Woody Allen's film, Crimes and Misdemeanors, offers us a lush resource of moral situations and questions with which to examine the ethical philosophy of Immanuel Kant, presented in his Groundwork of the Metaphysic of Morals. The film has a dual narrative which presents us with two characters that might each be considered main characters. The characters, who are played by Woody Allen and Martin Landau, have lives that are interconnected through mutual distant relatives and acquaintences. As the stories of these two characters progress we develop an image of each of them. Woody Allen would be seen as a generally good person. He is nice and friendly with everyone he meets(with one exception: his brother in law, played by Alan Alda). He has a sister and niece whom he loyally cares for and spends time with. He takes a special interest in that niece, sharing with her his favorite hobbies and interests. He has a wife, but that marriage is failing. He does handle this difficult situation with a great deal of respectfulness and regret, even finding the moral worth to go with her to a family gathering after their relationship has been broken - which he has no inclination to do. Through the course of the movie he is falling in love with a woman who works for Alda. He does not do this in an infidelitous way, but does pursue this woman as a love interest, after it is clear that his marriage is ending. Martin Landau, on the other hand, would not be seen as generally good. In many ways, he would be considered a "bad person." He is recognized as a good doctor and a wealthy philantropists. But, his methods in helping these charities were questionable, and he seems to have maybe even taken a personal financial profit from them. He is decades into a marriage which has given him children whom have grown up strong, happy, and healthy. Yet, he is cheating on his wife. He has a mistress with whom he keeps a scandalous love affair, leading to a double life split between his family and the mistress. Soon this mistress is no longer happy sharing him with his family, she wants him to be hers - apparently believing that he is, in the spirit of Plato's Aristophenes, her other half. She desires to be with him always, and will stop at nothing to attain that goal. Martin Landau has also made some questionable financial practices that, if revealed, could have a very negative effect on his life(the extent to which is left unclear). The mistress threatens to reveal his financially scandolous secret while demanding to speak to his wife. This would, in turn, reveal his love affair secret. He does not want any of this to happen. So, he has his brother, who has apparent connections to the mob, have her killed. All of Landau's actions - cheating on his wife, participating in a financial scam, and having the mistress murdered - are done out of pure inclination, and are often contradicting his duties. Therefore, his actions are entirely without moral worth. It is possible to imagine someone on their way out of a screening of this film thinking, "See, it's true: Bad people get all the good breaks and good people end up unhappy." If this person is not a student of Kant, they may even continue and build upon this thinking. "Therefore, we all should do what we need to do to become happy, even if we have to be dishonest or unfair to other people because it doesn't pay to be a good person." This conclusion is, perhaps, inspired by Woody Allen's flirtations with good outcomes following criminal activities. But it is unfortunately far off target from Kant's ideas of how to be happy. The conclusion runs directly opposite Kant's statement that, "a good will seems to constitute the indispensible condition of our very worthiness to be happy.1" Talents, qualities of temperament, or gifts of fortune are all essentially useless, "unless a good will is present by which their influence on the mind--and so too the whole principle of action--may be corrected and adjusted to universal ends." (Kant p. 61) What this is saying is that simply being a good person does not necesarily result in happiness or a good will. This is because it is not the outcome of a person's actions, or its impact on other people, that gives these actions moral worth. "A good will is not good because of what it effects or accomplishes--because of its fitness for attaining some proposed end: it is good through its willing alone--that is, good in itself." (Kant p. 62) With respect to a good will Kant is very direct in saying, "Its usefulness or fruitlessness can neither add to, nor subtract from, this value." (Kant p 62) Every person, then, should know what is to be done in order to possess a good will. One only needs to be asked, "'Can you also will that your maxim should become a universal law?' Where you cannot, it is to be rejected, and that not because of a prospective loss to your or even to others, but because it cannot fit as a principle into a possible enactment of universal law." (Kant p. 71) In order to create our good will we need to manage our actions to be in agreement with the one categorical imperative: "'Act as if the maxim of your action were to become through your will a universal law.'" (Kant p. 89) It is clear that, "To assure one's happiness is a duty." (Kant p. 67) Therefore, it would appear that one would want to generally be a good person in order to be happy. Since happiness can only be attained through a good will, and a good will is based on the catergorical imperative, one's actions will be agreeable to most, or all, who perceive these actions. Any action which can be willed to be universal law is an action which is fair and honest. It is probably also respectful and caring. Although it is not accurate to say that being a good person will lead to happiness, it is accurate to say that following the catergorical imperative is a prerequisite to happiness. Further, acting in accordance with the catergorical imperative appears to be very likely to lead one to be a a good person. Back to Reviews page Back to Philosophy page Ryan's Writings main page |
| Criminal Interpretation of Kant's Guide to Happiness using Woody Allen's Crimes and Misdemeanors by Ryan Cofrancesco |