Ygdrassil: Their World in Sound In Norse mythology, Ygdrasil is the tree of life. Ygdrasil's branches covered the whole known world and supported the universe. Ygdrasil had three roots going to each of the three levels of the world. Ygdrasil was a mighty ash tree that held the world together. Ygdrassil are Linde Nijland and Annemarieke Coenders. They are a pair of singers who conjure a magical world when they sing. When I saw them perform at De Broke Ground as part of the Access 2 Amsterdam festival, I was transported to another dimension. When they took the stage, they stood facing each other. Then they began to sing a Bulgarian folk song without accompaniment. The two women's voices blended in something more that just harmony singing. The intensity of their voices felt like a physical thing filling the room with. The duo sang with spare guitar accompaniment with clear, pure voices. Voices that create new worlds for those who hear them Annemarieke and Linde began singing together in 1991. After competing in various music contests around the Netherlands, they were signed by VIA who put out Ygdrassil (1995) and Pieces (1997). Linde released Visman, a Dutch language solo disc in 1998 while Annemarieke was finishing up her art studies. While recording We Visit Many Places, their label went bankrupt leaving the band to press on by themselves. We Visit Many Places came out on their own Real Harm label in 2000 and their fourth disc, Nice Days Under Darkest Skies came out in February of 2002. But that's getting ahead of the story. After their performance at De Broke Ground, I asked Ygdrassil for an impromptu interview. I was allowed to tag along as Max Ohlenschager from Radio Netherlands interviewing the band for his radio show and then had a chance to ask a few questions of my own "We do harmony singing," Annemarieke told us when asked to describe the music of Ygdrassil. "It's mostly close harmony, but in a way that both of our voices are equally important. We also sing our own songs and we experiment a lot using our voices as instruments. Our way of arranging songs in very intuitive. When you hear the third voice, it's about our voices fitting together very well. The intensity with which we sing brings that about." Ygdrassil have a very unique sound. It is clearly grounded in folk styles, but there is something going on that transcends easy classification. When asked, Annemarieke described their influences as "a bit of folk and pop and also influences like the way Bulgarian women sing. We both really like Joni Mitchell, but also I'm influenced by bands like Sonic Youth." "I'm more into folk," Linde continues. "I really look up to Sandy Denny. Nick Drake, Neil Young and Bob Dylan." When Ygdrassil perform, there is an emotional rawness that is hard to describe. The two singers stand exposed, technologically naked with only the bare minimum of electronic enhancement. Only microphones and pick-ups mediate their sound, and sometimes even those are abandoned. The most powerful moment in their Amsterdam show came when the women put down their guitars, stepped away from their microphones, faced each other and filled the ancient theater with two voices sounding like a choir. The group's sound is powerful but hard to categorize, pigeonhole or market. When we asked about their unique performance style, Linde commented, "In a way, it's our strength. We don't do any show around it, we just sing. Some people like the way we look, the way we sing." "It's about communicating," Annemarieke continues addressing the way they often sing looking at each other instead of the audience. "It's also about improvisation. It's about responding in the moment that things are happening. It's also about constantly tuning into each other. It's about enjoying what we're doing too. Sometimes people forget that, but it's very important. We're not robots!" As wonderful as their music is, Ygdrassil still have to deal with the fundamentals of music as a business. "It was very nice," Annemarieke says of their time on VIA. "They gave us the chance to make CD's and they let us do very nice packaging. At the moment, we release everything independently; we're doing things ourselves. It's good because now we're the boss." "We have a distributor, which helps," Linde continues. "It is difficult to get the right amount of media attention. Some people only know of our first CD. They really like us, but they don't even know that there is a second or third and that there will be a fourth. It's not that we're ignored. We get very good reviews in the press. We're just stuck in the lower end of the music world." "We have to work to not get stuck," Annemarieke concludes. Linde sums up their situation saying, "Our problem is that we don't fit anywhere, so we fit everywhere." Ygdrassil CD's are available from www.bol.com. |
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