gaijin talent in the first part of the 1990s was formidable as well: Stan Hansen, Steve Williams, Terry Gordy and the
Can-Am Express (Dan Kroffat and Doug Furnas). While New Japan had innovative angles and more well-rounded cards, All
Japan's traditional style (referred to as the "King's Road") was producing far superior matches that perhaps no promotion
will rival. In 1999, Giant Baba passed away and his wife and Misawa took over the company. Problems between the two led
to Misawa leading an exodus of pro-wrestlers and staff members that threatened to kill All Japan Pro-Wrestling. Mrs. Baba
took control, supported by Kawada and long-time undercarder and trainer Masa Fuchi. The company began relying heavily on
outside talent and brought back Tenryu who brought in his allies from his own promotion. The weakened All Japan aligned
itself with New Japan and began running interpromotional matches. Keiji Muto had completely revitalized his career and
turned his focus to All Japan before officially jumping and taking over the presidency of the company. Muto has worked to
reestablish All Japan by stablizing the roster, developing gaijin talent and allowing the promotion to stray from the
"King's Road."
Shohei "Giant" Baba [54%]
Riki Choshu [66%]
Haruka Eigen
Rusher Kimura
Masanobu Fuchi [53%]
Hiromichi Fuyuki
Gran Hamada [64%]
Ashura Hara
Hiroshi Hase [60%]
Hayabusa [80%]
Norio Honaga
Mighty Inoue
The Great Kabuki
Killer Khan
Kengo Kimura
Kuniaki Kobayashi [63%]
Hiro Matsuda
Mitsuo Momota
Kendo Nagasaki
Masa Saito
Genichiro Tenryu [76%]
Isamu Teranishi
Jumbo Tsuruta [81%]
Yoshiaki Yatsu [54%]
UWF - Union of Wrestling Federation (1984-1985)(1988-1990)
In 1983, New Japan had young talents that were growing tired of the pecking order that held them back despite their
popularity with the crowd and innovative styles. At the forefront was Akira Maeda had an innovative style and dynamic
personality, but never became the heir to Inoki that maybe he should have been. These two in addition to other frustrated
talent left the company to start their own group, the UWF. Several of the founding members left when it was decided the
group would feature a more realistic shoot-style. The company was joined by Satoru Sayama, the former Tiger Mask. Tiger
Mask had made more of a huge impact over his two years in New Japan than most pro-wrestlers have in a full career, but
retired suddenly in 1983. The company was doomed from the start with in-fighting (Maeda and Sayama had stylistic
differences) and poor business decisions bringing things down. Maeda led a group back to New Japan for a hot
interpromotional feud and he seemed poised to take a top spot, but a legit cheap shot on Riki Choshu led to his firing in
1987. He and his cohorts restarted the UWF and he secured some fresh talent from New Japan. Although the product was
sharper and they were more popular, this UWF also failed due to stylistic problems between Maeda and president Shinji Jin
who wanted to incorporate traditional and lucha libre styles. Yoshiaki Fujiwara formed his own company with some of his
students and Nobuhiko Takada was the star of a third UWF called "UWF International" and Maeda formed his own group
RINGS...CLICK HERE FOR MORE.
Yoshiaki Fujiwara (Worked Shoot) [71%]
Masakatsu Funaki [73%]
Ryuma Go
Gran Hamada
Mach Hayato
Osamu Kido
Rusher Kimura
Akira Maeda (Worked Shoot) [71%/73%]
Nobuhiko Takada (Worked Shoot) [73%/75%]
Tiger Mask [86%]
Kazuo Yamazaki
FMW - Frontier Martial-arts Wrestling (1989-2002)
Atsushi Onita had been an average junior heavyweight in All Japan who did not place much value on that smaller weight
class. After retiring in 1985, Onita realized he could create a company based on the violent brawling style that he had
witnessed when he was in Memphis, Puerto Rico and Amarillo. He gathered a ragtag group of pro-wrestlers and legitimate
fighters, made himself the top star and focused around brutal "wrestler vs. martial artist" matches. He eventually
directed the company toward gimmick matches, which were popular in Puerto Rico. In the 1990s, Onita innovated "death
matches" using barbed wire, explosives and other violent gimmicks. He came up with many dimensions to his promotion:
women's wrestling, martial artists, luchadors, veteran gaijin as well as new gaijin talent. As FMW grew successful, other
promotions started up and used the "death match" approach. First was W*ING, started by Wally Yamaguchi after a falling out
in 1991. They developed a cult-like following, but lasted only a short time. Afterward, Victor Quinones and others helped
start IWA Japan, which became a legitimate threat to FMW in the mid-90s. They raided a lot of talent as Onita was planning
to retire and ran the famous "King of the Death Match Tournament" on FMW's home turf, but ultimately they sank into near
oblivion and became a small indy while FMW kept chugging along. In his retirement match, Onita battled Hayabusa, who would
take over as the promotion's ace. In the last half of the 1990s, FMW developed a much better product and secured a lot of
the talent that had left for IWA Japan. Small promotions like Tokyo Pro and Big Japan were becoming attractions for the
FMW wrestlers who wanted more of the spotlight. FMW also developed alliances with All Japan, Michinoku Pro, BattlARTS and
ECW that helped spice up their product. Kodo Fuyuki began gaining more power in FMW and turned them toward a
WWF-influenced "Entertainment style" of pro-wrestling. The company had a great legacy and often delivered entertaining
matches, but they were slowly dying creatively and financally. FMW's stars began leaving and Onita himself began running
independent shows in opposition to the twisted remains of the FMW he had left years earlier. After Hayabusa broke his neck
in 2001, the company was without a star and company head Shoichi Arai declared bankruptcy and soon after committed suicide
to cover his debts. It was a grisly end to one of the most innovative and influential pro-wrestling companies. The roster
dispersed over the puroresu scene and many started promotions or worked for the various independents.
Kodo Fuyuki
Atsushi Onita [60%]
Hayabusa [80%]
"Mr. Danger" Mitsuhiro Matsunaga [49%]
Mr. Pogo [36%]
Genichiro Tenryu [76%]
SWS - Super World of Sports (1989-1992)
In 1990, Genichiro Tenryu surprised the puroresu world by signing with Megane Super, a large eyeglasses company, which
would be the money backer behind "Super World Sports." Tenryu had been Jumbo Tsuruta's main rival and his sudden departure
along with other All Japan undercarders and several wrestlers from New Japan led people to criticize this new company for
its liberal use of money. They soon signed a deal with the WWF and used stars from the USWA, but it was not enough to
compete with the two established companies. Their roster was not good enough and their gaijin did not have the appeal they
needed to help SWS and they closed up in 1992. Many of the stars formed independent companies: Yatsu founded Social
Pro-Wrestling Federation (SPWF), Nagasaki and others started Network of Wrestling (NOW), the Takano brothers opened
Pro-Wrestling Crusaders (PWC) and Tenryu took much of the roster for his WAR promotion. While the SWS was certainly not a
success, it created a big shake-up in the puroresu scene that was probably beneficial in the long run.
Don Arakawa
Hiromichi Fuyuki
The Great Kabuki
Ashura Hara
Kendo Nagasaki
Apollo Sugawara
George Takano
Shunji Takano
Genichiro Tenryu
Yoshiaki Yatsu
WAR - Wrestling Association "R" (1992-2000)
After the SWS folded, Tenryu focused on his own group. Originally called "Wrestling and Romance," they were a sound
third company for most of the 1990s. WAR gave many pro-wrestlers a chance beyond the independents and they did
interpromotional work with FMW and UWFi that helped those companies and their able talent. Due to being on bad terms with
All Japan, Tenryu worked with New Japan and was pushed very strongly and has perhaps beaten everyone of significance from
his generation. They held a "final" card in 2000. After the All Japan split in 2000, Tenryu returned and used many of
his WAR regulars to help rebuild the company. Since leaving All Japan, Tenryu has again become a popular freelancer and
ran a WAR reunion show in 2006.
Hiromichi Fuyuki
Animal Hamaguchi
Ashura Hara
The Great Kabuki
Shiro Koshinaka
Nobuhiko Takada (Worked Shoot) [73%/75%]
Genichiro Tenryu [76%]
Ultimo Dragon [80%]
Universal Pro-Wrestling (1990-1995)
Luchadors had always been popular in Japan, starting with Mil Mascaras in the 1970s. The Mexican style was exciting
and many Japanese were even sent there to learn the style. While many had returned to superstardom; Tatsumi Fujinami, Riki
Choshu and Tiger Mask being the premier examples. Some did not have much success. Gran Hamada was considered too small
and could not catch a break in Japan for most of his career. The Japanese were always presented with an impure lucha libre
product because luchadors were not working with each other and thus they reached their full potential. The time seemed right to try something new in Japan. The
UWF groups used realism, FMW was going to use violence, so why not a lucha libre group? There was not a focus on junior
heavyweights since Tiger Mask and his fans were now older and could become a paying audience. With the help of former New
Japan boss Hisashi Shinma, magazine writer Wally Yamaguchi and his student Yoshihiro Asai, Hamada helped get Universal Pro
off the ground with a mixture of young Japanese who were "too small" and able Mexican luchadors. They transformed into
FULL (Federación Universal de Lucha Libre), which eventually folded. While Universal Pro was a good group, it did not have
the native star power to achieve much success. It did expose some young new talent that would change the sport
dramatically in the 1990s. In 1993, Michinoku Pro largely took over the goal of Universal on a regional level and were
very successful with former Universal wrestlers making up most of the roster. They had a deep talent pool and quickly
established a following that made junior heavyweight wrestling a force in puroresu. Michinoku Pro stars started off-shoot
companies (Super Delfin's Osaka Pro and TAKA Michinoku's Kaientai Dojo), Ultimo Dragon began Toryumon and T2P (which later
combined and became Dragon Gate) and other smaller junior promotions have started up.
Yoshihiro Asai [80%]
Gran Hamada [64%]
Mexican Regulars
Tony Arce
Bestia Salvaje
Blackman
Black Power
Black Terry
Blue Panther
El Bucanero
Canelo Casas
Ciclon Ramirez
Dos Caras
El Espanto IV
El Espanto V
Jose Luis Feliciano
El Felino
Fuerza Guerrera
El Hijo del Santo
Kato Kung Lee
Kendo
Lizmark
Negro Casas
Negro Navarro
La Pantera II
Perro Aguayo
Scorpio Jr.
Shu El Guerrero
El Signo
Silver King
Solar I
Super Astro
El Texano
Dr. Wagner Jr.
Villano IV
Villano V
Foreign Legends (# of tours) (28/30)
Abdullah "The Butcher" (47)
Bad News Allen (27)
Andre "The Giant" (27)
Bob Backlund (18)
Nick Bockwinkel (14)
Bam Bam Bigelow (7)
Bobo Brazil (15)
Bruiser Brody (27)
The Destroyer (24)
Dynamite Kid (13)
Dory Funk Jr.
Terry Funk (31+)
Karl Gotch (11)
Terry "Bamm Bamm" Gordy (15)
Stan "The Lariat" Hansen (48)
Hulk Hogan (22)
Mil Mascaras (20)
Dick Murdoch (43)
Harley Race (33)
Road Warriors (10)
Billy Robinson (25)
The Shiek (12)
Tiger Jeet Singh (47)
Lou Thesz (11)
Big Van Vader (10+)
Johnny Valentine (6)
Fritz Von Erich (8)
"Dr. Death" Steve Williams (6+)
10+ Tours
Johnny Ace (?)
Adrian Adonis (11)
Gary Albright (?)
Black Tiger (14)
Nick Bockwinkel (14)
El Canek (14)
Calypso Hurricane/Cyclone Negro (11)
Ted DiBiase (14)
Dos Caras (13)
Ric Flair (11)
Chavo Guerraro (16)
Gypsy Joe (20)
King Iaukea (14)
Killer Karl Kox (11)
Mark Lewin (10)
Masked Superstar (20)
Dusty Rhodes (12)
Dick Slater (14)
Jimmy Snuka (16)
Tony St. Clair (11)
5-10 Tours (27/50)
Perro Aguayo (7)
Buddy "Killer" Austin (7)
Ox Baker (7)
Ron Bass (7)
Red Bastien (6)
Crusher Blackwell (7)
Freddie Blassie (8)
Jack Brisco (8)
The Crusher (5)
Dick the Bruiser (8)
Bobby Duncum Sr. (8)
Verne Gagne (6)
"Superstar" Graham (5)
The Great Togo (7)
Danny Hodge (8)
Gene Kiniski (8)
Ivan Koloff (7)
Killer Kowalski (6)
Boris Malenko (5)
Joe Malenko (3+)
Rick Martel (6)
Wahoo McDaniel (6)
Gorilla Monsoon (5)
Pedro Morales (6)
Blackjack Mulligan (5)
Pat O'Connor (7)
Bob Orton Jr. (9)
Ken Patera (6)
Pat Patterson (6)
Baron Von Rashcke (7)
Buddy Roberts (7)
Buddy Rose (5)
Nelson Royal (9)
Bruno Sammartino (8)
The Samoans (5)
Dutch Savage (6)
Davey Boy Smith (8)
Stan Stasiak (5)
Ricky Steamboat (7)
Les Thornton (6)
Mad Dog Vachon (6)
Greg Valentine (5)
Kerry Von Erich (8)
Kevin Von Erich (8)
Otto Wanz (5)
Steven Wright (6)
Larry Zbyszko (5)
3-4 Tours (27/48)
Chris Adams (4)
Ole Anderson (3)
Brian Blair (3)
Dino Bravo (3)
Jerry Brisco (4)
Jim Brunzell (4)
King Kong Bundy (3)
Carlos Colon (4)
Jim Duggan (3)
Bob Ellis (3)
Eddie Graham (3)
Fishman (3)
Bret Hart (5)
Owen Hart (3)
Bobby Heenan (3)
Curt Hennig (4)
Austin Idol (3)
Iron Shiek (4)
Bobby Jaggers (3)
Paul Jones (4)
Steve Keirn (3)
Nikita Koloff (3)
Ernie Ladd (3)
Blackjack Lanza (3)
Jos LeDuc (4)
Peter Maivia (3)
Dean Malenko (3+)
One Man Gang (3)
Paul Orndorff (4)
Tommy Rich (4)
Roddy Piper (3)
Jake Roberts (3)
Bob Roop (3)
Mike Rotundo (?)
Jacques Rougeau Sr. (3)
The Sheepherders (4)
Kenji Shibuya (3)
Sgt. Slaughter (4)
El Solitario (3)
Ray Stevens (3)
Big John Studd (4)
El Texano (4)
Jimmy Valiant (3)
David Von Erich (3)
Mr. Wrestling (4)
Tom Zenk (3)
1-2 Tours (20/40)
Bob Armstrong (2)
Brad Armstrong (1)
Hercules Ayala (2)
Big Bubba (2)
Cien Caras (1)
Buddy Colt (1)
Jerry Estrada (1)
Jackie Fargo (1)
Wayne "HTM" Ferris (1)
Dave Finlay (2)
Ronnie Garvin (1)
Eddie Gilbert (1)
Pepper Gomez (1)
Michael Hayes (2)
Gino Hernandez (2)
Dick Hutton (1)
Junkyard Dog (1)
Kamala (2)
Buddy Landell (1)
Stan Lane (1)
Jerry Lawler (1)
Dutch Mantell (2)
Lonnie Mayne (1)
Ray Mendoza (1)
Pirata Morgan (1)
Tom Pritchard (1)
Rock-N-Roll Express (2)
Tito Santana (2)
Bobby Shane (1)
Solar #1 (1)
Kevin Sullivan (2)
Dave Taylor (2)
Jesse Ventura (2)
Bill Watts (2)
Barry Windham (2)
Bearcat Wright (1)
Yokozuna (1)